Tag Archives: Glasgow

WHAT’S ON MARCH: Lubna Kerr – Where Are You Really From?

Lubna Kerr is confused about her identity. She was born in Pakistan, raised in Glasgow, married a man from Lanarkshire, has two Welsh children, one Scottish child and lives in Edinburgh. A trained pharmacist who now thinks Laughter is the best medicine. Lubna explores her identity as a Scottish Pakistani Muslim women living in a world dominated by fat, blond white men…

As seen on Still Game, Scot Squad, Armchair Detectives and (soon) Two doors down. Pharmacist, actress, comedian, writer, social entrepreneur and mother. Which hat fits? ‘One to watch’ Funny women.

FRIDAY 29 March 2019 – YES BAR, Drury Street, Glasgow G2 5AA

WHAT’S ON JANUARY: Dial M For Murder at Eastwood Park.

Giffnock Theatre Players upcoming production Dial M For Murder is coming to Eastwood Park Theatre later this month. It’s an intense, sophisticated, gripping thriller made famous by the movie of the same name, directed by Alfred Hitchcock and starring Ray Milland and Grace Kelly.

M for Money… Marriage… Murder. This suspenseful classic weaves an ever-tightening web of danger and deception.

Former tennis pro Tony Wendice has carefully plotted the murder of his wealthy, elegant, younger but unfaithful wife Sheila, so that he will inherit her money. His ingenious plan involves blackmailing an old university friend to strangle her, while he has the perfect alibi. It’s the perfect murder – or so he thinks. His plan goes wrong, but as events unfold he quickly improvises, coming up with a new scheme to outsmart the police and still get rid of his wife. But has he met his match in the shrewd, sharp detective assigned to the case? Or will he get away with it all?

Dial M For Murder runs at Eastwood Park Theatre, Rouken Glen Road, Giffnock, G46 6UG in Glasgow’s Southside from 23rd to 26th January 2019 at 7.30pm, with a matinee performance at 2.30pm on Saturday 26th January.

Tickets are £15 (£13 concessions available) and may be purchased by phoning 07518 201 756 or 0141 577 4956, or by emailing tickets-gtp@hotmail.co.uk or online at www.eastwoodparktheatre.co.uk/boxoffice (online booking fee applies). Also available at the theatre’s box office.

For further information and for all the latest news from Giffnock Theatre Players, please visit our website at www.giffnocktheatreplayers.com. You can also find us on Facebook at www.facebook.com/giffnockplayers, or on Twitter at twitter.com/giffnockplayers .

WHAT’S ON FEBRUARY: Baby Face at Tron Theatre

BABY FACE

THU 7 – SAT 9 FEB, 8PM  – TRON THEATRE, Glasgow

Hey Baby! Returning from her hit success at The Edinburgh Fringe, award-winning performance artist, Katy Dye, presents her show about the infantilization of women.

Welcome to a world of knee socks, bunches, lollipops, bubblegum and models adopting the childlike expressions of six-year-old girls. Paedophilia is not OK yet fetishised images of women as prepubescent girls are. In this brave and outlandish performance, a grown woman attempts to be your baby to discover if innocence really is as sexy as we’re told it is. Winner of The Autopsy Award and Lustrum Award 2018.

In Baby Face the audience enter a strange world, where a grown woman transforms from adult, to teenager, to toddler, to baby. She dresses in a school uniform and performs Britney’s iconic routine. She squeezes herself into a clingy top printed with cartoons – meant for a child or a grown woman? In a pristine white, sparse set, using minimal costumes and a baby’s high chair, she navigates the uncomfortable line between wanting to be cared for and being infantilised. A soundtrack of bubblegum pop and drone rock feature heavily. In a cloud of talcum powder and haze, strange mixed messages hang in the air. Baby Face is an exposure of our contradictory society when it comes to women’s bodies and how they are treated.

Katy Dye comments: “We live in a world where we are frequently exposed to images of women who are made to look like little girls. As an adult who has physical childlike attributes, I was interested in becoming the infantilised images I have seen throughout my life, to find out the physical and emotional impact of this. The show blends performance art, dance and visually striking performance to ask difficult questions about the moral conscience of society.”

Running Time: 50 minutes

NEWS: Eastwood Park Theatre Announces Line Up For First Half of 2019

Eastwood Park Theatre has lined up a series of top shows for the first half of 2019, bringing a wide variety of performances, including music and comedy, dance and drama and plenty for the kids.

Highlights include a new ‘romcom’, starring River City’s James Mackenzie to mark the Burns’ weekend, comedy shows including Glasgow International Comedy Festival’s family-friendly comedian James Campbell as well as Des McLean, Gary Little and Raymond Mearns.

No theatre season would be complete without a touch of drama – the world premiere of Sherlock Holmes: The Sign of Four will come for two nights in April, while The Electrifying Mr Johnston from Mull Theatre Company presents the story of one of Scotland’s unsung heroes and features an informal script-in-hand reading of a new play, giving the audience the chance to be part of the creative process along the way.

There are top tribute nights on the bill featuring some of the biggest names in music including Buddy Holly, Elvis Presley, Bruce Springsteen and Status Quo, as well as The Travelling Wilburys.

Kids will also be able to catch the fantastic There Was an Old Lady who Swallowed a Fly during the February weekend, The MacDougalls’ Safari Adventure and Little Top, allowing the little ones to experience the magic of circus up close in May.

Anthony McReavy from East Renfrewshire Culture and Leisure said: “There really is something for everyone in our forthcoming season at Eastwood Park Theatre.

“Make a date for a comedy night out – we have top Scottish comedians including Gary Little and Des McLean getting together for one great comedy night out and we have The Odyssey comedy coming to Clarkston Hall in May from the critically-acclaimed Pantaloons.

“Music fans are in for a treat too as we host the UK’s no.1 swing and jive band, The Jive Aces as well as some great tribute nights. You can also catch music by Scottish musician Mairi Campbell as she presents Auld Lang Syne, with live music, animation and movement.

“As always, we have plenty lined up for children including Little Gift, which is told with exquisite puppetry, original music and lots of heart from multi-award winning M6 theatre.

“Last but not least, we’re bringing back some big films to the big screen with a Grease Sing-A-Long, The Sound of Music and Paddington 2 all part of our line up.”

Find out more and book online now at:  www.eastwoodparktheatre.co.uk or call the box office on 0141 577 4956

REVIEW: Mr. Popper’s Penguins – Lomond Auditorium, Glasgow

Unlike the 2011 film version, Florence and Richard Atwater’s 1938 book has been returned to its original era (with a change in location from the US to the UK) in Pins and Needles’ production of Mr. Popper’s Penguins and it’s all the better for it.

House painter Mr. Popper lives a quiet life with his wife in Stillwater, but Mr. Popper has dreams, dreams of being an Antarctic adventurer, reading everything he can on the subject and listening for every radio broadcast from his hero Admiral Drake at the South Pole. After he sends a letter to his hero, he receives a strange crate in return – that crate contains a penguin (Captain Cook) and the Poppers’ life is inevitably turned upside down. When Captain Cook starts to fall ill, Admiral Drake sends him a female penguin companion and lots of little penguins soon appear. With their finances under stress, the Poppers train the waddle as a Music Hall act. Animal activists need not get themselves in a twist – an entirely appropriate ending ensues.

This is good old-fashioned storytelling at its best. With a spare but effective set, warm lighting, a gaggle of pleasing songs, simple but appealing penguin puppets and a captivating finale with some gentle audience participation, this endearing show held the attention of the mostly under fives who filled the auditorium for the entirety of the hour-long running time. Sometimes, simple and charming is best for small children. Altogether a warm and thoroughly enjoyable show for tiny theatre-goers.

Runs until 6 January 2019

TICKETS HERE 

 

WHAT’S ON FEBRUARY: TEASER FOR NEW TINA TURNER PRODUCTION WHAT’S LOVE GOT TO DO WITH IT? COMING TO GLASGOW

The team behind a brand-new show celebrating the music of Tina Turner have released a video to showcase the exciting new production.

The debut tour of What’s Love Got To Do With It? launches in February 2019 promising to be the ultimate tribute show – with more than 50 dates already secured.

Finishing touches are now being put to the show, which stars Elesha Paul Moses (Whitney – Queen Of The Night, The Voice, The X Factor) as Tina Turner and showcases 50 years of hits.

Tickets are on sale now from www.cuffeandtaylor.com

What’s Love Got To Do With It? is presented by live music and theatre promoters Cuffe and Taylor. Director of Theatre Touring, Ben Hatton said: “We can’t wait for What’s Love Got To Do With It? to hit the stage across the UK in 2019 and 2020.

“This new clip of the show is a great teaser showing just how fantastic Elesha and the cast will be. We think she’s Simply The Best, and you will too.”

In this brand-new touring theatre show, audiences can expect a night of high energy, feel-good rock-and-roll featuring Tina’s greatest hits performed by the amazing vocal talent of Elesha Paul Moses (Whitney – Queen Of The Night, The Voice, X Factor) supported by a full 10-piece live band.

Speaking about playing Tina Turner, Elesha said: “I am absolutely thrilled to be touring the UK with What’s Love Got To Do With It? This is going to be a magnificent show and one that truly celebrates the incredible music and career of Tina Turner.

“Tina is a great persona to emulate on stage. I have performed as her many times over the years so to now be the lead in a show that will travel all over the UK and celebrate everything about her is an amazing opportunity and one I’m really looking forward to.”

In a breath-taking career spanning more than 50 years, audiences can look forward to hearing stunning musical arrangements of Tina’s most-loved classic hits including Private Dancer, What’s Love Got To Do With It?, Proud Mary, River Deep, Nutbush City Limits, Simply The Best and many more. This not-to-be missed musical experience is a stunning celebration of one of the greatest female singers of our time.

WHAT’S LOVE GOT TO DO WITH IT?  TOUR DATES 2019

February    

Wed 27th EDINBURGH, USHER HALL

Thu 28th GLASGOW, KING’S THEATRE

March   

Fri 1st ABERDEEN, MUSIC HALL

 

 

WHAT’S ON FEBRUARY: Scotland’s Little Fix announce Glasgow, Lanark and Largs dates

Finalists in BBC One’s Even Better Than the Real Thing, officially voted the UK’s number one Little Mix tribute act in last year’s National Tribute Music Awards, Glasgow’s Little Fix are coming to town. . .

Since winning TV’s The X Factor Little Mix have become the biggest girl group on the planet – topping the charts with Black Magic, Shout Out to My Ex, Wings and Cannonball among their 20 million-selling hits that also include Power, Woman Like Me, Move, Only You, DNA, Love Me Like You, Touch, Change Your Life, How Ya Doin’, Little Me and Reggaeton Lento.

Show promoter David Halford of Artistes International Management says that Little Fix deliver a high energy show that replicates the energy, stage presence and vocal abilities of the original group. “With stunning stage outfits to match,” he says. “Little Fix power through all of Little Mix’s biggest hits with identical choreography and vocal finesse that puts ‘Girl Power’ firmly back on the agenda.”

Since their TV success, Little Fix have toured the UK bringing the greatest hits of Little Mix alive on stage while Little Mix themselves have lined up a number of arena shows .

“With Little Mix not set to tour until late autumn next year,” says David, “why wait to get your fix of Little Mix, catch Little Fix at your local theatre in the coming weeks.”

Tickets for the weekend afternoon show are available from the venue box office.

LITTLE FIX The UK’s No1 Little Mix Tribute

Saturday 9 February, 2019 2pm

LANARK MEMORIAL HALL St Leonard Street, Lanark ML11 7AB

sllcboxoffice.co.uk  01555 667999

Sunday 10 February, 2019 2pm

GLASGOW PAVILION 121 Renfield Street, Glasgow G2 3AX

paviliontheatre.co.uk  0141 332 1846

Saturday 16 February, 2019 2pm

BARRFIELD THEATRE Largs

barrfields.co.uk  01475 689777

WHAT’S ON MAY: ROYAL WEDDING GOSPEL SINGERS THE KINGDOM CHOIR HEADING TO GLASGOW

Royal wedding gospel singers The Kingdom Choir are heading out on a UK tour in 2019 which comes to Glasgow Theatre Royal.

The Kingdom Choir became a household name following the stunning performance of Stand By Me at the wedding of HRH Prince Harry and the Duchess Of Sussex last May.

And now the choir is set to perform at the Theatre Royal on Wednesday, May 22.

The 18-date headline tour in April and May will include a first anniversary celebration at the Royal Albert Hall in London, a year to the day after the wedding at St George’s Chapel, Windsor.

Tickets are on sale now from www.ticketmaster.co.uk and www.cuffeandtaylor.com

Following the Royal Wedding performance, The Kingdom Choir has made high profile appearances across UK TV networks as well as closing the Invictus Games in Sydney in October. Last month the choir released its debut album Stand By Me via Sony, which features the title track as performed at the Royal Wedding, as well as versions of Beyoncé’s Halo, John Legend’s All Of Me and Stormzy’s Blinded By Your Grace Part 2. It also includes original track Chases, written by members of The Kingdom Choir.

Karen Gibson, conductor of The Kingdom Choir, said: “The Kingdom Choir is absolutely delighted with the journey of the past few months! It’s been a rollercoaster, but we wouldn’t have it any other way – first, the honour of being able to sing at the Royal Wedding, then the thrill of being signed to Sony, and now a national tour!

“It’s like an un-dreamt dream – one that you wouldn’t even consider, because you never thought it could happen to you. We’re very grateful and very excited about what’s to come.”

The choir consists of seasoned male and female vocalists, chosen for their high-quality delivery of choral meets gospel. They’ve been featured in the film Tube Tales, the TV series Maisie Raine, an Orange advert, and alongside the BBC Philharmonic for the Radio 4 Easter Sunday Worship.

The choir’s rendition of Stand By Me went straight in at Number 1 on the Billboard Gospel Songs Chart after the wedding and received more than 10 million views on YouTube.

The choir was founded in 1994 London by award-winning conductor Karen Gibson. The singers, from in and around London, draw from various Christian traditions and are dedicated to creating a sound that demonstrates the community they share through their warm energy and enthusiastic performance. Prior to performing in front of almost two billion people at the Royal Wedding, the largest audience The Kingdom Choir had performed to was just 200 people.

The Kingdom Choir’s debut album Stand By Me is available now via Sony Music.

WHAT’S ON FEBRUARY: Richard Clayderman announces only UK date for 2019 at Glasgow Royal Concert Hall

Richard Clayderman Celebrates his 40th Anniversary With Exclusive UK Performance

Best-selling recording artist and concert performer, Richard Clayderman, will present his only 2019 UK show at the Royal Concert Hall, Glasgow, on Thursday, February 28. at 7.30pm

Marking the 40th anniversary of his music career, the French pianist has insisted that he is accompanied by a string section from Glasgow for the extra-special show, says show promoter David Halford.

“With album sales in excess of 150 million and with 267 gold and 70 platinum albums to his name, no wonder he has been crowned the most popular pianist in the world,” says David.

Richard Clayderman himself says: “For my concert in Glasgow, I will perform a good selection of my original titles as well as lots of romantic themes and film classics.

“I look forward to meeting all my fans at the Royal Concert Hall as they are true connoisseurs and we all share the same emotions and sensations.”

Richard’s distinctive piano style has seen him record more than 1, 200 melodies and, in the words of a German journalist, “he has arguably done more to popularise the piano around the world than anyone since Beethoven”.

“The Prince of Romance” (as he was dubbed by Nancy Reagan) was born Philippe Pagès. His father, a piano teacher, began teaching him how to play at a very young age. It is said that, at the age of six, Richard Clayderman could read music more adeptly than his native French.

When he was 12 years old he was accepted at the Conservatoire of Music where, at 16, he won first prize. He was predicted a promising career as a classical pianist. However, shortly after this, and much to everyone’s surprise, he cast aside his classical training and turned to contemporary music.

“I wanted to do something different,” Richard says, “So, with some friends, I created a rock group; it was a tough time, a hard time and the little money we could make was devoted to buying equipment. In fact, I used to feed myself so badly – mainly on sandwiches – that I had to have an operation for an ulcer when I was only 17.”

In order to earn a living, Clayderman found work as an accompanist and session musician. “I enjoyed it”, he says, “and it paid well at the same time. That is how I drew away from classical music, although it gave me a strong basis for what I do now.”

His talent did not go unnoticed and he soon became much in demand as an accompanist to such major French stars as Michel Sardou, Thierry LeLuron and Johnny Halliday.

His life changed dramatically in 1976 when he received a telephone call from Olivier Toussaint, a well-known French record producer, who, with his partner, Paul de Senneville, was looking for a pianist to record a gentle piano ballad. Paul had composed this ballad as a tribute to his new born daughter Adeline.

Philippe Pagès’ name was changed to Richard Clayderman (he adopted his great-grandmother’s last name to avoid mispronunciation of his real name outside France), and the single took off, selling an astonishing 22 million copies in 38 countries. It was called “Ballade pour Adeline”.

“When I signed him”, says Olivier Toussaint, “I told him that if we sell 10,000 singles it will be marvellous, because it was disco at that time and we could not bet on such a ballad being a winner. We could not imagine that it would be so big.”

It was the start of what has become an outstanding success story, and since that time, Richard Clayderman’s distinctive piano style has earned him superstar status all over the world.

Thursday, February 28, 2019  7.30pm

RICHARD CLAYDERMAN

GLASGOW ROYAL CONCERT HALL

Sauchiehall Street, Glasgow G2 3NY

glasgowconcerthalls.com   0141 353 8000

REVIEW: Cinderella – SEC Armadillo, Glasgow

The SEC Armadillo pantomime has gone all-out in its efforts to sparkle and shine brighter than its rivals: even before you enter there’s the dazzling 5 foot high letters spelling out the title of the show, then there’s the twinkling lights from the 20 foot Christmas tree, the flashing neon of the big wheel and the rainbow-hued SSE Hydro right next door. For sheer sparkling extravagance in set, costume and lighting design, no expense has been spared in this year’s offering, Cinderella. Cinder’s starlit crystal coach is a particular highlight, sparkling as it flies out above the audience.

There’s the cast too, Scottish TV comedy giants Jonathan Watson and Gavin Mitchell, music, theatre and River City star Frances Thorburn, musical theatre star Keith Jack and veteran comedy duo The Krankies.

The storyline is a simplistic and very streamlined version of the traditional tale: the two ugly step-sisters are mean to poor old Cinders (though not as mean as they could be); Cinders can’t go to the ball; the prince masquerades as a servant and falls in love with our heroine in the woods; Cinders gets her glad-rags on and goes to ball in disguise; Prince and Cinders are re-united; slipper gets lost; slipper finds its owner; the lovestruck pair get married, and yes, they all live happily ever after.

There’s no slapstick, no audience participation and no sweetie throwing as expected from a ‘traditional’ panto. There is however heavy reliance on The Krankies to provide the light relief, but their smut-laden and entirely inappropriate dialogue is woefully outdated in 2018 – and this comes from someone who is very much not of the ‘snowflake generation’. Watson and Mitchell are fine comic actors and do their best with the material given and Thorburn and Jack, both gifted singers only have a few short moments to show their considerable talents. They are all supported by a hard working, top-notch adult ensemble and a well-drilled children’s troupe from JazzartUK.

Very much geared towards adults, this is a beautifully staged panto, but I can’t help think that opportunities were wasted by the script writers and director with such a talented cast of actors.

Runs until 30th December 2018

Tickets available HERE

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