Tag Archives: Glasgow

NEWS: Rescheduled dates for Waitress UK tour announced

Musical Waitress, presented by Barry & Fran Weissler and David Ian, has rescheduled its first ever UK and Ireland tour and will arrive in Glasgow from Monday 21 June – Saturday 26 June 2021
at the King’s Theatre, the public sale begins: 10AM Thursday 30 July.

Waitress is based on the 2007 movie written by Adrienne Shelley. Music and lyrics are written by GRAMMY award-winning, singer-songwriter sensation Sara Bareilles, who appeared on the Graham Norton TV show, performing the hit song from the show She Used To Be Mine. With a book by Jessie Nelson, direction by Tony-award winner Diane Paulus and choreography by Lorin Latarro, Waitress has garnered multiple awards and nominations in both America and the UK, receiving acclaim from both audiences and critics alike.

Waitress tells the story of Jenna, an expert pie maker in a small town, who dreams of a way out of her loveless marriage. A baking contest in a nearby county and the town’s new doctor may offer her a chance at a new life, while her fellow waitresses offer their own recipes to happiness. But Jenna must find the courage and strength within herself to rebuild her life. This beautiful musical celebrates friendship, motherhood, and the magic of a well-made pie.

NEWS: Alexandra Burke stars in My Best Friend’s Wedding coming to Glasgow 2022!

Alexandra Burke is to star as Julianne Potter in the UK and Ireland tour of My Best Friend’s Wedding which is now to play at the King’s Theatre, Glasgow from 31 January – 19 February 2022 following a postponement of the tour due to theatre closures caused by the COVID-19 pandemic.

My Best Friend’s Wedding is based on the film of the same name and features some of the most iconic pop anthems ever written by the legendary Burt Bacharach and Hal David, including I’ll Never Fall in Love Again, I Just Don’t Know What To Do With Myself, Walk on By, I Say A Little Prayer and What’s New Pussycat.

“Fiery food critic Julianne Potter has always turned her nose up at romance. It’s the reason she broke up with her sweetheart Michael O’Neal.  When she hears he’s about to be married, she vows to win him back for good, but with perfect Kimmy in the way, it’s not as easy as she first thought. Can she derail her best friend’s wedding in time and keep Michael all for herself?”

The musical will have a book by Ronald Bass (My Best Friend’s Wedding, Rain Man, The Joy Luck Club) and Jonathan Harvey (Beautiful Thing, Gimme Gimme Gimme, Coronation Street).

31 January – 19 February 2022
King’s Theatre, GLASGOW

INTERVIEW: Star of Taskmaster, Derek and Afterlife, Kerry Godliman

Kerry Godliman is a woman who gets things done, as anybody who saw the comic win series seven of Taskmaster in 2018 knows. And now she is touring her new stand-up show, BOSH, the title of which is inspired by that experience.

She explains: “Greg Davies [Taskmaster’s presenter] used to say, ‘Here comes Godliman, boshing along’. I wouldn’t describe myself as intellectual but I am quite a rational person and don’t over-complicate things. I work out what’s useful and then crack on, and that seemed to work on the show.”

She stops and recalls with a laugh: “I certainly didn’t overthink it, and one time Greg said I was like Phil Mitchell, which wasn’t very complimentary.”

She describes BOSH: “It’s just me talking about the last year or two, observations I’ve made and experiences I’ve had. I suppose it’s essentially about being in your mid-forties and being a parent and trying to be a good human being.

“One of the themes of the show is about what it is like living in 2020, trying to manage modern life, my slight bewilderment at consumerism and trying to be ethical.”

Much of Godliman’s material comes from her own life – “a cartoonish, exaggerated version of it” or “sometimes a line might come from something I’ve said on Twitter and it’s caused a response that I find interesting”. But she’s not the kind of comic who listens to other people’s conversations in cafes or on buses for material. “Oh no, I don’t do that,” she says, laughing. “People can chat away with no fear of turning up in my show.”

Godliman admits she can be a bit of a worrier, and reads a lot of lifestyle books and articles, taking “positives from some and discarding others that are less helpful. The trick is in knowing which is which, of course”.

She reserves scorn for the modern profusion of parenting books, many of which she finds judgmental or downright unhelpful. “There used to be just one parenting book and now there are whole sections of bookshops with them.

“I talk a lot about parenting in the show, although it’s not specifically about my kids [a son and daughter aged 12 and nine] because they didn’t ask to be on stage.

“It’s more about my failings as a parent, of always trying to do the right thing. I read a lot of parenting books and I always seem to fall short of what they expect – I think for a lot of people parenting is just managing guilt to varying degrees.”

Aside from her stand-up, many will know Godliman through her extensive acting CV, including starring in two of Ricky Gervais’s comedy dramas, Derek and After Life. “I had met Ricky at gigs and had bit parts in his other shows before he asked me to appear in Derek,” she says.

“I’ve been lucky that I’ve always done both acting and comedy, and I love what I do so none of it is arduous or a pain. But the work-life balance is something I always have to keep an eye on, and I’m getting better at saying no to some work.”

That means Godliman can spend more time at home with her husband and children in south London. She’s a homebody nowadays, she says. “When I was younger I went travelling and was out all the time and did a lot of partying, but now I want to be at home as much as I can. I miss the kids and try not to be away for more than a couple of nights.”

She did have to be away for a few weeks last year [2019] to film Treadstone, a US television series based on the Jason Bourne films. She loved the experience.

“It was so out of my comfort zone,” she says, “but that was good. For a start I was playing an American, the first time I’d done that. It was a big, high-production-values, flashy US TV series. It was unlike anything else I have ever done.”

She adds drily: “Most parts I’ve played as an actress have involved a tabard, and here I was on set watching this amazing fight scene being put together. It was a like a dance – the choreography was extraordinary – and it was amazing being part of this world.

“I love acting because I get to work with other people, it’s storytelling and I can play a character I’ve never played before. But in a big Hollywood production like Treadstone you are a small cog in a very big machine. I had something like 20 recalls before I got the part and although I loved it, it made me grateful that I do stand-up as well.”

Stand-up brings different rewards, Godliman says, and she made her debut in the Royal Variety Show in December [2019]. “I enjoyed it. It’s a long day doing teching and so on but it’s fun. It’s always difficult to find some appropriate material, but I did some stuff about parenting because the Cambridges can relate to it. They seem nice people, it was a nice gig and it’s for a good charity.”

We get back to BOSH. “I’m bringing my kids up in the 21st century and we have to wrestle with social media and smart phones,” the comic says. “But I was brought up in the 20th century, when I was allowed to be bored, and kids now don’t get much opportunity for that. It feels now that you have to be engaging with your children all time, which is ludicrous.”

One of the ways she would like to engage more with her children, though, is camping, which they now think is boring. But Godliman loves it and is sad they have already outgrown it. “My parents used to take me and I suppose it’s in my bones,” she says. “I have a bizarre love of camping; it starts with concertina’d colanders and goes from there.”

Veronica Lee

Kerry Godliman’s new show  BOSH  reaches  The Stand, Glasgow  on  Wednesday, 25th March.

REVIEW: Educating Rita – Theatre Royal, Glasgow

There’s an undeniable affection for Willy Russell’s 40-year-old, Pygmalion-like drama Educating Rita, from the great British theatre-going public. Originally commissioned by the Royal Shakespeare Company and staged at what is now the Donmar Warehouse, it saw a much-loved and much-lauded film adaptation in 1983 starring Julie Walters and Michael Caine.

The story of 26-year-old, married, Liverpudlian hairdresser Rita (actually Susan) and her foray into the world of academia on an Open University course, and her tutor Frank, a career academic faded and jaded by university life, seeking solace in drink, this OU tutorship paying nicely for his alcoholic fix. Each feeds from the other: Rita’s world expands as she is exposed to the bohemian lifestyle of the students and Frank is energised by Rita’s lust for life. Each shines a light on the other: some truths are exposed, some assumptions shattered and inevitably, both Rita and Frank undergo changes, not necessarily for the better.

Four decades on (admittedly with a bit of updating from Russell himself for the 21st Century and this 40th anniversary tour) it still feels relevant, maybe depressingly so. Is it really still as hard for working class women, or those living in poverty to better themselves as it was in 1980? The ‘them and us’ world so prevalent then, is frighteningly familiar today.

Jessica Johnson and Stephen Tompkinson reprise their roles from the last national tour. Tompkinson’s natural hang-dog expression is perfectly suited to the world-weary Frank and he has time and time again proved himself to be one of the country’s most adept stage actors. Johnson’s Rita (Susan) is hugely likeable but her accent wavers frequently and her projection is such that it leaves you straining to hear much of her dialogue. That said, it is deservedly a British theatre classic, and still well worth watching.

Image: Robert Day

This post was originally written for The Reviews Hub

 

NEWS: The Glee Club Go Bananas to Mark First Anniversary

The Glee Club Glasgow served up a slice of comedy gold last night at their eagerly awaited first birthday bash. An edible pair of The Big Yin’s ‘big banana boots’ took centre stage and proved to be the icing on the cake at the popular comedy club’s celebratory show.

Guests were able ‘to fill their boots’ with slices of the eye catching life-size birthday cake which was created by award-winning Scottish cake designer 3D cakes. Handcrafted from toffee sponge and airbrushed to depict detail, the comedy cake was the brainchild of The Glee team who voted Billy Connelly’s famous fruity booties their favourite Scottish comedy icon.

A stellar line-up of Scottish comics entertained the crowd throughout the evening, including the award winning Mark Nelson, the hilarious Christopher KC and Ashley Storrie and up and coming stars Christopher Macarthur-Boyd and Shona Lawson . Freshly made food, drinks and a lively after party ensured that a fun-filled evening was had by all to mark the one year milestone.

Since opening its doors in early 2019, The Glee Club Glasgow has welcomed a raft of top comedians to its stage, including Sean Lock, Joel Dommett, Larry Dean, Janey Godley, Suzi Ruffell, Tom Stade, Fern Brady, Rosie Jones, Gary Meikle and Des Clarke. In addition to its popular weekend shows, the club has hosted a series of sell-out events such as book tours, drag shows and a hugely successful series of Christmas and Hogmanay comedy nights.

To further fly the flag for Glasgow’s thriving creative and entertainment industries, The Glee Club partnered with leading Scottish festivals throughout the year to deliver a series of unmissable events including Celtic Connections, Glasgow Film Festival and Glasgow Comedy Festival.

The Glee Founder Mark Tughan commented: “Billy Connelly has some pretty big boots to fill in terms of Scottish comedy, so what better way to celebrate our first year in the city than by paying tribute to him with our wonderfully banana’s cake.

We opened the club to showcase and support stand-up comedy in the city and we are thrilled that our first year has been such a success. Glaswegians are known for their humour, so the top notch acts that the club has attracted and sold out shows really is testament to this. Our team is incredibly excited to bring more must-see shows to the city and fly the flag for Scottish comedy’”.

The Glee Club Glasgow’s 400 seater interior, is theatre-style with great views to the round Glee stage, plus excellent lighting, acoustics and atmosphere. An extensive menu of delicious freshly made food and a great quality drinks offering enables guests to enjoy both an evening of entertainment and dining experience under one roof.

Prices: Friday night tickets £11 / students £8 / ticket + food £20, Saturday night tickets £17 / students £8 / ticket + pizza + drink £27

The Glee Club box office: 0871 472 0400 / info@glee.co.uk

www.glee.co.uk

www.facebook.com/gleeglasgow, www.twitter.com/GleeClubGlasgow

www.instagram.com/gleeclubglasgow

REVIEW: God of Carnage – Theatre Royal, Glasgow

As with her almost universally acclaimed 1994 play Art, Yasmina Reza’s God of Carnage is another comedy of middle class manners. This time, as it was in Art, the behaviour of the seemingly sophisticated adults involved descends into something akin to a playground fight, all the more ironic, as that’s precisely what’s brought them together in the first place.

Alan and Annette’s 11 year-old son Henry has had two teeth removed, incisors to be precise, by fellow pupil Freddie. The two sets of parents meet in that frustratingly PC way to civilly decide what action should be taken to facilitate the children having “a reckoning” and to teach them about “the art of co-existence”. As the alcohol is increasingly imbibed, the adults’ best intentions go by the wayside and the mud starts to get slung and everyone’s true colours come to the fore.

Reza has a masterful touch at highlighting the foibles of the middle classes and delivering them with a punch, but it needs a strong cast to deliver. As author Veronica (currently writing a book about Darfur) Elizabeth McGovern is seemingly the voice of reason, pushing the apology/reconciliation agenda between the two boys. Household goods salesman husband Michael (Nigel Lindsay) doesn’t quite fit seamlessly into this middle class idyll, a bit rough around the edges his loyalties are tested and exposed as the evening progresses. McGovern takes a little while to hit her stride, but she ramps up the emotion and elicits the laughs as the piece reaches its conclusion. As always, Lindsay delivers an absolute masterclass in comic acting, each word and action perfectly timed, as does Simon Paisley Day as driven lawyer Alan, when not throwing well-timed barbs, he’s barking advice to his clients down his constantly ringing phone, the ever-impressive Samatha Spiro as “wealth manager” Annette, is, as always, on-point.

The dialogue is as expected, razor sharp, Reza knows her audience well, and while this couldn’t be described as cutting edge, it is hugely entertaining, escapist fun, scratching the surface of the well-polished veneer of the middle class. Well worth an evening of your time.

Review originally written for The Reviews Hub

INTERVIEW: Peppa Pig talks ahead of ‘Peppa Pig: My First Concert’ UK Tour

Peppa Pig: My First Concert is a fun and interactive introduction to a live orchestra will take Peppa Pig fans on a magical musical journey. Peppa visits Glasgow on the 9th and 10th of February.

This production is based on Entertainment One’s popular animated television series, Peppa Pig, and gives children a chance to experience their first concert in a way that is truly meaningful to them. Specially designed for the youngest audience members, this allows them, together with Peppa, to discover an orchestra for the first time. Perfect for little ones, to capture their imagination and introduce them to a whole new world of music.

We talk to our favourite little piggy, Peppa Pig, before she goes back on the road with the second leg of her first ever concert.

My First Concert opens in February – for all tour dates, visit: https://www.peppapiglive.com/my-first-concert.php

So Peppa, are you excited to be going to a concert with your family this summer, and of course to see an orchestra for the first time?

Yes. Oink! Oink! Hee Hee Hee! I’m very excited to visit all these new places and I hope I get to make some more nice friends.

Have you been to a real-life concert before?

This is my first one! I can’t wait to see all the instruments being played on stage and hear all the different sounds they make.

Who are you going to the concert with?

Mummy, Daddy and George will also be there with me. I think we might even get to join in!

What are you looking forward to the most about the concert?

Listening to all the lovely music and joining in on all the songs I already know, like my favourite, the ‘Bing Bong Song’!

What’s your favourite instrument?

My favourite instrument is the French horn. It looks so fun to play and the noise it makes is so loud! I think George is probably going to like the drums the best.

 

  • 9 – 10 February 2020
  • GLASGOW
    Royal Concert Hall
  • 0141 353 8000
  • BOOK NOW

 

INTERVIEW: Foil Arms & Hog

Foil Arms and Hog will be heading to the  King’s Theatre, Glasgow on Sunday, 23rd February 2020.  Here they talk about their new show Swines.

Sean Finegan, as befits his status as the straight man in the Irish sketch group Foil Arms and Hog, is the spokesman for the trio off stage. It makes life easier for us to speak directly, he says, adding drily: “Otherwise I might say something witty and you’d attribute it to one of the other guys.”

We chat about their latest show, Swines, which is touring the UK after a sell-out season at the Edinburgh Fringe, but first Finegan explains how the trio met and got their distinctive name.

Finegan (Foil), Conor McKenna (Arms) and Sean Flanagan (Hog) were studying at University College Dublin (reading architecture, engineering and genetics respectively) 12 years ago, when they met through their shared love of performing.

“We were friends through the drama society but it was Sean Flanagan writing a play based on Father Ted that led to us forming the group,” says Finegan. “He was Dougal, I was Bishop Brennan and Conor was Father Ted. We had permission to tour round Ireland from [Father Ted’s creators] Graham Linehan and Arthur Mathews, and when the play finished we decided we should do a sketch show together.”

And the memorable name for the trio came out of good-humoured banter. “We came up with loads of naff names that punned on the word ‘sketch’ and rejected them. And then we were at a party one night and we were slagging each other off and came up with them.

“I’m the straight man, so I’m the foil; Conor is all arms and legs and very clumsy on stage; and Sean always hogs the limelight and steals all the laughs. They’re roles that we very easily fall into on stage.”

Finegan admits that some of the sketches they wrote and performed back then “we wouldn’t get away with now, they were quite insulting to all sorts of people”, but that over the years the humour has become more sophisticated.

That’s probably down to their work ethic; they write separately and then meet almost daily to develop the ideas. “Ideas get torn to shreds in the process and then we jump on to the idea and add more jokes and develop them. It sometimes takes months to nail a sketch.” Do they ever argue? “Well there are three of us, so it usually works out as two-to-one. No one has ever stormed out, put it that way,” Finegan laughs.

Finegan recalls when the group started out. “In the UK there’s a big sketch comedy scene but in Ireland that doesn’t exist. In our early days a lot of people would see three guys come on stage looking like Boyzone or something and they’d be instantly against us. But performing on the same bill with stand-up comics, we learnt so much about audience interaction. As any stand-up comic will tell you, you need to engage with the audience quickly and get them on your side.

“So we learnt pretty quickly and our comedy has become a sort of weird hybrid of sketch and messing with the crowd.”

But Foil Arms and Hog’s audience interaction is not cruel or humiliating. “I hope we’re not,” says Finegan, “because the intention is to bring everyone on board as it can be terrifying for some people [to be picked on]. But we love doing it because you never know what the audience may do, and we get a bit of a buzz from it. It’s the element that makes every show unique.”

In their second year at the Fringe they saw Edinburgh Comedy Awards winner Dr Brown (clown performer Phil Burgers). “I think we had thought clowning was the ‘honk honk’ kind of thing but then we realised that it’s about going with the flow. A couple of years later we attended one of his courses and it’s one of the toughest things I’ve ever done. It was brilliant stuff.

“It helped us so much on stage, particularly when things go wrong, as we might get to a funnier place with those skills we learned.”

Foil Arms and Hog have a dedicated following that they have built up over 11 Edinburgh Fringe shows, and for the past six years have posted short films on YouTube – they have clocked up an astonishing one million hits and have nearly 950,000 followers on Facebook. They have a broad demographic and, as Finegan says: “When we look out into the audience and see people from eight to 80 it gives us such a buzz. We have people tell us after a show that their son or daughter has found us online and introduced them to our comedy, and they come to see us together. It’s great.”

Thanks to YouTube, the group’s reach is global – and sometimes unexpected, says Finegan. “We were worried that one recent sketch – about Irish people not really being able to speak Irish – may not necessarily appeal to non-Irish people. But then we got an email from a fan in Sri Lanka saying he loved it because, ‘We’re all forced to learn Tamil when we go to school, it’s exactly like this’.”

But Swines – like all Foil Arms and Hog’s live shows – doesn’t contain any sketches fans may have seen online. “Some people may think they’re going to see the YouTube videos performed live on stage, but absolutely not. We make a point of never performing the online videos live. What works online usually doesn’t work on stage. It’s a very different kind of comedy, and much more surreal live.”

They also have more songs in their shows now than when they started. “They crept in,” Finegan jokes. “My singing’s certainly improved – the lads were carrying me in the beginning – but Conor is a very good singer and Sean knows all about harmonies because he’s been in choirs and stuff. The songs help the flow of the show and we like doing them. Who knows, in 10 years’ time we may be topping the charts.”

Contributed by Veronica Lee

 

REVIEW: Snow White and the Seven Dwarfs – SEC Armadillo, Glasgow

The panto-going citizens of Glasgow raised a cheer when the cast of the SEC Armadillo’s pantomime Snow White was announced. The almost universally adored Greg McHugh – he of the much-missed Gary, Tank Commander would star as court jester Gary, his TV co-star Leah MacRae would play Nanny McWee his mother (not sure the lovely Leah should be best pleased at that!), River City’s Frances Thorburn would be our heroine Snow White and a doyenne of British comedy acting, the wonderful Doon Mackichan would be the evil Queen Lucretia.

The quality cast, coupled with the sheer scale of the spectacle, add up to the city’s most fabulous, funny festive offering. There’s a camaraderie from the cast that just radiates to the audience, who are on-side with the high jinks from the start. McHugh is undoubtedly the star and his antics as the cheeky but naïve Gary are the highlights of the show, but there are star turns a-plenty, especially from Mackichan who is an absolute treat as the evil queen.

The only negative notes are a troupe of mildly horrifying looking woodland animals whose costumes look like they’ve been culled from the leftovers of the abattoir, all the more incongruous in such a spectacularly glitzy show and the auditorium itself, whose vast size does tend to engulf any audience reactions.

Definitely the most spectacular panto in town and certainly the most star-studded.

REVIEW: We Will Rock You – Theatre Royal, Glasgow

From a rocky start in 2002, We Will Rock You has defied critical backlash to become one of the UK’s best-loved musicals. Seen by over 6.5 million people it ran for 4600 performances at the Dominion Theatre in the West End, where the famous gold statue of Freddie Mercury guarded the patrons from his perch high above the entrance. This revived, re-designed and re-energised new touring production is even better than the original and boasts a cast of such quality, it is impossible not to be completely won over.

Set in a dystopian future, it’s 2310, and music has been outlawed. All thought is controlled by Globalsoft Corporation, and life is lived entirely on the internet. There’s no place for originality or free spirit. A rag-tag band of free-thinking ‘Bohemians’ set out to find the last surviving musical instrument on the planet and bring back the mythical ‘Rock and Roll’. That the subject matter is treated with complete knowingness, with its tongue placed firmly in its cheek, is one of its greatest strengths. The laughs in Ben Elton’s script come thick and fast.

However, it’s the music and in particular, the spectacular cast’s delivery of it that makes this production unmissable. As our hero Galileo Figaro, Olivier-nominated Ian McIntosh is an absolute standout, there aren’t enough superlatives to describe his outstanding voice and stunning range. As Scaramouche, Elena Skye is a wise-cracking wonder with fabulous vocals. TV regular Michael McKell provides the lion’s share of the comedy, bringing genuine belly laughs and impressive vocals as Buddy Holly, Amy Di Bartolomeo is also a memorable Oz. One small crimp in the evening is Jenny O’Leary as Killer Queen whose vocals are quite frankly messy, only exacerbated by the fact that these songs are world famous and her co-stars are at the top of their game. That said, the positives overwhelm any negatives.

If it’s an uplifting, feel-good night, with the music of Queen, a crazy, fun story, delivered by a world-class cast you want, then I’d beg, borrow or steal a ticket to this warm-hearted wonder of a show.

Runs until 28 December 2019 | Image: Johan Persson

Originally written for The Reviews Hub

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