REVIEW: The Brothers Karamazov – Tron Theatre, Glasgow
Four central performances of considerable strength mark Richard Crane and Faynia Williams’ revived production of Dostoyevsky’s The Brothers Karamazov as...
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SEAT REVIEWS: Platform, Glasgow
OVERVIEW: Platform, Easterhouse is a 210 seat tiered auditorium. There are ten main rows of tiered seats with a gallery...
SEAT REVIEWS: Eastwood Park Theatre, Giffnock
OVERVIEW: Eastwood Park Theatre is a 338 seat, tiered auditorium. Sight lines from all seats are excellent due to the...
SEAT REVIEWS: Tron Theatre, Glasgow
OVERVIEW: The Tron Theatre Main House is a 230 seat, tiered auditorium broken into two levels with slip seats on...
REVIEW: Look Back in Anger – Cumbernauld Theatre
Astonishingly written in 17 days in a deckchair on Morecambe Pier, John Osbourne's autobiographical, 61-year-old play occupies a place at...
REVIEW: The Addams Family – King’s Theatre, Glasgow
Whatever has happened to The Addams Family? What kind of world do we live in where bitter and twisted Wednesday...
REVIEW: Welcome My Son – Platform, Glasgow
Physical theatre artist Phil Hardie's re-telling of the Frankenstein story, Welcome My Son, is a darkly atmospheric, hugely accomplished and...
INTERVIEW: Barrie Hunter on brand new musical The Sunshine Ghost currently touring Scotland
New musical The Sunshine Ghost tells the comic story of the acquisition of Castle MacKinnon by a love-struck billionaire and...
REVIEW: Blanche and Butch – Eastwood Park Theatre, Giffnock
Robert Softley Gale's Blanche and Butch is a thoughtful, provocative, gorgeous-to-look-at powerhouse of a production. Inspired by Noel Greig's dark...
REVIEW: Eastern Promise Festival – Pictish Trail – Platform, Easterhouse
From the isle of Eigg via Edinburgh, Johnny Lynch aka Pictish Trail, delivers an accomplished set to round off the...
