SEAT REVIEWS: Tron Theatre, Glasgow
OVERVIEW: The Tron Theatre Main House is a 230 seat, tiered auditorium broken into two levels with slip seats on...
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REVIEW: Look Back in Anger – Cumbernauld Theatre
Astonishingly written in 17 days in a deckchair on Morecambe Pier, John Osbourne's autobiographical, 61-year-old play occupies a place at...
REVIEW: The Addams Family – King’s Theatre, Glasgow
Whatever has happened to The Addams Family? What kind of world do we live in where bitter and twisted Wednesday...
REVIEW: Welcome My Son – Platform, Glasgow
Physical theatre artist Phil Hardie's re-telling of the Frankenstein story, Welcome My Son, is a darkly atmospheric, hugely accomplished and...
INTERVIEW: Barrie Hunter on brand new musical The Sunshine Ghost currently touring Scotland
New musical The Sunshine Ghost tells the comic story of the acquisition of Castle MacKinnon by a love-struck billionaire and...
REVIEW: Blanche and Butch – Eastwood Park Theatre, Giffnock
Robert Softley Gale's Blanche and Butch is a thoughtful, provocative, gorgeous-to-look-at powerhouse of a production. Inspired by Noel Greig's dark...
REVIEW: Eastern Promise Festival – Pictish Trail – Platform, Easterhouse
From the isle of Eigg via Edinburgh, Johnny Lynch aka Pictish Trail, delivers an accomplished set to round off the...
FEATURE: Tron Ambassadors guest reviews
This month, I again had the chance to work with the Tron Theatre on their Ambassadors programme, delivering their theatre...
REVIEW: Eastern Promise Festival – Visible Cloaks – Platform, Easterhouse
Portland, Oregon's ambient duo Visible Cloaks are well known in the electronic music world. Tonight at Platform, the pair recreate...
REVIEW: EASTERN PROMISE FESTIVAL – Pauline and the Matches
If gold medals were awarded for sheer eccentricity then the collective behind Pauline and the Matches would be world-beaters. A...
