REVIEW: Evita – Eastwood Park Theatre, Giffnock

On one hand a masterclass in social climbing: B Movie actress and nightclub ‘hostess’ rises to become the saintly spiritual leader of the poorest and most disaffected in her country, on the other a portrait of a social climber who achieved riches and power in a finely calculated rise to the top. Tim Rice and Andrew Lloyd Webber’s Evita is both a love letter to the saintly Eva Peron and an expose, through Che’s contradictory narrative that highlights Eva’s part in husband Juan Peron’s violent dictatorship, their silencing of enemies and the misappropriation of ‘charity” donations.

Evita is also a show melodically complex and huge in its staging, so it’s a brave undertaking for an amateur company, but Runway Theatre Company prove they are more than a match for Rice and Lloyd Webber’s epic musical.

The stage teems with life and under the disciplined direction of Robert Fyfe the hugely talented cast keep it tight and focussed throughout. Worthy of note is Greg Robertson’s exceptionally clever choreography, which plays to the strengths of a cast that varies in age and ability. At all times it is on-point and highly effective. There are some shining stars in the cast: as Che, Johnny Collins’ performance would put some recent castings in professional productions to shame, his diction is crystal clear and his delivery of Che’s iconic songs, in particular “Oh What a Circus” and “High Flying Adored”, are beautifully judged. Runway regulars J. Campbell Kerr (Peron) and Tom Russell (Magaldi) are in supremely fine voice as ever, as is newcomer Christina Rose Leon as Peron’s mistress. Less successful is Caroline Telfer as Eva, strong in her lower range, she ventures into shrillness in the soaring high notes, she also struggles in duets with Kerr and Collins, appearing to fight against the pair, who are both vocally excellent, instead of harmonising as the melodies require.

Runway do full justice to the dramatic intensity of Rice and Lloyd Webber’s much-loved work. This is a hugely accomplished staging with a stunning ensemble and strong core casting. As ever it leaves you waiting and wondering – what’s next from this exceptionally fine company?