REVIEW: Urinetown – Assembly Hall, Edinburgh
There's a world water shortage and you can only pee if you pay, that is the premise of Greg Kotis...
Review
REVIEW: Bette Davis Ain’t For Sissies – Assembly Rooms, Edinburgh
Jessica Sherr’s 60 minute glimpse into the psyche of Bette Davis is clearly a passion project. However, having done the...
REVIEW: Under The Ground – Assembly Checkpoint, Edinburgh
The Royal Conservatoire of Scotland’s new musical Under The Ground wears its influences well and truly on its sleeve. This...
REVIEW: The Girl From Nowhere – Pleasance Courtyard, Edinburgh
Victoria Rigby’s electrifying central performance elevates this tale of shattered dreams far above the normal road to ruin rock star...
REVIEW: Dreamboats and Miniskirts – King’s Theatre, Glasgow
It's 1963, the dawn of an new musical era: the advent of The Beatles and the Mersey Sound, but whatever...
REVIEW: The Falcon’s Malteser by Anthony Horowitz – Pleasance Courtyard, Edinburgh
Theatre company New Old Friends have a rare and brilliant gem on their hands: taking Anthony Horowitz’s much-loved 1986 kiddie...
REVIEW: Shout! The Mod Musical – Momentum Playhouse, Edinburgh
Five girls coming of age in the ‘Swinging Sixties’ to a soundtrack of hits from the generation that created pop...
REVIEW: There’s a Guy Works Down The Chip Shop Swears He’s Elvis – Momentum Playhouse @ St Stephens, Edinburgh
On paper the subject matter of this “new play with music” couldn’t get any better: set initially against the backdrop...
REVIEW: Love Me Tender – King’s Theatre, Glasgow
Before Joe DiPietro wrote the multi-award-winning Memphis, he made his Broadway debut with the show All Shook Up, ten years...
REVIEW: Bugsy Malone – Theatre Royal, Glasgow
Earlier this year Glasgow Theatre's Creative Learning Team held open auditions for young performers aged 9-18 years old to...
