REVIEW: Motown the Musical – King’s Theatre, Glasgow
Eight hundred dollars, a loan from his family, was all it took for Berry Gordy to set up the legendary...
MyTheatreMates
REVIEW: Andrea Bocelli – SEE Hydro Arena, Glasgow
It's oft been quoted, but it bears repeating: "If God had a singing voice he would sound a lot like...
REVIEW: Tosca – Theatre Royal, Glasgow
Sumptuous, stunning, shocking, and still sensational, Anthony Besch's production for Scottish Opera of Giacomo Puccini's once decried, but now beloved,...
REVIEW: Amadeus and the Bard – Scottish Opera Production Studios, Glasgow
We're invited to a night out at Poosie Nansie's Inn, on of Robert Burns' favourite hostelries, in Mary McCluskey's Amadeus...
REVIEW: 9 to 5 – King’s Theatre, Glasgow
9 to 5, the 2008 musical based on the hit 1980 movie starring Dolly Parton, Lily Tomlin and Jane Fonda,...
REVIEW: What’s in a Name – Theatre Royal, Glasgow
Matthieu Delaporte and Alexandre de la Patellière’s 2010 play Le Prénom was a hit of such magnitude it spawned not...
REVIEW: Scottish Ballet’s The Crucible – Theatre Royal, Glasgow
American choreographer Helen Pickett seals her reputation as a masterful creator of narrative ballet in her adaptation of Arthur Miller's...
REVIEW: The Exorcist – Theatre Royal, Glasgow
It's a work that's polarised audiences in both book and film form, and now, almost fifty years after William Peter...
REVIEW: Opera Highlights (Scottish Opera) – Motherwell Theatre
There's much to delight in every season at Scottish Opera, but the annual Opera Highlights tour is always a shining...
REVIEW: Amélie – King’s Theatre, Glasgow
Amélie:The Musical is based on Jean-Pierre Jeunet’s 2001 Academy Award-winning movie about eternal altruist Amélie Poulain, whose desire to help...
