REVIEW: Welcome My Son – Platform, Glasgow
Physical theatre artist Phil Hardie's re-telling of the Frankenstein story, Welcome My Son, is a darkly atmospheric, hugely accomplished and...
Physical theatre artist Phil Hardie's re-telling of the Frankenstein story, Welcome My Son, is a darkly atmospheric, hugely accomplished and...
Robert Softley Gale's Blanche and Butch is a thoughtful, provocative, gorgeous-to-look-at powerhouse of a production. Inspired by Noel Greig's dark...
This month, I again had the chance to work with the Tron Theatre on their Ambassadors programme, delivering their theatre...
Portland, Oregon's ambient duo Visible Cloaks are well known in the electronic music world. Tonight at Platform, the pair recreate...
If gold medals were awarded for sheer eccentricity then the collective behind Pauline and the Matches would be world-beaters. A...
Sita Pieraccini's work Make a HOO is billed as: "a play set in the tropical hills and the Sri Lankan...
New Scottish sketch group, Weegie Hink Ae That, take the most familiar (and embarrassing) Glasgow stereotypes, and oh so cleverly...
From the Clydebank Blitz in WW2, where Ella and her older sister Irene are orphaned, through emigration to New York...
Dundee. Present day. The claustrophobic back of a police riot van. Four officers wait for a negotiator to do his...
Khaled Hosseini’s The Kite Runner is a literary juggernaut, spending over two years on the New York Times best-seller list,...