REVIEW: Bond and Beyond – Glasgow Royal Concert Hall
Since 1962, no movie franchise has conjured up an image of glamour, intrigue and mystery quite like the Bond films. The locations might change, the villains might change, even the Bonds are ever-changing but the one thing that remains the same is the big, block-busting theme music.
Conductor and arranger Clive Dunstall and the Scottish Concert Orchestra take that most constant feature of the movies and present an evening that showcases the best of 50 years of Bond music.
With 25 movies to choose from you would be forgiven for thinking that there was enough material for a concert, but Dunstall has enhanced and extended the programme above and beyond Bond by including a series of ‘suites’ based upon themes from the world’s best-loved cop shows: there are medleys of “British”, “Female” and “American Detectives” interspersed throughout, which, much to the delight of the audience, added a ‘name that tune’ competition element to the show.
The playing from the Scottish Concert Orchestra is an absolute delight, a fact that is made all the more astonishing when we learn that the afternoon’s concert was presented after only two and a half hours of rehearsal that morning, it remains tight and on-point throughout. But it is the two guest singers, West End veterans Tim Howar and Louise Dearman who are the outstanding highlight of the performance. The sheer diversity of styles they have to recreate is jaw-dropping, that they do it with such style, panache and power is impressive. Both have exquisitely toned voices, with vast ranges which they utilise effortlessly and to great effect.
Like Bond himself this is a classy affair; a top notch programme, first-rate singers and a world-class orchestra – an afternoon’s entertainment of the highest order.
