REVIEW: Rudolph – Platform, Easterhouse, Glasgow
Esmerelda is one unhappy chicken, not only does she want to be called Joyce now, she’s also in no mood to provide the much needed eggs for the poor storytellers Christmas dinner – two poor storytellers who have no cards and no presents either. Esmerelda decides that she’ll only lay an egg if the pair re-tell her favourite story, that of Rudolph the famous red-nosed reindeer.
Rudolph (for pre-schoolers) is as far removed from the brash, candy-coloured pantomimes on offer around the city, this is the gentlest of storytelling, played out on a beautiful, naturalistic cottage-yard set, illuminated by the most beautiful lighting effects from Sergey Jakovsky.
While it does tend to stray on the side of the bizarre – there’s a strange ‘birthing’ sequence for Rudolph and Olive (the other reindeer) relishes her torment of poor Rudolph at reindeer school, it’s a gentle introduction into modern theatre for the tiniest of audience members.
The highlight of the night is when the only song of the evening plays from the radio Edwin Starr’s HAPPY Radio and the tiny dancers in the auditorium burst into life. The creators would do well to take note of the effect of music on young children – it speaks to their very soul. At only 45 minutes long it should fly by but it lacks the necessary life it takes to make it a real hit with its target audience, there’s a lot of restlessness around. A work of quality but not without its faults.
Runs until 17 December at various times
Tickets from £4.50 (local links) /£5/ £8.50