REVIEW: Hedda Gabler – Festival Theatre, Edinburgh
This stark and sleek version of Ibsen's classic play, adapted by Patrick Marber and directed by Ivo van Hove, demonstrates...
Review
REVIEW: Crazy For You – King’s Theatre, Glasgow
Based on the 1930 musical Girl Crazy, (where Ethel Merman made her stage debut and turned Ginger Rogers into a...
REVIEW: The Brothers Karamazov – Tron Theatre, Glasgow
Four central performances of considerable strength mark Richard Crane and Faynia Williams’ revived production of Dostoyevsky’s The Brothers Karamazov as...
SEAT REVIEWS: Tron Theatre, Glasgow
OVERVIEW: The Tron Theatre Main House is a 230 seat, tiered auditorium broken into two levels with slip seats on...
REVIEW: The Addams Family – King’s Theatre, Glasgow
Whatever has happened to The Addams Family? What kind of world do we live in where bitter and twisted Wednesday...
REVIEW: Welcome My Son – Platform, Glasgow
Physical theatre artist Phil Hardie's re-telling of the Frankenstein story, Welcome My Son, is a darkly atmospheric, hugely accomplished and...
REVIEW: Blanche and Butch – Eastwood Park Theatre, Giffnock
Robert Softley Gale's Blanche and Butch is a thoughtful, provocative, gorgeous-to-look-at powerhouse of a production. Inspired by Noel Greig's dark...
FEATURE: Tron Ambassadors guest reviews
This month, I again had the chance to work with the Tron Theatre on their Ambassadors programme, delivering their theatre...
REVIEW: Eastern Promise Festival – Visible Cloaks – Platform, Easterhouse
Portland, Oregon's ambient duo Visible Cloaks are well known in the electronic music world. Tonight at Platform, the pair recreate...
REVIEW: EASTERN PROMISE FESTIVAL – Pauline and the Matches
If gold medals were awarded for sheer eccentricity then the collective behind Pauline and the Matches would be world-beaters. A...
