Tag Archives: Glasgow Royal Concert Hall

NEWS: BRENDAN COLE ANNOUNCES FINAL BIG BAND TOUR – SHOW MAN

Brendan Cole announces today that he will revive his hugely popular 2019 tour for 2020 Show Man, announcing this will be his last big band tour after 10 years of touring 5 exceptional critically acclaimed productions.  Show Man opens at Grimsby Auditorium 19 Feb 2020 before touring the UK and Ireland.

Taking its inspiration from the magic of theatre and the movies Show Man brings something for everyone.  With his amazingly talented hand-picked championship dancers and scorching eight piece live big band and singers, Brendan will bring audiences many of their favourite Strictly dance styles with choreography full of excitement, intimacy, emotion & skill. With laughter and chat throughout you are guaranteed to have a ball.  This is no ‘sit back and watch’ production;  Each show is full on high energy dance dynamite, up close and personal, with superb choreography, stunning lighting and amazing special effects. Expect a cheeky Charleston to Pencil Full of Lead, a sexy Salsa to Despacito, music from Beggin’ to Bublé, plus numbers from The Greatest Showman and La La Land.

Brendan Cole is best known from TV favourite Strictly Come Dancing where he danced the first show of the first series and lifted the very first glitterball trophy.

Show Man is Brendan’s fifth theatrical production and will see him tour the UK for the twelfth time . He has presented ten hugely successful concert tours to date: Live & Unjudged (2010/2011 x 2/2012), Licence to Thrill (2013 & 2014), A Night To Remember (2015/2016) and All Night Long (2017/2018)

Brendan tells us ‘I’m really excited to be bringing back Show Man having toured this production early in 2019 .  This is my most exciting tour to date it’s so dynamic and theatrical – much more so than any previous tour.  We have five male dancers, three female dancers, choirs, a violinist and brand new staging which allows the choreography to be exciting and different; bigger and better lifts, some very strong theatrical numbers as well as a new look set, it really is something special!  My aim is to wow the audience and give them everything they’d expect and much, much more.

Brendan continues ‘ This will be my last big band tour after touring for so many years. I’ve loved every second of being own the stage with my friends who have now become family. It’s time for something different and I’m honoured to be taking Show Man out for one last run. I’m so proud of this production and I’m going out on a high’

If you love live music from one of the best touring bands and exciting and emotive dance this is the show for you.  Don’t miss your chance to experience the ultimate Show Man at his best.

For more information and tour dates visit www.brendancolelive.com or www.pmbpresentations.com

Find us on Twitter and Facebook @BrendanColeTour

Wed 26-Feb    Aberdeen Music Hall              www.aberdeenperformingarts.com            01224 641122

Thu 27-Feb      Glasgow Royal Concert Hall   www.glasgowconcerthalls.com            0141 353 8000

Sat 29-Feb       Dunfermline Alhambra          www.alhambradunfermline.com            01383 740384 

Tue 03-Mar     Perth Concert Hall                  www.horsecross.co.uk                       01738 621031

Wed 04-Mar   Inverness Eden Court              www.eden-court.co.uk                      01463 234234

Images: Fiona Whyte

REVIEW: Lisa Stansfield Affection 30th Anniversary Tour – Glasgow Royal Concert Hall

Ivor Novello and BRIT Award-winner Lisa Stansfield is currently riding the second wave of her career, after bursting on the scene in 1989, and re-emerging after a sabbatical of over a decade with 2014’s album Seven and 2018’s Deeper.

Hot on the heels of last year’s Deeper tour, this time we are going back, waaaay back, thirty years, to celebrate her debut album Affection. And it’s a full-on nostalgia fest for her fans as she transports them back to those heady days where it all began. As the hall is filled with the rich, full sound of her smooth eight piece band (and two outstanding backing vocalists) you’d be forgiven for thinking this was Stansfield’s 90s heyday – the illusion only shattered by the grey haired, middle-aged audience bopping along with the hits.

Stansfield is still as strong a vocalist as she ever was, the power unbelievably coming from such a teeny, tiny, frame. She storms through Sincerity, Poison, Mighty Love, This is the Right Time, the title track Affection and of course, All Around the World among others.

For someone who is known as a gregarious and verbose interviewee she is surprisingly mute throughout most of the set, rarely engaging with her audience beyond a word or two. There are no frills – the set is a cloth with Lisa on it and the lighting is simplistic. Stansfield relies on the music, and her lauded vocals to do the talking for her.

It is all very low-key and very mellow, and while the mega-fans are lapping it up, to those less invested, the similar sounding songs and the lack of light and shade mean that many of the songs are indistinguishable from one other.

It might not win her any new fans but it’s definitely an evening of quality and nostalgia for Stansfield fans.

The Affection tour continues to:

Tue 29 Oct 2019 – UK, Birmingham Symphony Hall
Thu 31 Oct 2019 – UK, London Royal Albert Hall
Fri 01 Nov 2019 – UK, Cardiff St David’s Hall

 

WHAT’S ON OCTOBER: Lisa Stansfield Comes to Glasgow Royal Concert Hall on 30th Anniversary Tour

Lisa Stansfield announces a run of dates in October and November 2019 to mark the 30th anniversary release of her debut solo album ‘Affection’.

“At the beginning, there was a little bit of fear about it, but we thought ‘F*ck it, let’s get on with it and see what happens’.”

What happened was a multi-platinum album that, on its release in 1989, went onto sell over 5 million copies worldwide, winning 3 BRIT Awards, 2 Ivor Novello Awards, a Silver Clef Award, an ASCAP Award and, overseas, a Billboard Music Award, a World Music Award, and 2 Grammy nominations. Its singles ‘All Around The World’ (which did indeed become massive across the globe), ‘What Did I Do To You’, ‘Live Together’, ‘You Can’t Deny It’ and ‘This Is The Right Time’ exploded onto the airwaves and introduced Lisa and her unique brand of soul, R&B and Brit-house to the masses.

Now, on its 30th anniversary, the album will be celebrated with a tour that will see Lisa and her prodigious band perform the hits and more from ‘Affection’, alongside favourites and classics from Lisa’s seven subsequent solo records.

I feel enormously proud of ‘Affection’. I said it then and I’ll say it now. To have a part of yourself floating around out there for everyone to enjoy and knowing so many people still do enjoy it is a huge compliment. The response it has to this day still inspires me to keep pulling music and emotion from myself and share it with others if they want to share it with me. It feels right to celebrate it. Life is a cycle and music is like that. Right now, in this current climate, ‘Affection’ makes complete sense.” Lisa Stansfield

Mon 28 October 2019        Glasgow Royal Concert Hall

Most recently earMUSIC announced the release of the Deluxe edition of Lisa Stansfield’s 2018 album ‘Deeper’. Originally released in April 2018 the record, Lisa’s eighth studio album, was acclaimed on its release and charted at number 15 in the UK Official Album Chart. This deluxe edition includes the original 13 tracks, plus an 80 minute bonus CD including 4 brand new live recordings, remixes of ‘Billionaire’, ‘Deeper’ and ‘Never Ever’ as well as a new version of ‘There Goes My Heart (Again)’ from the 2014 album ‘Seven’. Remixes of ‘Never Ever’ charted as the #1 most added song in the Billboard Dance Club Songs Chart.

CLASSICAL FOCUS – Delve Deeper – In Focus: The Vienna Connection with Thomas Søndergård RSNO Music Director

Delve Deeper – In Focus: The Vienna Connection

Saturday 5 October 2019, 3.00PM at Glasgow Royal Concert Hall

Thomas Søndergård RSNO Music Director

Prof Johnny Rodger Glasgow School of Art

Bill Chandler RSNO Director of Concerts and Engagement

Join Thomas Søndergård and guests for a round-table discussion with recordings and live music as they uncover the fascinating context in which the Romantic movement of Beethoven and Goethe reached its pinnacle and gave birth to the modern. In Focus: The Vienna Connection launches our journey through the golden age of this vibrant city with a virtual gallery of works by Gustav Klimt; a tour through the architecture and designs of Otto Wagner; an exploration of the great Charles Rennie Mackintosh and his exhibitions in Vienna; and even an encounter with Sigmund Freud!

CLASSICAL FOCUS – Peter and the Wolf at Glasgow Concert Hall

Children’s Classic Concerts – Peter and The Wolf at Glasgow Royal Concert Hall

Saturday 31 August 2019, 1.00PM and 3.00pm  – All ages

Tickets – £13.20, £41.80 – Family ticket (includes booking fee)

Peter and the Wolf (and other stories)

Children’s Classic Concerts’ Essential Orchestra is back with a fantastical musical adventure featuring Prokofiev’s iconic fairytale Peter and the Wolf.  Brought to life on stage by our very own musical characters, they will transport you from Peter’s  forest to Romeo and Juliet’s castle stopping off for a spin around Sleeping Beauty’s ballroom. And we’ll need your help in the Wizard’s dungeon conjuring up some magic to help the Sorcerer’s Apprentice get those brooms under control!

Children’s Classic Concerts has a serious commitment to making music fun.  Reaching more than 13,000 children and their families each year, our concerts range from symphony orchestra concerts to small chamber concerts and cover classical, orchestral, folk and jazz music. We aim to create interactive, innovative and inspirational experiences that can ignite a passion for culture in both the young and the old.  Our performances will have every one up and dancing, singing and, most importantly, having fun!

***  Family ticket available (2 adults and 2 children) – £41.80  ***

***  Babes in arms, under 12 months, go free  ***

REVIEW: The Overtones – Glasgow Royal Concert Hall

The Overtones are in Glasgow to have a party, a great big, joyous Christmas party, and while it totally and utterly fulfils this brief, in a year that has been more than challenging for the band, this is a night filled with huge happiness and just a little sadness.

This hasn’t been the easiest year for The Overtones, following the death of lead vocalist Timmy Matley and critical conversations about the future of the band, but from the moment they bound onto the stage to the strains of Womack and Womack’s Teardrops, you are utterly assured that their decision to carry on as a four-piece is the right one.

Occupying a unique niche in the market with their blend of modern Doo Wop, the band truly have wide, multi-generational appeal. Added to their vocal talents, this is a quartet who put their hearts, souls and considerable physical and emotional energies into every performance.

The audience are literally on their feet from the first notes, and the feel-good hits just keep coming: You To Me Are Everything, Runaround Sue, My Girl and Rockin’ Robin particularly fit their vocal harmonies and set the party atmosphere. However, the audience inevitably knows that a remembrance of Matley’s life would come. And so it does in the form of a trio of songs specially chosen to celebrate him: Will You Still Love Me Tomorrow (their last song recorded as a 5-piece), the Spice Girls’ Goodbye and I Say a Little Prayer, the poignancy added to by the sight of Matley’s beaming smile projected behind the band as they sing.

Before the interval, the band manages to ramp the happiness back up, delivering Frankie Valli’s Can’t Take My Eyes Off You.

The festive factor is represented by a clutch of Christmas classics: Have Yourself a Merry Little Christmas, Let It Snow and Driving Home For Christmas and there’s a duo of ear-pleasing original songs from the latest album, new single Stand Up and By My Side. But it’s the party tunes that have the sold-out audience dancing in the aisles: Love Really Hurts, Get Ready and Gimme Just a Little More Time, have the joint jumping.

While the loss of Matley’s vocals is of huge consequence, Mike Crawshaw and Lockie Chapman more than step up and are, as always perfectly supported by Darren Everest and Mark Franks. Fans will be delighted to know that the sharp and original choreography is still very much in evidence and beautifully executed.

The band round out the evening of mutual love with the entirely appropriate Love Is In the Air and leave the audience on a high.

The Overtones prove that good, old-fashioned quality will always win out, and if the reaction of this Glasgow crowd is anything to go on, it will continue to do so for many years to come.

REVIEW: Iain Waite & Natalie Lowe: A Touch of Class – Glasgow Royal Concert Hall

Following the familiar format of a bit of dance, a bit of song, a bit of chat, and some audience participation, Strictly Come Dancing alumni Iain Waite and Natalie Lowe sashay into town with their first live show A Touch of Class.

The personable pair glide through a selection of classic ballroom dances, an audience Q & A and some backstage chat about their colleagues on Strictly. The two are gifted dancers and their grace and elegance is a joy to watch, making these undoubtedly difficult routines look effortless.

Waite is a natural showman (as evidenced by his appearances on Strictly It Takes Two) and hogs the mic, relishing the backstage gossip and saucy quips. Lowe is softer than her on-screen persona, an advocate for traditional ballroom, she comes across as genuinely thankful for the opportunities that dance has given her.

The action is punctuated by swing classics from Luke Upton – an intense young man with a fine voice but a rather inflated stage presence and a gimlet stare. Local choir Voice of the Town tackle some pop standards throughout the night to allow for costume changes, but one can’t help get the feeling from the audience reaction that they would rather have had some more dance.

There are no zippy Latin routines here, just good old-fashioned traditional ballroom at his best – as the title suggests – a class act. A bit more dance would have been nice, though. 

REVIEW: Brendan Cole – A Night to To Remember, Glasgow Royal Concert Hall

Removed from the constraints of competing in Strictly Come Dancing, Brendan Cole gets the chance to highlight his considerable choreographic and performance skills to a packed house in Glasgow on his Night to Remember tour.

brendan cole night to remember 2

Despite suffering from pneumonia, a visibly pale and thin Cole presents the most spectacular and professional production of any of the Strictly alumni. The programme carefully curated to appeal to a wide audience: the music a mix of old and new and the choreography both modern and classic.

brendan cole night to remember tour

The dancing is interspersed with songs from vocalists Iain MacKenzie and Julie Maguire and there’s the ubiquitous Q & A session where fans get the chance to ask their dance hero some personal questions.

 

brendan cole devil went down to georgia

To his great credit Cole performs with gusto despite suffering from serious and debilitating illness and his cast, band and singers are of the highest quality. The set and costumes also set Cole’s production head and shoulders above his peers. A class act from start to finish, Cole’s show always delivers.

Images – Visual Devotion

 

REVIEW: The Bootleg Beatles – Glasgow Royal Concert Hall

As an alternative to the usual Christmas fodder, there’s no better night’s entertainment than the annual Bootleg Beatles show at Glasgow Royal Concert Hall. Thirty six years, several line up changes, and the fab four are sounding better than ever.

Keeping it fresh with a new set list and costumes every year, the crowd as ever, went wild on hearing the expertly chosen and played, selection of hits.

You’d be hard pressed to pick a highlight but as the first chords ring out on the earliest hits you can’t help but smile, and the hits just keep on coming, coupled with the accuracy and skill with which they’re played, the night never fails to be anything less than a rousing success. Worth mentioning too is the especially moving show of solidarity with our friends in Paris during All You Need is Love.

You would need to be incredibly hard of heart not to love this – expertly crafted, this is entertainment at its finest.

REVIEW: John Wilson Orchestra – Glasgow Royal Concert Hall

Cole Porter, Rodgers and Hammerstein and the MGM, golden era of Hollywood movie musicals have all been celebrated over the years by the wonderful John Wilson Orchestra. The lost scores recreated note by note and bar by bar by the supremely talented Wilson. This year, the spotlight turns on George and Ira Gershwin.

From a vast back-catalogue of hits, Wilson presents a broad spectrum of the composer’s work; some pieces recognised from the first few notes to some lesser-known gems, and a perfect balance of orchestral pieces and vocal numbers.

The hand-picked orchestra as always, are in the finest of form, getting the evening off to the best of starts with the overture from the 1945 biopic Rhapsody in Blue. Featuring West End leading lady Louise Dearman and John Wilson Orchestra veteran and big band star Matt Ford, there’s not a weak link anywhere. The playful chemistry between Dearman and Ford is a delight to watch and the playing and singing a joy to the ear. Vocal highlights include Dearman’s Someone to Watch Over Me and The Man I Love, and Ford’s S’Wonderful  (with the most spectacular whistling I’ve ever heard) and They Can’t Take That Away From Me.

It seems like a disservice to mention so little of the evening, but quite simply, this is as close to a perfect evening’s entertainment as you are likely to get. Sheer class.

John Wilson’s DVD celebrating the music of Frank Sinatra is on sale now.

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