Tag Archives: Glasgow

NEWS: Full casting announced for new tour of Beautiful

Following a highly successful run at the King’s Theatre in Glasgow in February 2018, Paul Blake, Sony/ATV Music Publishing and Mike Bosner in association with Michael Harrison are delighted to announce that the Olivier, Tony and Grammy award-winning BEAUTIFUL – THE CAROLE KING MUSICAL will return to the city next year.

Starring Daisy Wood-Davis as Carole King, the acclaimed production, which tells the inspiring true story of King’s remarkable rise to stardom, will open on Tuesday 26 May until Saturday 30 May 2020.

Daisy Wood-Davis will be joined by Adam Gillian as King’s husband and song-writing partner Gerry Goffin, Laura Baldwin as song-writer Cynthia Weil, Cameron Sharp as song-writer Barry Mann, Susie Fenwick as King’s mother Genie Klein and Oliver Boot as music publisher and producer Donnie Kirshner. At certain performances, Carole King will be played by Vicki Manser.

The cast is completed by Toyan Thomas-Browne, Reece Budin, Ronald Brian, Carly Cook, Julia Dray, Jordan Fox, Louise Francis, Chloe Gentles, Katrina May, Grant McConvey, Jacob McIntosh, Samuel Nicholas, Leah St Luce, Mica Townsend and Damien Winchester.

Daisy Wood-Davis is probably best known as Kim Butterfield in Channel 4’s Hollyoaks. Her other TV credits include Tansy Meadow in EastEnders and Phoebe Crowhurst in Holby City. Daisy’s theatre credits include Laura in Dreamboats and Petticoats in the West End and on tour, Janet in the European tour of The Rocky Horror Show and most recently Sheila in the UK tour of Hair.

Adam Gillian trained at the Royal Conservatoire of Scotland. He has appeared in Hadestown at the National Theatre and Refresh at the Underbelly Festival.

Laura Baldwin can currently be seen as Dawn in the original London company of Waitress at the Adelphi Theatre. Her other theatre credits include Janey in Eugenius! and Story Sandra in Big Fish, both at The Other Palace.

Cameron Sharp played Theo in the original London cast of School of Rock at the Gillian Lynne Theatre. His other West End credits include Drew in Rock of Ages at the Garrick Theatre. He has also appeared in Jesus Christ Superstar at Regent’s Park Open Air Theatre and the national tour of Avenue Q.

Susie Fenwick’s many West End credits include Sister Margaretta in The Sound of Music at the London Palladium, The Woman in White at the Palace Theatre, Jennyanydots in Cats at the New London Theatre, Beauty and the Beast at the Dominion Theatre, Copacabana and Aspects of Love, both at the Prince of Wales Theatre and Les Misèrables at the Palace Theatre.

Oliver Boot’s many credits include The Curious Incident of the Dog in the Night-Time at the National Theatre and on tour, the European premiere of Finding Neverland at Leicester Curve, Antony and Cleopatra, A Midsummer Night’s Dream and King Lear, all at Shakespeare’s Globe and the national tours of Hay Fever and Bedroom Farce.

BEAUTIFUL – THE CAROLE KING MUSICAL

King’s Theatre, Glasgow

Tue 26 – Sat 30 May

Tue – Sat, 7.30pm

Wed, Thu & Sat: 2,30pm

www.atgtickets.com/glasgow

0844 871 7648

REVIEW: SIX – Theatre Royal, Glasgow

Divorced. Beheaded. Died. Divorced. Beheaded. Survived.

Aragorn, Boleyn, Seymour, Cleves, Howard, Parr.

Six women, six British Queens, reduced to six words in a rhyme.

Toby Marlow and Lucy Moss give sassy 21st Century voices to these six Tudor queens.

Written in ten working days, Six the Musical has been an eye-watering, head-spinning success since its appearance in 2017 at the Edinburgh Festival Fringe, where it was performed by the Cambridge University Musical Theatre Society. Since then it has had a UK tour, several runs in the West End, been produced Off-Broadway, had a US tour, a run on Norwegian Cruise Lines that will continue to 2022, and will appear on Broadway, Australia, Canada and in Chicago and Minnesota in 2020. It is currently on its second UK-wide tour.

It is a sassy celebration of womanhood as these Queens get to reclaim their own her-story 500 years on. Long defined by who their husband was, it’s now time to tell their own tales.

Inevitable comparisons will be made with theatrical juggernaut Hamilton which also mixes 21st century music with historical subject material. However, Six manages to plough its own original and irresistible furrow. Staged like a mash-up between a stadium concert and a musical, it blends spot-on humour and cleverly delivered history with a refreshing dose of self-awareness. Each Queen gets her chance to stand centre stage and state her case in an X-Factor style competition to see who had it worse at the hands of the infamous Henry. These women are here to kick ass and tell all. This they do in an array of musical genres, a blend of pop, rock ballad, R&B, soul and electro euro-pop (the hysterical Kraut-rock/House mash up Haus of Holbein) and all backed by an all-female band, The Ladies in Waiting.

Each of the six women playing these six queens is thoroughly talented and shine equally, a rare and wonderful thing to see on stage and despite the competitiveness, it’s ultimately a show of sisterhood. This is a girl gang you really want to join.

After the defiant intro number Ex-Wives, Lauren Drew (Catherine of Aragon) starts the ball rolling with the sassy No Way followed by Maddison Bulleyment’s hysterical Anne Boleyn delivering the Lily Allen-ish Don’t Lose Your Head, including the lyrics: “I tried to elope but the Pope said ‘nope'” and “everybody chill, it’s totes God’s will”. Lauren Byrne (Jane Seymour) tugs at the heart-strings in the power ballad Heart of Stone. Shekinah McFarlane (Anna of Cleves) gives us the Rhianna-like Get Down and delivers the laughs with: “I’m the Queen of the castle, get down you dirty rascals” when ‘exiled’ to a life of luxury and independence after her divorce from Henry. Jodie Steele delivers Katherine Howard’s All You Wanna Do, with defiance, the lyrics make you question (in light of the #MeToo movement) has anything really changed for women in the past 500 years? And sheds new perspective on how she has been remembered in history. Athena Collins brings the women’s stories to an end absolutely beautifully with Catherine Parr’s Beyoncé-like torch song I Don’t Need Your Love. Each of these woman has is a power-house vocalist and could tear up any stage. That said, the songs they are asked to deliver are hard not to love and as catchy as hell. The rousing Six and Megasix mash-up brings the house to its feet to get down at the end.

Carrie-Anne Ingrouille’s choreography is sharp, original and modern, and perfectly executed by the cast. Gabriella Slade’s costume design is Ariana Grande does Tudor and it works fabulously, as does Emma Bailey’s simplistic but effective, concert-style set design and Tim Deiling’s rich lighting.

The face-off between the women is definitely a twisted sisterhood, they each fling the other’s sob story back in their faces, but this show of fierce womanhood is utterly irresistible. The dawning realisation by each woman that they only claim their place in history because of the man they married, reduced to: “just one word in a stupid rhyme” is actually heart-breaking. Thankfully they get “five more minutes” to set the record straight and send the audience to the street on an absolute high.

The succinct story telling packs a punch and the compact 75-minute running time is audience friendly. Marlow and Moss prove again that HISTORY + MUSICAL THEATRE = HIT. They have successfully distilled 500 year-old history into a perfect piece of entertainment for the 21st Century. Having seen it several times now, Six remains one of the best things out there and stands up to repeated viewings (something this reviewer is never keen on).

It’s a welcome breath of fresh air in a fog of tired, relentlessly touring, mediocre musicals. Get a ticket while you can, you won’t regret it.

Runs until 10th November 2019 at the Theatre Royal, Glasgow

review originally published at The Reviews Hub

NEWS: Scottish Ballet announce their 2020/2021 season

Scottish Ballet CEO/Artistic Director Christopher Hampson reveals an inspirational 2020/2021 programme that sees the company perform on local, national and international stages.

The 2020/2021 season includes:

  • The world premiere of a reimagined production of Kenneth MacMillan’s Mayerling: ‘The Scandal at Mayerling’the first time MacMillan’s sumptuous historical masterpiece will be produced in the UK, outside of London.
  • The Kennedy Centre, Washington USA premiere, and Spoleto Festival USA transfer, of Helen Pickett’s award-winning The Crucible, which gained audience and critical acclaim following its world premiere at Edinburgh International Festival in 2019.
  • Cutting-edge contemporary works MC 14/22 and Sibilo to make the company’s Linbury Theatre, Royal Opera House, London debut.
  • The return of two of the world’s most popular ballets: Scottish Ballet’s raw and intense Swan Lake, and festive family favourite The Nutcracker.
  • Tickets for Scottish Ballet’s 2020/2021 season are now on sale at co.uk

Announcing the 2020/2021 season launch Christopher Hampson, CEO/Artistic Director of Scottish Ballet, said: ‘It’s been an incredibly exciting time for Scottish Ballet during the company’s 50th anniversary year. The 2020/2021 season connects us with audiences from across the world through an invigorating repertoire showcasing some of today’s most cutting-edge choreographers, and Scottish Ballet’s adventurous, daring and unique style.’


SPRING

This Is My Body
Double bill: MC 14/22 and Sibilo

Scottish Ballet launches their 2020/2021 season with a programme of contemporary work, which sees them make their Linbury Theatre, Royal Opera House, London debut with This is My Body from 31 March – 3 April.

A contemporary double bill of work that celebrates and tests the power and versatility of dancers’ bodies, This is My Body includes MC 14/22, choreographed by Angelin Preljocaj and Sibilo, choreographed by Sophie Laplane.

MC 14/22 (Ceci est mon corps) is a meeting of the spiritual and the carnal, drawing on St Mark’s version of The Last Supper in the Bible: ‘Take, eat: this is my body’. Created for twelve male dancers by Angelin Preljoçaj, with soundscapes by Tedd Zahmal, this powerfully sensual and passionate work is a hymn to the male body, stripped down to its deepest reality.

Sibilo, by Scottish Ballet’s Artist in Residence, Choreographer, Sophie Laplane, is a joyful, humorous and surreal work featuring eight dancers, whose eclectic movement is led by audible whistles (sibilo is Latin for whistle) in the soundtrack. Laplane collaborated with Scottish electronic DJ and music producer Alex Menzies (aka Alex Smoke) to create the original musical composition for this piece.

This is My Body will also tour to New York, with details announced in November / December 2019. Sibilo is being presented in London and New York thanks to the generous support of Sir Sandy & Lady Crombie.

Swan Lake

Alongside work in London and New York, Spring will see Scottish Ballet present its contemporary take on the ballet world’s most popular title, as it tours Scotland, following a sold-out debut in 2016.

Opening on 9 April 2020, this sleek and unmissable Swan Lake, choreographed by David Dawson, is a production retold for a new generation.

Arching backs, spiralling arms and mesmerising patterns push the Company dancers to their physical limits in this tale of purity versus seduction. David Dawson’s daring, visceral choreography is perfectly paired with the rich, romantic Tchaikovsky score, played live by the Scottish Ballet Orchestra.

Swan Lake will tour to Edinburgh, Aberdeen, Inverness and Glasgow from 9 April-2 May 2020.

The Crucible

Following a triumphant world premiere at the Edinburgh International Festival in 2019, and a critically acclaimed tour of Scotland, Helen Pickett’s award-winning The Crucible will travel to its spiritual home to make its US premiere as it opens at The Kennedy Center in Washington, DC from 13-17 May, before transferring to open the dance programme at Spoleto Festival USA from 22-24 May 2020.

Adapted from Arthur Miller’s masterpiece of power and persecution, Helen Pickett’s award-winning choreography unleashes the full emotional force of the story as a new narrative ballet.

The first major dance adaptation of Miller’s work, created in collaboration with director James Bonas, The Crucible is an allegorical comment on the McCarthy hearings of the 1950s; Miller’s chilling account of the 1692 Salem witch trials that recalls a community destroyed by fear, hostility and hysteria.

Designers David Finn and Emma Kingsbury bring the theatrical elements to life with costumes, lighting and set, and the performances are vividly accompanied by Peter Salem’s haunting new score.

The first of Scottish Ballet’s ambitious commissioning programme Five in Five which will see the company stage five new full-length ballets over five years, The Crucible will tour the US from 13 May-24 May 2020.

AUTUMN

The Scandal at Mayerling

Dramatically reimagined and adapted for Scottish Ballet by Gary Harris and Christopher Hampson, The Scandal at Mayerling will feature bold new designs from Elin Steele and a new orchestration from Martin Yates. This dramatic new interpretation of Sir Kenneth MacMillan’s iconic ballet Mayerling, will open at Festival Theatre in Edinburgh, 17 September 2020.

True to the original, the story is set in Vienna in 1889 and follows the story of Crown Prince Rudolf, an anti-hero as compelling as Hamlet, who has a morbid fascination with death and a voracious sexual appetite. The Scandal at Mayerling is an intense and lavish period production, a story of obsession and mortality, with a backdrop of sumptuous set and costumes. The story is brought to life by the music of Franz Liszt, performed live by the Scottish Ballet Orchestra.

Developed in association with Lady Deborah MacMillan, this is the third of Scottish Ballet’s ambitious commissioning programme Five in Five.

The Scandal at Mayerling tours to Edinburgh, Aberdeen, Inverness and Glasgow from 17 September – 10 October 2020.

WINTER

The Nutcracker

Rounding off the 2020/2021 season, The Nutcracker returns due to never-ending demand as it opens at the Festival Theatre in Edinburgh from 5 December 2020.

A firm family favourite, this magical story takes you on a journey through the eyes of a child as it follows the adventures of the Sugar Plum Fairy, the Nutcracker Prince and the larger-than-life Rat King.

Leaving children and adults in awe, this heart-warming tale places Peter Darrell’s choreography centre-stage as dancers perform to Tchaikovsky’s score, that transports audiences to a far-away land of dreams…and baubles.

The Nutcracker tours to Edinburgh, Aberdeen, Inverness, Glasgow, Newcastle and Belfast from 5 December 2020 – 13 February 2021.

2020/2021 Listings:

Swan Lake
Choreographed by David Dawson
Festival Theatre, Edinburgh:                          9-11 April 2020

His Majesty’s Theatre, Aberdeen:                  16-18 April 2020

Eden Court, Inverness:                                   23-25 April 2020

Theatre Royal, Glasgow:                                29 April – 2 May 2020
#SBSwanLake

 

The Scandal at Mayerling
Choreographed by Sir Kenneth MacMillan

Festival Theatre, Edinburgh:                          17-19 September 2020

Theatre Royal, Glasgow:                                24-26 September 2020

Eden Court, Inverness                                    2-3 October 2020

His Majesty’s Theatre, Aberdeen:                  8-10 October 2020
#SBMayerling

 

The Nutcracker

Choreographed by Peter Darrell

Festival Theatre, Edinburgh:                          5-31 December 2020

Theatre Royal, Glasgow:                                6-16 January 2021

His Majesty’s Theatre, Aberdeen:                  20-23 January 2021

Eden Court, Inverness:                                   27-30 January 2021
Grand Opera House, Belfast:                         10-13 February 2021

The Nutcracker will also be presented in Newcastle, with more information announced in Spring 2020.

WHAT’S ON DECEMBER: Ali the Magic Elf at the Tron

This Christmas, Tron Theatre Company is presenting a brand-new Tron festive classic, Ali the Magic Elf.

Ideal for little ones aged 3-6 years and their adults, the show is conceived and directed by Tron Theatre’s Artistic Director Andy Arnold (who has recently returned from directing The Selfish Giant for Beijing Children’s Theatre Company) for the studio space. Designer Jenny Booth is set to transform our Changing House into a cosy North Pole workshop where Ali the Magic Elf (played by Ramesh Meyyappan) is busy working away in Santa’s workshop.

It’s Christmas eve but everything is going wrong and the elves are panicking- none of the children’s letters have been answered! What is an elf to do! Suddenly with the jingle of bells and the swoosh of a sleigh- magic is in the air! But Ali and his friends (played by Simon Donaldson & Pride & Prejudice* *sort of’s Christina Gordon) may need a bit of help! 

Featuring costume design by Vicki Brown and with a live score played by actor/musicians Simon and Christina, Ali the Magic Elf uses the wonderful physicality and comic timing of three professional actors to great effect and is an unforgettable visual experience for little ones who might still be too young for the Tron’s main house panto.

Ali the Magic Elf is 50 minutes of charming storytelling which incorporates Meyyappan’s playful magic tricks, engaging basic BSL audience interaction and live music throughout in a perfect Christmas treat for little ones.

ALI THE MAGIC ELF

FRI 29 NOVEMBER – TUE 31 DECEMBER 2019  

INTERVIEW: John Barrowman talks about his festive show coming to Glasgow this December

It’s the most FABULOUS time of the year – and entertainer extraordinaire John Barrowman will be celebrating the festive season with fans as he returns to the UK with a dazzling new Christmas tour.

The eight-date JOHN BARROWMAN – A FABULOUS CHRISTMAS  tour in November and December follows the success of his sell-out summer shows, celebrating his 30 years on stage and screen, and will coincide with the release of his new album of the same name.

Barrowman is a singer, actor, dancer, presenter, judge and author. Last year, UK audiences delighted in supporting him as he made the final three in ITV’s I’m A Celebrity Get Me Out of Here 2018. And he’s recently been announced as the new judge for ITV’s Dancing On Ice, having competed on the show’s first series in 2006.

Speaking about the tour and new album, John said: “I am so looking forward to starting everyone’s Christmas off with a festive bang.

“It’s been great to get back into the studio recording new Christmas tracks. I love this time of the year, but this is the first time I’ve put together a full album of Christmas and festive music for the most FABULOUS time of the year.

We caught up with John for a festive chat as he prepares for a truly FABULOUS Christmas…

What is Christmas all about to you?

“It’s about family, friends, celebrating the birth of a child, and basically coming together and enjoying people’s company. Everybody talks about presents, but my favourite time is Christmas morning after all the presents have been opened, having brunch, relaxing, playing games, all that stuff.

“Of course, I have to fit music into Christmas, and that starts on Christmas Eve. We have all the Christmas songs on, line up bottles of Champagne – from the most expensive to the cheapest… And by the time we get to the cheap ones, they all taste exactly the same anyway.”

Home is obviously Palm Springs, but you’re still very much attached to your Scottish roots. Where do you spend Christmas?

“Prior to last year, Christmas has always been spent at my cousin’s in Dunblaine, as when I’ve been working in panto, you only really get Christmas day off, so not much chance to travel too far. So last year was the first time in many years where I’ve actually been at home with family, in the States, for Christmas, and that’s where we’ll be this year too.”

Do we assume your house looks fabulous at Christmas?

“Absolutely. My house gets decorated to the hilt; pilots could mistake our house for a runway! That said, by the time I’ve actually finished the tour and other work I’ve got on, there’s only going to be about five days to do all the decorating and shopping.

“We have two trees. One is decorated in a Scottish-American-Welsh-British traditional style, recognising all the places I’ve lived in. The other is more glitzy and sparkly, with a dash of Star Wars – we have a Star Wars tree topper.

“All the trees outside have huge baubles on and we really go all out.”

Who will you spend Christmas with and what’s the plan?

“Mum and dad are just down the road, so they’ll be with us, and my aunt and uncle and Scott and mine’s best friends – just the eight of us.

“Everyone shares the jobs, although one day I’ve got a chef booked so no one will have to cook at all. But we’re a diverse family, so we really try to include lots of different elements.

“Mum will make shortbread, obviously – being Scottish, my aunt is from Belgium and she does the hors d’ouvres. Then it’s a traditional turkey dinner with everybody pitching in to help.

“One rule though, whoever cooks does not clean up – so I make sure I get really stuck into the cooking, and make a mess…”

Are you a gift giver, or receiver?

“I like to give more than receive, for sure. But I do absolutely love to receive gifts which are made personally, crafty gifts. There’s so much more heart to those things.”

What’s the best present you’ve ever had?

“I remember one year as a kid, all I wanted was a silver flute. I’d come down, opened all my presents from Santa and I didn’t get it. Mum and dad asked me to get something out of the drawer in the other room where they kept the silverware, and there among it all was this very particular flute.

“I like to make gift giving an event like that – it really adds to the occasion.”

The tour is coming to Glasgow, obviously, how could you not include your home city, especially at Christmas?

“It really will be the homecoming show, and home is so important at that time of year. The audiences really know what to expect, are always totally fabulous and get right behind me.

“I always go a little bit further there than anywhere else, as I know I can get away with it. It’ll be like an early Hogmanay.

And lastly, what can fans expect from John Barrowman – A Fabulous Christmas Tour? The summer tour was truly fabulous, and your mum, dad and Scott almost managed to steal the show on those dates… Will we be seeing them again?

“It’s going to be totally Christmassy… I’ve written a letter to Santa to see if ‘Mr and Mrs Claus’ are able to come along. Scott will be there again, on the merchandise stall, and on stage at some point. I hope to integrate mum and dad into it – which will be quite exciting, I hope.

“Like the summer shows, there will be music, stories and photos, but this time sharing all my favourite moments from Christmas through the years.”

Tickets are on sale now from www.cuffeandtaylor.com

John Barrowman ‘A Fabulous Christmas’ is out 6th Dec on Decca Records

See JOHN BARROWMAN – A FABULOUS CHRISTMAS at:

  • SUN DEC 1 GLASGOW, SEC

WHAT’S ON DECEMBER: Cinderfella at the Tron

It’s almost panto time at the Tron Theatre and they have announced that the 2019 pantomime CINDERFELLA (27th Nov 2019 – 5th Jan 2020) is set to defy convention once again by featuring an all-women cast of Tron panto legends, just one year after progressive panto Mammy Goose portrayed a heartwarming tale of same-sex love between two heroes. Penned once again by the inimitable Johnny McKnight, this year’s pantomime Christmas show will be directed and designed by Kenny Miller.

Imagine having to do everything in your house… Well, that’s the life Cinderella (Sally Reid) leads. It’s a pure nightmare – and her family? Well, they make the Kardashians look positively normal. She’s got two idiotic step-brothers – Harry and Larry (Hannah Jarrett-Scott and Daisy Ann Fletcher) – who are incapable of doing anything for themselves; a Stepmother (Lauren Ellis-Steele) so wicked she makes Ann Widdecombe look warm and cuddly; AND she has to work morning, noon and night in the family dressmaking business. Her only pal is a gallus wee sheep named Muttons (Jo Freer).

But there’s hope when she hears that winner of Entrepreneur of the Year, Princess Charmaine is having a party for all the commoners in the pantosphere. Will Cinderella get to the ball and save her family business? Who will Princess Charmaine pick as her husband? And who on earth would leave a pair of glass trainers at the bottom of the royal palace stairs?

With stunningly festive lighting from Grant Anderson, and the usual toe-tapping tunes by Ross Brown, CINDERFELLA is set to be yet another unmissable all-singing, all-dancing, irreverent, gallus, festive extravaganza.

Tron Theatre, 63 Trongate, Glasgow G1 5HB
Dates: Wed 27 Nov 2019 – Sun 5 Jan 2020, times vary
Tickets: £9 – £23 (prices vary)
Box Office: 0141 552 4267 or http://www.tron.co.uk

NEWS: STRICTLY WINNER TOM CHAMBERS AND NOT GOING OUT STAR SALLY BRETTON LEAD CAST IN DIAL M FOR MURDER

A brand new production of the classic thriller, Dial M for Murder, will run at Theatre Royal, Glasgow next year as part of  UK tour.

Based on Frederick Knott’s stage and screen play and made world-famous by Hitchcock’s iconic 1954 film, the production, directed by Anthony Banks, will open on Tuesday 3 and close on Saturday 7 March.

TV and stage favourite, Tom Chambers, (Top Hat, Strictly Come Dancing) stars as the charismatic and manipulative Tony Wendice, a jaded ex-tennis pro who has given it all up for his wife Margot, played by Sally Bretton (Not Going Out, Death In Paradise, The Office). When he discovers she has been unfaithful his mind turns to revenge and the pursuit of the ‘perfect crime’. Christopher Harper (Coronation Street, Strangers on a Train) performs in the dual roles of Captain Lesgate and Inspector Hubbard and Michael Salami (Hollyoaks) as Max Halliday, Margot’s American lover.

Tom Chambers plays Tony Wendice. Tom’s theatre credits include: Crazy For You (UK tour); Private Lives (UK tour); White Christmas (Dominion); Top Hat (Aldwych); White Christmas (Sunderland Empire); The Rover (Young Vic Studio); Journey’s End (Courtyard Theatre); Bloody Poetry (Brockley Jack Theatre); Pendragon (City Theatre Broadway NYMT and Sadler’s Wells); October’s Children (NYMT and Hammersmith Lyric); Cyrano De Bergerac and Macbeth (Derby Rep Theatre); Damn Yankees (Yvonne Arnaud Theatre); The Innocents (Derby Playhouse) and Stepping Out (Electric GSA). Film includes: Fakers and Great in Britain: the Movie. Television includes: Midsomer Murders, Emmerdale, Casualty, Father Brown, The Great Train Robbery, Waterloo Road and Holby City. Radio includes: Mellow Magic every Saturday 10am-1pm.

Sally Bretton appears as Margot Wendice. Sally’s theatre credits include: An Ideal Husband (Classic Spring Company); King Lear, The Front Line and In Extremis (Shakespeare’s Globe); A Conversation (Manchester Royal Exchange); All My Sons (Library Theatre, Manchester); Present Laughter (Theatre Royal Bath and UK tour) and Hay Fever (Oxford Stage Company). Sally was nominated for Best Actress – Manchester Evening News Theatre Awards 2002 for her role in Who’s Afraid of Virginia Woolf? at The Library Theatre, Manchester. Film includes: Outlaw, So Long Charlie Bright and Peaches. Television includes: Not Going Out, Death in Paradise, The Office, Green Wing, Absolute Power, Thanks for the Memories, Casualty, Lewis, How Not to Live Your Life, Hotel Babylon, Vincent, Open Wide, Blessed, Blackbeard, If…we eradicate violent crime, Wild West, Blue Murder, Happy Together, Dr Terrible’s House of Horrible, Beast, Armstrong and Miller and The People’s Harry Enfield.

Christopher Harper performs as Captian Lesgate and Inspector Hubbard. Christopher’s theatre credits include: Strangers on a Train (UK tour); Much Ado About Nothing (Shakespeare’s’ Globe); Slipping (Stephen Joseph Theatre, Scarborough); The Wind in the Willows, Man of the Moment and Private Fears in Public Places (Royal & Derngate); I Know How I Feel About Eve (Hampstead Downstairs); The Night Before Christmas (Different Breed); The Village Bike (Sheffield Crucible Studio); A Kid Like Jake (Old Vic New Voices); Our Country’s Good and Journey’s End (Original Theatre Company); Persuasion, After Miss Julie and People at Sea (Salisbury Playhouse); Saturn Returns (Finborough Theatre); Light Shining in Buckinghamshire and Lie of the Land (Arcola). Television includes: Holby City, Endeavour, Coronation Street, The Suspicions of Mr Whicher, Doctors, Upstairs Downstairs, The Bill, Heartbeat, The Roman Mysteries, Housewife 49, Life on Mars and Rosemary and Thyme. Chris also produced and voiced the award-winning charity animation The Mouse.

Michael Salami is Max Halliday. Michael Salami is a multi-award-winning actor. Born in America and raised in London, Salami discovered his passion for acting in 2007. Salami made his first on stage appearance at Oval Theatre in 2010 and has since then performed at The Old Vic, Soho Theatre, Lyric Hammersmith, Southwark Playhouse and Theatre503. Salami studied at Stella Adler Studio of Acting in New York graduating in 2016 and since then has appeared in Hollyoaks; Catastrophe; The Temple and Magic Hour. His leading role in Just A Couple has landed him a number of nominations and awards such as a Screen Nation Award for Best Actor. Just A Couple is now in full development with Channel 4.

Dial M for Murder

Theatre Royal, Glasgow

Tue 3 – Sat 7 Mar 2020

Tue-Sat: 7.30pm

Wed, Thu & Sat: 2.30pm

www.atgtickets.com/glasgow

0844 871 7647* calls cost 7p per minute plus your phone company’s access charge

 

NEWS: BRENDAN COLE ANNOUNCES FINAL BIG BAND TOUR – SHOW MAN

Brendan Cole announces today that he will revive his hugely popular 2019 tour for 2020 Show Man, announcing this will be his last big band tour after 10 years of touring 5 exceptional critically acclaimed productions.  Show Man opens at Grimsby Auditorium 19 Feb 2020 before touring the UK and Ireland.

Taking its inspiration from the magic of theatre and the movies Show Man brings something for everyone.  With his amazingly talented hand-picked championship dancers and scorching eight piece live big band and singers, Brendan will bring audiences many of their favourite Strictly dance styles with choreography full of excitement, intimacy, emotion & skill. With laughter and chat throughout you are guaranteed to have a ball.  This is no ‘sit back and watch’ production;  Each show is full on high energy dance dynamite, up close and personal, with superb choreography, stunning lighting and amazing special effects. Expect a cheeky Charleston to Pencil Full of Lead, a sexy Salsa to Despacito, music from Beggin’ to Bublé, plus numbers from The Greatest Showman and La La Land.

Brendan Cole is best known from TV favourite Strictly Come Dancing where he danced the first show of the first series and lifted the very first glitterball trophy.

Show Man is Brendan’s fifth theatrical production and will see him tour the UK for the twelfth time . He has presented ten hugely successful concert tours to date: Live & Unjudged (2010/2011 x 2/2012), Licence to Thrill (2013 & 2014), A Night To Remember (2015/2016) and All Night Long (2017/2018)

Brendan tells us ‘I’m really excited to be bringing back Show Man having toured this production early in 2019 .  This is my most exciting tour to date it’s so dynamic and theatrical – much more so than any previous tour.  We have five male dancers, three female dancers, choirs, a violinist and brand new staging which allows the choreography to be exciting and different; bigger and better lifts, some very strong theatrical numbers as well as a new look set, it really is something special!  My aim is to wow the audience and give them everything they’d expect and much, much more.

Brendan continues ‘ This will be my last big band tour after touring for so many years. I’ve loved every second of being own the stage with my friends who have now become family. It’s time for something different and I’m honoured to be taking Show Man out for one last run. I’m so proud of this production and I’m going out on a high’

If you love live music from one of the best touring bands and exciting and emotive dance this is the show for you.  Don’t miss your chance to experience the ultimate Show Man at his best.

For more information and tour dates visit www.brendancolelive.com or www.pmbpresentations.com

Find us on Twitter and Facebook @BrendanColeTour

Wed 26-Feb    Aberdeen Music Hall              www.aberdeenperformingarts.com            01224 641122

Thu 27-Feb      Glasgow Royal Concert Hall   www.glasgowconcerthalls.com            0141 353 8000

Sat 29-Feb       Dunfermline Alhambra          www.alhambradunfermline.com            01383 740384 

Tue 03-Mar     Perth Concert Hall                  www.horsecross.co.uk                       01738 621031

Wed 04-Mar   Inverness Eden Court              www.eden-court.co.uk                      01463 234234

Images: Fiona Whyte

NEWS: DISNEY’S THE LION KING POP-UP EXHIBITION COMES TO SILVERBURN

The Walt Disney Company UK and Ireland and Edinburgh Playhouse have today announced that a free pop-up exhibition about Disney’s The Lion King will tour Scotland in November ahead of the hit musical opening its run at the Edinburgh Playhouse in December. The show, currently playing 17 weeks from 5 December – 29 March has only one Scotland run and has already extended due to popular demand, surpassing its own record breaking 15 week season in 2013. Tickets to the show are now on sale.

In Dundee, Glasgow, Aberdeen and Edinburgh, visitors will be able to explore the iconic masks, puppets and costumes from the Tony Award®-winning The Lion King up-close and learn about the inspiration behind many of the show’s impressive designs. Puppets such as Rafiki and Zazu will be on display, alongside the iconic Mufasa, Simba and Nala masks and other much-loved pieces from the musical. The exhibition opens in Dundee’s Overgate Shopping Centre on 1 November, Glasgow’s Silverburn Shopping Centre on 4 November, before moving to Union Square Shopping Centre in Aberdeen on 9 November, and finally Edinburgh’s Gyle Shopping Centre on 15 November. Full details listed below. The exhibition is free and there is no booking required.

The Edinburgh season of the UK and Ireland tour coincides with The Lion King celebrating 20 years at London’s Lyceum Theatre. Since the UK premiere on Tuesday 19 October 1999, The Lion King has entertained more than 16 million theatregoers and remains one of the longest-running West End musicals of all time.

Casting for the Edinburgh season was announced in June drawing from countries including Brazil, Democratic Republic of the Congo, France, Ireland, Jamaica, Nigeria, Singapore, South Africa, Taiwan, and United Kingdom. The roles of Simba, Nala and Rafiki will be played by Dashaun Young, Josslynn Hlenti and Thandazile Soni respectively. The company will also include Steve Beirnaet, Matthew Forbes, Jean-Luc Guizonne, Richard Hurst, Alan McHale, Rebecca Omogbehin, Carl Sanderson and Simon Trinder.

Exhibition information:

Glasgow
Silverburn Shopping Centre
Monday 4 – Friday 8 November 2019
Opening times: Monday – Friday: 10am – 9pm

Ticketing Information

Tickets can be purchased from the Edinburgh Playhouse Box Office, by calling                   0844 871 3014* or by visiting atgtickets.com or www.lionking.co.uk

*Calls cost 7p per minute, plus your phone company’s access charge.

 

Performance Information:

Dates: Thursday 5 December 2019 – Sunday 29 March 2020, 7.30pm & 2.30pm

Audio described performance: Wednesday 11 December 2019, 7.30pm and Wednesday 26 February 2020, 7.30pm

Signed Performance: Wednesday 15 January 2020, 7.30pm and Wednesday 4 March 2020, 7.30pm

Relaxed Performance: Sunday 26 January 2020, 1.30pm

Captioned Performance: Wednesday 5 February 2020, 7.30pm and Wednesday 25 March 2020, 7.30pm

 

NEWS: God of Carnage announced to return for UK tour starring Elizabeth McGovern, Nigel Lindsay, Samantha Spiro and Simon Paisley Day

Following an acclaimed run as part of its Summer Season 2018, Theatre Royal Bath Productions is delighted to announced the return of its hit comedy production of Yasmina Reza’s God of Carnage for a UK tour starting in January 2020. Elizabeth McGovern, fresh from starring in the celebrated Downton Abbey film, reprises her dazzling performance as Veronica with Nigel Lindsay back as her bluff husband Michael. Directed by Lindsay Posner, the production welcomes two-time Olivier Award-winning actress Samantha Spiro who will play Annette and Simon Paisley Day, recently seen in Ralegh: The Treason Trial at the Sam Wanamaker Playhouse, in the role of husband, Alan.

God of Carnage will run at Guildford’s Yvonne Arnaud Theatre (14 – 18 January 2020), Theatre Royal Bath (20 – 25 January and with opening night for press on 21 January), Theatre Royal Glasgow (27 January – 1 February), Cambridge Arts Theatre (3 – 8 February) and Rose Theatre Kingston (10 – 15 February).

When 11-year-old Ferdinand hits 11-year-old Bruno with a stick in a playground punch-up and knocks out two of his teeth, the combatants’ enlightened parents decide to meet to talk things over civilly. But once the niceties are done with and the drink starts flowing, it is the parents who turn into spoiled brats.

Elizabeth McGovern/Veronica

God of Carnage is a ruthlessly comic study of middle-class parenting. Originally written in French, the play was translated by Christopher Hampton in 2008. The production went on to win the Olivier Award for Best New Comedy and the Tony Award for Best New Play.

Elizabeth McGovern is well known for her Emmy Award and Golden Globe Award nominated role as Cora Crawley, Countess of Grantham in Downton Abbey. She has also played Evelyn Nesbit in Ragtime for which she received an Academy Award nomination. Her theatre credits include Broadway productions of Time and the Conways, Hamlet and Love Letters. Other film and television credits include Ordinary People, Once Upon a Time in AmericaThe Handmaid’s Tale and The Wings of the Dove.

Nigel Lindsay/Michael

Nigel Lindsay is an Olivier Award nominated actor. His numerous television credits include the ITV series Victoria, Spooks, White Gold and The Capture. For film he has appeared in Alan Partridge: Alpha Papa and Four Lions, for which he was nominated for Best British Comedy Performance in Film at the British Comedy Awards. His many stage credits include the title role in Shrek the Musical for which he was nominated for the Olivier Award for Best Actor in a Musical, Guys and Dolls (West End), Harrogate (Royal Court), A Small Family Business (National Theatre), Broken Glass (Tricycle Theatre) and Awake and Sing (Almeida).

Samantha Spiro is a two-time Oliver Award-winning actress. Her numerous television credits include her British Comedy Award-winning role in Grandma’s House, Game of Thrones and Cold Feet. She recently appeared on stage in Lady Windermere’s Fan (West End). Previous credits include Guys and Dolls (West End), Macbeth and The Taming of the Shrew (Shakespeare’s Globe), her Olivier Award winning title role in Hello, Dolly! and Mary Flynn in Merrily We Roll Along which also saw her receive the Olivier Award for Best Actress in a Musical.

Simon Paisley Day’s recent screen credits include Star Wars: The Rise of Skywalker, Born A King, The Crown, Brexit: The Uncivil War and Victoria & Abdul. He previously appeared at Bath in Richard Eyre’s Private Lives. Further stage credits include Twelfth Night (National Theatre), The Lorax (Old Vic), West End productions of Anything Goes, The Philanthropist, The 39 Steps and Private Lives, the title role in Timon of Athens (Shakespeare’s Globe), The Low Road and The Ugly One (Royal Court).

Yasmina Reza has written numerous plays including Olivier and Tony Award winning God of Carnage, Art, The Unexpected Man and The Passage of Winter.  She has also written novels Hammerklavier, Desolation, Adam Haberberg, Happy are The Happy and Babylone and the screenplay for Carnage.

Lindsay Posner’s career includes positions as Associate Director of Royal Court Theatre, Artistic Director of Royal Court Theatre Upstairs and Deputy Director for main house.  Additional credits include Olivier nominated productions of A View from the Bridge (Duke of York’s Theatre) and Carousel (Churchill Theatre, UK Tour and Savoy Theatre) as well as The Lie (Menier Chocolate Factory), The Truth (Menier Chocolate Factory, Wyndham’s), Hayfever (Theatre Royal Bath/West End) and The Winslow Boy (Roundabout Theatre, New York; Old Vic Theatre). Television credits include Two Oranges and a Mango and The Maitlands.

Monday 27 January – Saturday 1 February 2020
Theatre Royal Glasgow
282 Hope Street, Glasgow, G2 3QA
Box Office: 08448 717 647
www.atgtickets.com/venues/theatre-royal-Glasgow/

Images: Nobby Clark

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