Tag Archives: Glasgow

INTERVIEW: Peppa Pig talks ahead of ‘Peppa Pig: My First Concert’ UK Tour

Peppa Pig: My First Concert is a fun and interactive introduction to a live orchestra will take Peppa Pig fans on a magical musical journey. Peppa visits Glasgow on the 9th and 10th of February.

This production is based on Entertainment One’s popular animated television series, Peppa Pig, and gives children a chance to experience their first concert in a way that is truly meaningful to them. Specially designed for the youngest audience members, this allows them, together with Peppa, to discover an orchestra for the first time. Perfect for little ones, to capture their imagination and introduce them to a whole new world of music.

We talk to our favourite little piggy, Peppa Pig, before she goes back on the road with the second leg of her first ever concert.

My First Concert opens in February – for all tour dates, visit: https://www.peppapiglive.com/my-first-concert.php

So Peppa, are you excited to be going to a concert with your family this summer, and of course to see an orchestra for the first time?

Yes. Oink! Oink! Hee Hee Hee! I’m very excited to visit all these new places and I hope I get to make some more nice friends.

Have you been to a real-life concert before?

This is my first one! I can’t wait to see all the instruments being played on stage and hear all the different sounds they make.

Who are you going to the concert with?

Mummy, Daddy and George will also be there with me. I think we might even get to join in!

What are you looking forward to the most about the concert?

Listening to all the lovely music and joining in on all the songs I already know, like my favourite, the ‘Bing Bong Song’!

What’s your favourite instrument?

My favourite instrument is the French horn. It looks so fun to play and the noise it makes is so loud! I think George is probably going to like the drums the best.

 

  • 9 – 10 February 2020
  • GLASGOW
    Royal Concert Hall
  • 0141 353 8000
  • BOOK NOW

 

NEWS: CASTING ANNOUNCED FOR UK TOUR OF JB PRIESTLEY’S AN INSPECTOR CALLS

The full cast of the UK and Ireland Tour of Stephen Daldry’s seminal production of JB Priestley’s classic thriller AN INSPECTOR CALLS which runs at Theatre Royal Tuesday 24 – Saturday 29 March, has been announced. 

Liam Brennan will play Inspector Goole, Christine Kavanagh Mrs Birling, Jeff Harmer Mr Birling, Alasdair Buchan Gerald Croft, Chloe Orrock Sheila Birling, Ryan Saunders Eric Birling and Diana Payne-Myers Edna. The cast is completed by Michael Ross, Portia Booroff, Elissa Churchill and Jonathan Davenport.

Liam Brennan’s theatre credits include Richard III and Twelfth Night at Shakespeare’s Globe, and Diary of a Madman at The Gate, for which he was awarded Best Actor at the Edinburgh Festival in 2016.

Christine Kavanagh’s National Theatre credits include Man and Superman and Albert Speer and the National Theatre UK Tour of Hedda Gabler. Her West End credits include The Importance of Being Earnest at the Harold Pinter Theatre. With the Royal Shakespeare Company Christine has performed Macbeth and Much Ado About Nothing. Her other credits include A Doll’s House, Travesties, She Stoops to Conquer and The Rivals.

Jeff Harmer’s credits include playing Berrard in the national tour of Bird Song. His other theatre credits include Fox on The Fairway, Out Of Order, Donkey’s Years, Romeo & Juliet and As You Like It.

Alasdair Buchan’s West End credits include Urinetown: The Musical at the Apollo Theatre and St. James’ Theatre and Richard III and The Pride both at Trafalgar Studios. His further credits include Seanse at The Other Palace, playing Sherlock Holmes in the UK Tour of Sherlock Holmes at the Crimson Cobbles and the UK Tours of Night Must Fall, A Little History of the World, The Importance of Being Earnest, Someone Who’ll Watch Over Me and The Lost World.

Chloe Orrock’s credits include playing Sybil Vane in The Picture of Dorian Gray and PC Abrahams/Nurse Davis in Too Much Punch for Judy both Upstairs at the Gatehouse. Chloe has performed her new spoken word short play Of Sirens and Other Monsters at the Pleasance Theatre in Islington and the Brockley Jack Theatre.

Ryan Saunders’ West End credits include playing Freddie Beanstock in Hobson’s Choice at the Vaudeville Theatre and Sweet Bird of Youth at the Old Vic. His further theatre credits include the UK Tours of The Mousetrap, The History Boys, The Madness of George III, Mrs Warren’s Profession and Shards and playing Clifford Bradshaw in the English Theatre of Frankfurt production of Cabaret.

Diana Payne-Myers’ credits include Strange Fish, Boxes and Le dernier chaperon rouge.

Since 1992, Daldry’s production of AN INSPECTOR CALLS has won a total of 19 major awards including four Tony Awards and three Olivier Awards. It has played to more than 4 million theatregoers worldwide and is the most internationally-lauded production in the National Theatre’s history.

Written at the end of the Second World War and set before the First, AN INSPECTOR CALLS is a compelling and haunting thriller. The story begins when the mysterious Inspector Goole calls unexpectedly on the prosperous Birling family home, shattering their peaceful family dinner party with his investigations into the death of a young woman.

JB Priestley’s brilliantly constructed masterpiece powerfully dramatises the dangers of casual capitalism’s cruelty, complacency and hypocrisy.

An Inspector Calls

Theatre Royal,Glasgow

Tue 24 – Sat 28 Mar 2020

Tue-Sat 7.30pm

Wed, Thu, Sat: 2.30pm

www.atgtickets.com/glasgow

WHAT’S ON FEBRUARY: Whatever Happened to The Jaggy Nettles

It’s 1978. Unemployment and violence darken every Glasgow close, Scotland have been knocked out of the World Cup, Grease is at the top of the charts and seminal Scottish punk band The Jaggy Nettles are imploding.

Whatever Happened to the Jaggy Nettles? is performed by the Citizens Theatre’s WAC Ensemble, Scotland’s first care experienced theatre company. The company aged 18 – 26 have been working with the Citizens Theatre to create this exciting new play written by Martin Travers and directed by Guy Hollands with original new songs performed live on stage.

12 – 15 February 2020 at Scottish Youth Theatre, Glasgow

 

INTERVIEW: Foil Arms & Hog

Foil Arms and Hog will be heading to the  King’s Theatre, Glasgow on Sunday, 23rd February 2020.  Here they talk about their new show Swines.

Sean Finegan, as befits his status as the straight man in the Irish sketch group Foil Arms and Hog, is the spokesman for the trio off stage. It makes life easier for us to speak directly, he says, adding drily: “Otherwise I might say something witty and you’d attribute it to one of the other guys.”

We chat about their latest show, Swines, which is touring the UK after a sell-out season at the Edinburgh Fringe, but first Finegan explains how the trio met and got their distinctive name.

Finegan (Foil), Conor McKenna (Arms) and Sean Flanagan (Hog) were studying at University College Dublin (reading architecture, engineering and genetics respectively) 12 years ago, when they met through their shared love of performing.

“We were friends through the drama society but it was Sean Flanagan writing a play based on Father Ted that led to us forming the group,” says Finegan. “He was Dougal, I was Bishop Brennan and Conor was Father Ted. We had permission to tour round Ireland from [Father Ted’s creators] Graham Linehan and Arthur Mathews, and when the play finished we decided we should do a sketch show together.”

And the memorable name for the trio came out of good-humoured banter. “We came up with loads of naff names that punned on the word ‘sketch’ and rejected them. And then we were at a party one night and we were slagging each other off and came up with them.

“I’m the straight man, so I’m the foil; Conor is all arms and legs and very clumsy on stage; and Sean always hogs the limelight and steals all the laughs. They’re roles that we very easily fall into on stage.”

Finegan admits that some of the sketches they wrote and performed back then “we wouldn’t get away with now, they were quite insulting to all sorts of people”, but that over the years the humour has become more sophisticated.

That’s probably down to their work ethic; they write separately and then meet almost daily to develop the ideas. “Ideas get torn to shreds in the process and then we jump on to the idea and add more jokes and develop them. It sometimes takes months to nail a sketch.” Do they ever argue? “Well there are three of us, so it usually works out as two-to-one. No one has ever stormed out, put it that way,” Finegan laughs.

Finegan recalls when the group started out. “In the UK there’s a big sketch comedy scene but in Ireland that doesn’t exist. In our early days a lot of people would see three guys come on stage looking like Boyzone or something and they’d be instantly against us. But performing on the same bill with stand-up comics, we learnt so much about audience interaction. As any stand-up comic will tell you, you need to engage with the audience quickly and get them on your side.

“So we learnt pretty quickly and our comedy has become a sort of weird hybrid of sketch and messing with the crowd.”

But Foil Arms and Hog’s audience interaction is not cruel or humiliating. “I hope we’re not,” says Finegan, “because the intention is to bring everyone on board as it can be terrifying for some people [to be picked on]. But we love doing it because you never know what the audience may do, and we get a bit of a buzz from it. It’s the element that makes every show unique.”

In their second year at the Fringe they saw Edinburgh Comedy Awards winner Dr Brown (clown performer Phil Burgers). “I think we had thought clowning was the ‘honk honk’ kind of thing but then we realised that it’s about going with the flow. A couple of years later we attended one of his courses and it’s one of the toughest things I’ve ever done. It was brilliant stuff.

“It helped us so much on stage, particularly when things go wrong, as we might get to a funnier place with those skills we learned.”

Foil Arms and Hog have a dedicated following that they have built up over 11 Edinburgh Fringe shows, and for the past six years have posted short films on YouTube – they have clocked up an astonishing one million hits and have nearly 950,000 followers on Facebook. They have a broad demographic and, as Finegan says: “When we look out into the audience and see people from eight to 80 it gives us such a buzz. We have people tell us after a show that their son or daughter has found us online and introduced them to our comedy, and they come to see us together. It’s great.”

Thanks to YouTube, the group’s reach is global – and sometimes unexpected, says Finegan. “We were worried that one recent sketch – about Irish people not really being able to speak Irish – may not necessarily appeal to non-Irish people. But then we got an email from a fan in Sri Lanka saying he loved it because, ‘We’re all forced to learn Tamil when we go to school, it’s exactly like this’.”

But Swines – like all Foil Arms and Hog’s live shows – doesn’t contain any sketches fans may have seen online. “Some people may think they’re going to see the YouTube videos performed live on stage, but absolutely not. We make a point of never performing the online videos live. What works online usually doesn’t work on stage. It’s a very different kind of comedy, and much more surreal live.”

They also have more songs in their shows now than when they started. “They crept in,” Finegan jokes. “My singing’s certainly improved – the lads were carrying me in the beginning – but Conor is a very good singer and Sean knows all about harmonies because he’s been in choirs and stuff. The songs help the flow of the show and we like doing them. Who knows, in 10 years’ time we may be topping the charts.”

Contributed by Veronica Lee

 

WHAT’S ON MARCH: Trevor Noah’s tour is heading to Glasgow

Award-winning comedian Trevor Noah is bringing his Loud & Clear tour to the UK in 2020. The show will visit Glasgow on Friday, 20 March at the SSE Hydro.

The most successful comedian in Africa, and host of the Emmy® award-winning The Daily Show, Trevor Noah has sold out shows over five continents and has written, produced and starred in eight comedy specials.

Don’t miss Trevor live in the UK.

In 2018, The Daily Show won a GLAAD award for Outstanding Talk Episode, and received nominations for a Writers Guild Award (Comedy/Variety Series) as well as two NAACP Image Awards, for Outstanding Talk Series and Outstanding Host in a Talk or News/Information Show. Noah also won Best Host at the 2017 MTV Movie & TV Awards, as well as a 2017 Creative Arts Emmy Award for Outstanding Short Form Variety Series for his hosting role on The Daily Show – Between The Scenes.

The Daily Show with Trevor Noah received three 2018 Primetime Emmy nominations, including Outstanding Variety Talk Series, Outstanding Interactive Program and Outstanding Short Form Variety Series. Trevor recently received the 2019 NAACP Image Award for Outstanding Writing in a Comedy Series, as well as nominations for Outstanding Talk Series, Outstanding Variety Show, and Outstanding Host in a Talk or News/Information Show.

Born in South Africa to a black South African mother and a white European father, Noah has hosted numerous television shows including South Africa’s music, television and film awards. In April 2018, Noah launched The Trevor Noah Foundation, a youth development initiative that enhances youth preparedness for higher education or entry into the workforce. Noah’s vision is a South Africa that advances because each generation builds and must grow beyond its predecessor. Through a partnership with Microsoft, the foundation is able to provide under-resourced schools with the opportunity to use technology as a tool to enhance the learning experience, as well as increase digital literacy beyond the classroom.

TICKETS

Glasgow – www.thessehydro.com

www.trevornoah.com

TWITTER: @Trevornoah

REVIEW: Snow White and the Seven Dwarfs – SEC Armadillo, Glasgow

The panto-going citizens of Glasgow raised a cheer when the cast of the SEC Armadillo’s pantomime Snow White was announced. The almost universally adored Greg McHugh – he of the much-missed Gary, Tank Commander would star as court jester Gary, his TV co-star Leah MacRae would play Nanny McWee his mother (not sure the lovely Leah should be best pleased at that!), River City’s Frances Thorburn would be our heroine Snow White and a doyenne of British comedy acting, the wonderful Doon Mackichan would be the evil Queen Lucretia.

The quality cast, coupled with the sheer scale of the spectacle, add up to the city’s most fabulous, funny festive offering. There’s a camaraderie from the cast that just radiates to the audience, who are on-side with the high jinks from the start. McHugh is undoubtedly the star and his antics as the cheeky but naïve Gary are the highlights of the show, but there are star turns a-plenty, especially from Mackichan who is an absolute treat as the evil queen.

The only negative notes are a troupe of mildly horrifying looking woodland animals whose costumes look like they’ve been culled from the leftovers of the abattoir, all the more incongruous in such a spectacularly glitzy show and the auditorium itself, whose vast size does tend to engulf any audience reactions.

Definitely the most spectacular panto in town and certainly the most star-studded.

REVIEW: We Will Rock You – Theatre Royal, Glasgow

From a rocky start in 2002, We Will Rock You has defied critical backlash to become one of the UK’s best-loved musicals. Seen by over 6.5 million people it ran for 4600 performances at the Dominion Theatre in the West End, where the famous gold statue of Freddie Mercury guarded the patrons from his perch high above the entrance. This revived, re-designed and re-energised new touring production is even better than the original and boasts a cast of such quality, it is impossible not to be completely won over.

Set in a dystopian future, it’s 2310, and music has been outlawed. All thought is controlled by Globalsoft Corporation, and life is lived entirely on the internet. There’s no place for originality or free spirit. A rag-tag band of free-thinking ‘Bohemians’ set out to find the last surviving musical instrument on the planet and bring back the mythical ‘Rock and Roll’. That the subject matter is treated with complete knowingness, with its tongue placed firmly in its cheek, is one of its greatest strengths. The laughs in Ben Elton’s script come thick and fast.

However, it’s the music and in particular, the spectacular cast’s delivery of it that makes this production unmissable. As our hero Galileo Figaro, Olivier-nominated Ian McIntosh is an absolute standout, there aren’t enough superlatives to describe his outstanding voice and stunning range. As Scaramouche, Elena Skye is a wise-cracking wonder with fabulous vocals. TV regular Michael McKell provides the lion’s share of the comedy, bringing genuine belly laughs and impressive vocals as Buddy Holly, Amy Di Bartolomeo is also a memorable Oz. One small crimp in the evening is Jenny O’Leary as Killer Queen whose vocals are quite frankly messy, only exacerbated by the fact that these songs are world famous and her co-stars are at the top of their game. That said, the positives overwhelm any negatives.

If it’s an uplifting, feel-good night, with the music of Queen, a crazy, fun story, delivered by a world-class cast you want, then I’d beg, borrow or steal a ticket to this warm-hearted wonder of a show.

Runs until 28 December 2019 | Image: Johan Persson

Originally written for The Reviews Hub

REVIEW: The Overtones Christmas Party 2019 – Glasgow Royal Concert Hall

It has become a sign that the festive season is approaching when The Overtones land in town. It’s been a decade since they burst on the scene and they’ve honed their craft over the years, with five top 10 albums, nine sold out UK tours and despite a rough few years personally, they manage to deliver the perfect pre-Christmas celebration.

It is, as always a mix of classic golden oldies, album favourites and a few less expected tracks, but most of all it’s a spirit-lifting evening where you can dance the night and your troubles away. There’s a warmth to each member of the band, they genuinely look as if their having a ball, and new member Jay James has seamlessly transitioned into the gap left by the death of Timmy Matley and the departure to pastures new of the much-loved bass vocalist Lachie Chapman.

Their greatest gift as an act is the ability to pick their set list, it’s all killer, no filler. These classic tunes are floor fillers, instantly recognisable, the audience are on their feet and singing along from the first few bars. Among many highlights, some standouts are their joyous version of Earth Wind & Fire’s September, Womack and Womack’s Teardrops, Dion’s Runaround Sue and old favourite Gimme Just a Little More Time from The Chairmen of the Board. There’s also a freshly arranged version of Walking in the Air, the contemporary twist has breathed new life into a twee festive tune.

The Overtones are a timeless band whose modern-vintage style has wide appeal, but it’s their endearing personalities, effort and energy, love of what they do and devotion to their fans that stands them head and shoulders above their contemporaries. Their ability to fill auditoriums up and down the country, proves that there’s still a place for class and quality. Here’s to many more years.

REVIEW: Jack and the Beanstalk – King’s Theatre, Glasgow

If it’s a big traditional panto with plenty of glitz and sparkle you’re looking for, then Glasgow King’s certainly delivers year on year.

This year’s offering is Jack and the Beanstalk, starring local panto treasures Elaine C. Smith and Johnny Mac, and save for these two local favourites, it’s a minor TV celeb-free zone and all the better for it.

The story largely follows the traditional tale: there’s a huge furry cow, some magic beans, a growing beanstalk, a fabulously realised giant and the requisite evil baddie, some familiar tunes – mostly oldies, there are no new pop hits. It’s re-set to Glasvegas with some familiar local references thrown in and most of the usual panto tropes intact. There’s no slapstick, a tiny bit of audience participation, the dame is a woman, the princess doesn’t need a man to vanquish the foe and proposes to her beau – all a refreshing move in the right direction. It needs mentioning though that a sequence between Mac and Smith incorporating the names of famous chocolate bars, was seen last year almost exactly in Cinderella at the SEC Armadillo.

Elaine C. Smith is much-loved and a solid pair of hands for a production as big as this and Johnny Mac is entirely loveable and endearing as Jack, the audience is onside from his first wide smile. Less effective is Anne Smith as the panto baddie Mrs. Blunderbore, an unfortunate visual joke from Jack about her performance being a bit flat, is unfortunately accurate, and in contrast to her co-stars her costumes are utterly lacklustre – more Poundland than Pantoland.

All in all, it’s exactly as you would expect every year from the King’s – big, bold and beautifully executed. A fine night of traditional entertainment.

Runs until 5 January 2019

Image: Richard Campbell

Originally written for and published by The Reviews Hub

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