REVIEW: One of Two – Platform, Glasgow
Jack Hunter's One of Two has undergone some streamlining since it first appeared on stage at the 2022 Fringe. Out...
Easterhouse
REVIEW: A Christmas Carol – Platform, Glasgow
Never known as the merriest of festive tales, A Christmas Carol proves to be a joyless offering at Platform this...
REVIEW: World’s Evolution – Platform, Glasgow
Scottish dance company THREE60's World's Evolution aims to takes us on a journey from the origins of humanity to the...
REVIEW: Rumplestiltskin – Platform, Easterhouse
A tale for those who have never fitted in, for those who’ve never found their tribe, a tale of the...
REVIEW: Shō and the Demons of the Deep – Platform, Easterhouse
When she was six years old playwright Zoë Bullock was given Annouchka Gravel Galouchko's picture book Shō and the Demons...
REVIEW: Ragnarok – Platform, Easterhouse
It is a damning indictment of the society in which we live when a post-apocalyptic world such as the one...
REVIEW: Cinderella – Platform, Easterhouse
By far the most popular character in Pantoland this season, Cinderella is this year's Platform festive show. Most this year...
REVIEW: Burnt Out – Platform, Easterhouse
Australia-born, Glasgow based dance artist Penny Chivas tours Burnt Out, her intimate but impactful personal experience of the devastating 2003 Canberra...
REVIEW: Sex Education Explorers [S.E.X.] – Platform, Easterhouse
The world is awash with discussion on gender identity and fluidity and rightly so. Mamoru Iriguchi's Sex Education Xplorers is...
REVIEW: Sleeping Beauty – Platform, Easterhouse
Playwright Lewis Hetherington presents a refreshing new take on the traditional tale of Sleeping Beauty at Platform this Christmas. Addressing...
