Tag Archives: Glasgow Royal Concert Hall

NEWS: GLASGOW DATE AS KERRY ELLIS JOINS QUEEN MACHINE FOR ORCHESTRATED TOUR

KERRY ELLIS JOINS ROCK TRIBUTE ROYALTY QUEEN MACHINE FOR NEW ORCHESTRATED UK TOUR

Glasgow, Royal Concert Hall, Thursday April 16 2020

The music of rock legends Queen is to be celebrated like never before as West End performer Kerry Ellis joins Scandinavian tribute stars Queen Machine for a fully orchestrated UK tour.

The all-new tour Queen Machine Symphonic featuring Kerry Ellis will see Queen’s greatest hits performed by leading European tribute band Queen Machine accompanied by the London Symphonic Rock Orchestra and conducted by Matthew Freeman, creating an unforgettable night of rock anthems.

The 2020 tour comes to Glasgow’s Royal Concert Hall on Thursday, April 16 2020.

Tickets go on sale at 10am on Friday, April 19 from www.cuffeandtaylor.com / www.ticketmaster.co.uk

Making their UK touring debut, Queen Machine are the go-to tribute band for the Official International Queen Fan Club and are one of the most popular bands in their native Denmark and neighbouring Scandinavian countries where they repeatedly sell out shows.

Joining them will be musical theatre performer Kerry Ellis, who originated the role of Meat, in Queen musical We Will Rock You. Since then, she’s forged a long-standing musical relationship and friendship with Queen guitarist Brian May, who describes the stage star as having “Britain’s most beautiful voice”. He produced her debut album Anthems, and they jointly released the follow up Golden Days in 2017, as well as extensively touring the UK and Europe together.

Conducting the tour will be Matthew Freeman, a platinum and gold disc award-winning conductor and arranger. He originally reworked the music of Queen for the Royal Philharmonic Orchestra in 2011 and conducted their Symphonic Queen concerts at the Royal Albert Hall in 2011 and 2014. The Symphonic Queen album was released in 2016.

Bjarke Baisner fronts Queen Machine, sounding and looking like a young Freddie Mercury, joined by Peter Møller Jeppesen on guitar, Henrik Østergaard on keys, Jens Lunde on bass and Paolo Romano Torquati on drums.

The Official International Queen Fan Club hails Queen Machine as: “Quite simply one of THE best Queen tribute bands we have ever had at any of our events – don’t miss them.”

Ben Hatton, Director of Theatre Touring for promoters Cuffe and Taylor, said: “For fans of the incredible music of Queen this promises to be a must-see show. Brian May describes Kerry Ellis’s voice as ‘perfect’, and she’s long been associated with her versions of Queen tracks.

“Bringing together the London Symphonic Rock Orchestra with the powerhouse performances of Kerry and Queen Machine, to perform those iconic hits – We Will Rock You, Killer Queen, Somebody To Love, Barcelona and, of course, Bohemian Rhapsody – promises to create a truly sensational celebration of one of the most iconic bands in musical history.”

Since forming in 2018, the London Symphonic Rock Orchestra have recorded for Sir Cliff Richard’s Rise Up album and performed live with the Trevor Horn Band on Trevor Horn Reimagines The 80s at the Southbank Centre.

Tickets to see Queen Machine Symphonic featuring Kerry Ellis go on sale at from Thursday April 18 from www.cuffeandtaylor.com / www.ticketmaster.co.uk

Images: Jon Rhodes

NEWS: JOHN BARROWMAN ANNOUNCES UK SUMMER TOUR INCLUDING GLASGOW & EDINBURGH DATES

This summer, John Barrowman will tour England, Scotland, and Wales celebrating his 30 years on stage and screen with favourite songs and fabulous stories from his life and career.

Barrowman is a singer, actor, dancer, presenter, judge and author. Most recently, UK audiences delighted in supporting him as he made the final three in ITV’s I’m A Celebrity Get Me Out of Here 2018.

The Scottish-born star will come to Glasgow’s Royal Concert Hall on Tuesday, June 18 and Edinburgh’s Usher Hall on Wednesday, June 19.

Speaking about the tour he said: “I can’t believe it’s been 30 years from my West End debut in Anything Goes to my Australian jungle adventures in I’m A Celebrity, and there’s been lots of fabulousness in between.

 “I’m thrilled to celebrate this amazing milestone with my FABULOUS tour. I’m looking forward to meeting fans and sharing some of my favourite moments with you all.”

Tickets go on sale at 10am Wednesday, January 23 from www.cuffeandtaylor.com

WHAT’S ON FEBRUARY: Richard Clayderman announces only UK date for 2019 at Glasgow Royal Concert Hall

Richard Clayderman Celebrates his 40th Anniversary With Exclusive UK Performance

Best-selling recording artist and concert performer, Richard Clayderman, will present his only 2019 UK show at the Royal Concert Hall, Glasgow, on Thursday, February 28. at 7.30pm

Marking the 40th anniversary of his music career, the French pianist has insisted that he is accompanied by a string section from Glasgow for the extra-special show, says show promoter David Halford.

“With album sales in excess of 150 million and with 267 gold and 70 platinum albums to his name, no wonder he has been crowned the most popular pianist in the world,” says David.

Richard Clayderman himself says: “For my concert in Glasgow, I will perform a good selection of my original titles as well as lots of romantic themes and film classics.

“I look forward to meeting all my fans at the Royal Concert Hall as they are true connoisseurs and we all share the same emotions and sensations.”

Richard’s distinctive piano style has seen him record more than 1, 200 melodies and, in the words of a German journalist, “he has arguably done more to popularise the piano around the world than anyone since Beethoven”.

“The Prince of Romance” (as he was dubbed by Nancy Reagan) was born Philippe Pagès. His father, a piano teacher, began teaching him how to play at a very young age. It is said that, at the age of six, Richard Clayderman could read music more adeptly than his native French.

When he was 12 years old he was accepted at the Conservatoire of Music where, at 16, he won first prize. He was predicted a promising career as a classical pianist. However, shortly after this, and much to everyone’s surprise, he cast aside his classical training and turned to contemporary music.

“I wanted to do something different,” Richard says, “So, with some friends, I created a rock group; it was a tough time, a hard time and the little money we could make was devoted to buying equipment. In fact, I used to feed myself so badly – mainly on sandwiches – that I had to have an operation for an ulcer when I was only 17.”

In order to earn a living, Clayderman found work as an accompanist and session musician. “I enjoyed it”, he says, “and it paid well at the same time. That is how I drew away from classical music, although it gave me a strong basis for what I do now.”

His talent did not go unnoticed and he soon became much in demand as an accompanist to such major French stars as Michel Sardou, Thierry LeLuron and Johnny Halliday.

His life changed dramatically in 1976 when he received a telephone call from Olivier Toussaint, a well-known French record producer, who, with his partner, Paul de Senneville, was looking for a pianist to record a gentle piano ballad. Paul had composed this ballad as a tribute to his new born daughter Adeline.

Philippe Pagès’ name was changed to Richard Clayderman (he adopted his great-grandmother’s last name to avoid mispronunciation of his real name outside France), and the single took off, selling an astonishing 22 million copies in 38 countries. It was called “Ballade pour Adeline”.

“When I signed him”, says Olivier Toussaint, “I told him that if we sell 10,000 singles it will be marvellous, because it was disco at that time and we could not bet on such a ballad being a winner. We could not imagine that it would be so big.”

It was the start of what has become an outstanding success story, and since that time, Richard Clayderman’s distinctive piano style has earned him superstar status all over the world.

Thursday, February 28, 2019  7.30pm

RICHARD CLAYDERMAN

GLASGOW ROYAL CONCERT HALL

Sauchiehall Street, Glasgow G2 3NY

glasgowconcerthalls.com   0141 353 8000

REVIEW: The Overtones – Glasgow Royal Concert Hall

The Overtones are in Glasgow to have a party, a great big, joyous Christmas party, and while it totally and utterly fulfils this brief, in a year that has been more than challenging for the band, this is a night filled with huge happiness and just a little sadness.

This hasn’t been the easiest year for The Overtones, following the death of lead vocalist Timmy Matley and critical conversations about the future of the band, but from the moment they bound onto the stage to the strains of Womack and Womack’s Teardrops, you are utterly assured that their decision to carry on as a four-piece is the right one.

Occupying a unique niche in the market with their blend of modern Doo Wop, the band truly have wide, multi-generational appeal. Added to their vocal talents, this is a quartet who put their hearts, souls and considerable physical and emotional energies into every performance.

The audience are literally on their feet from the first notes, and the feel-good hits just keep coming: You To Me Are Everything, Runaround Sue, My Girl and Rockin’ Robin particularly fit their vocal harmonies and set the party atmosphere. However, the audience inevitably knows that a remembrance of Matley’s life would come. And so it does in the form of a trio of songs specially chosen to celebrate him: Will You Still Love Me Tomorrow (their last song recorded as a 5-piece), the Spice Girls’ Goodbye and I Say a Little Prayer, the poignancy added to by the sight of Matley’s beaming smile projected behind the band as they sing.

Before the interval, the band manages to ramp the happiness back up, delivering Frankie Valli’s Can’t Take My Eyes Off You.

The festive factor is represented by a clutch of Christmas classics: Have Yourself a Merry Little Christmas, Let It Snow and Driving Home For Christmas and there’s a duo of ear-pleasing original songs from the latest album, new single Stand Up and By My Side. But it’s the party tunes that have the sold-out audience dancing in the aisles: Love Really Hurts, Get Ready and Gimme Just a Little More Time, have the joint jumping.

While the loss of Matley’s vocals is of huge consequence, Mike Crawshaw and Lockie Chapman more than step up and are, as always perfectly supported by Darren Everest and Mark Franks. Fans will be delighted to know that the sharp and original choreography is still very much in evidence and beautifully executed.

The band round out the evening of mutual love with the entirely appropriate Love Is In the Air and leave the audience on a high.

The Overtones prove that good, old-fashioned quality will always win out, and if the reaction of this Glasgow crowd is anything to go on, it will continue to do so for many years to come.

WHAT’S ON OCTOBER: Caro Emerald at Glasgow Royal Concert Hall

Following 5 star reviews and sold out shows across the board, Caro Emerald is back with a brand new live UK tour for 2018.

Since the release of the 2010 multi-platinum debut album ‘Deleted Scenes From The Cutting Room Floor’ Caro Emerald and producers Grandmono have fashioned their own niche, blending retro jazz with sampling and modern pop, starring Caro’s exceptional vocals. The result is a truly unique signature sound.

Second album ‘The Shocking Miss Emerald’ entered the Official UK Album Chart at No. 1 in May 2013,  remaining in the chart for an entire year. With more than 2.5 million record sales, a host of awards (including an Echo, Goldene Kamera, Edison Award, EBBA & MTV Music Award), and a string of sold out tours and performances at festivals throughout Europe including Glastonbury and Isle of Wight, Caro has made her mark. Caro recently released the official video for ‘The Ghost Of You’ take from the recent Emerald Island EP along with Illusionista remix of ‘The Ghost Of You’.

The vocalist is an original pop star with the look of a Hollywood icon of yesteryear and a voice that oozes warmth and vitality. Her live performance is not to be missed – as The Daily Telegraph noted “Caro Emerald had everyone in the palm of her hand’’ and her “infectious sense of fun and vintage charm can be relied on to lift the spirits”.

This new tour follows her acclaimed Emerald Island tour earlier this year.

All ages, under 16s accompanied by an adult. 

caroemerald.com   @caroemerald  /caroemeraldofficial

 

REVIEW: Iain Waite & Natalie Lowe: A Touch of Class – Glasgow Royal Concert Hall

Following the familiar format of a bit of dance, a bit of song, a bit of chat, and some audience participation, Strictly Come Dancing alumni Iain Waite and Natalie Lowe sashay into town with their first live show A Touch of Class.

The personable pair glide through a selection of classic ballroom dances, an audience Q & A and some backstage chat about their colleagues on Strictly. The two are gifted dancers and their grace and elegance is a joy to watch, making these undoubtedly difficult routines look effortless.

Waite is a natural showman (as evidenced by his appearances on Strictly It Takes Two) and hogs the mic, relishing the backstage gossip and saucy quips. Lowe is softer than her on-screen persona, an advocate for traditional ballroom, she comes across as genuinely thankful for the opportunities that dance has given her.

The action is punctuated by swing classics from Luke Upton – an intense young man with a fine voice but a rather inflated stage presence and a gimlet stare. Local choir Voice of the Town tackle some pop standards throughout the night to allow for costume changes, but one can’t help get the feeling from the audience reaction that they would rather have had some more dance.

There are no zippy Latin routines here, just good old-fashioned traditional ballroom at his best – as the title suggests – a class act. A bit more dance would have been nice, though. 

REVIEW: Brendan Cole – A Night to To Remember, Glasgow Royal Concert Hall

Removed from the constraints of competing in Strictly Come Dancing, Brendan Cole gets the chance to highlight his considerable choreographic and performance skills to a packed house in Glasgow on his Night to Remember tour.

brendan cole night to remember 2

Despite suffering from pneumonia, a visibly pale and thin Cole presents the most spectacular and professional production of any of the Strictly alumni. The programme carefully curated to appeal to a wide audience: the music a mix of old and new and the choreography both modern and classic.

brendan cole night to remember tour

The dancing is interspersed with songs from vocalists Iain MacKenzie and Julie Maguire and there’s the ubiquitous Q & A session where fans get the chance to ask their dance hero some personal questions.

 

brendan cole devil went down to georgia

To his great credit Cole performs with gusto despite suffering from serious and debilitating illness and his cast, band and singers are of the highest quality. The set and costumes also set Cole’s production head and shoulders above his peers. A class act from start to finish, Cole’s show always delivers.

Images – Visual Devotion

 

REVIEW: The Bootleg Beatles – Glasgow Royal Concert Hall

As an alternative to the usual Christmas fodder, there’s no better night’s entertainment than the annual Bootleg Beatles show at Glasgow Royal Concert Hall. Thirty six years, several line up changes, and the fab four are sounding better than ever.

Keeping it fresh with a new set list and costumes every year, the crowd as ever, went wild on hearing the expertly chosen and played, selection of hits.

You’d be hard pressed to pick a highlight but as the first chords ring out on the earliest hits you can’t help but smile, and the hits just keep on coming, coupled with the accuracy and skill with which they’re played, the night never fails to be anything less than a rousing success. Worth mentioning too is the especially moving show of solidarity with our friends in Paris during All You Need is Love.

You would need to be incredibly hard of heart not to love this – expertly crafted, this is entertainment at its finest.

REVIEW: John Wilson Orchestra – Glasgow Royal Concert Hall

Cole Porter, Rodgers and Hammerstein and the MGM, golden era of Hollywood movie musicals have all been celebrated over the years by the wonderful John Wilson Orchestra. The lost scores recreated note by note and bar by bar by the supremely talented Wilson. This year, the spotlight turns on George and Ira Gershwin.

From a vast back-catalogue of hits, Wilson presents a broad spectrum of the composer’s work; some pieces recognised from the first few notes to some lesser-known gems, and a perfect balance of orchestral pieces and vocal numbers.

The hand-picked orchestra as always, are in the finest of form, getting the evening off to the best of starts with the overture from the 1945 biopic Rhapsody in Blue. Featuring West End leading lady Louise Dearman and John Wilson Orchestra veteran and big band star Matt Ford, there’s not a weak link anywhere. The playful chemistry between Dearman and Ford is a delight to watch and the playing and singing a joy to the ear. Vocal highlights include Dearman’s Someone to Watch Over Me and The Man I Love, and Ford’s S’Wonderful  (with the most spectacular whistling I’ve ever heard) and They Can’t Take That Away From Me.

It seems like a disservice to mention so little of the evening, but quite simply, this is as close to a perfect evening’s entertainment as you are likely to get. Sheer class.

John Wilson’s DVD celebrating the music of Frank Sinatra is on sale now.

REVIEW: John Wilson Orchestra Cole Porter in Hollywood – Glasgow Royal Concert Hall

Yes, dear readers it’s that time of year when I profess my undying love for John Wilson and his outstanding orchestra. Following on the heels of this summer’s Kiss Me Kate Prom (which incidentally will be broadcast this Christmas on BBC) and last year’s Rodgers and Hammerstein at the Movies, Wilson has turned his attention to the great Cole Porter on the 50th anniversary of the musical genius’ death.

Wilson has eschewed an evening of out and out familiar tunes, instead he has interspersed the big hitters like “I Get a Kick Out of You”, “Your the Top” and “I’ve Got You Under My Skin” with lesser known numbers such as “Love of my Life”, “The Physician” and “Please Don’t Monkey with Broadway” and provides a broad representation of Porter.

The quality of the playing is of the highest order and the sheer joy on the faces of the musicians transmits itself to the capacity audience. The programme is beautifully enhanced by regular singers Matt Ford and Anna Jane Casey who take on the jazzier numbers and newcomers to the John Wilson Orchestra: Scarlett Strallen and Richard Morrison. Strallen and Morrison are particularly stunning in the more demanding numbers and Strallen shines in the rib-tickling “The Physician”.

It remains to be seen what’s next for the John Wilson Orchestra but I personally can’t wait to see what it is.

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