REVIEW: Love Birds – Pleasance Courtyard, Edinburgh
This pin-sharp, production perfectly demonstrates that the apple hasn’t fallen far from the songwriting talent tree in the Sherman family....
Review
REVIEW: Doris, Dolly and the Dressing Room Divas – Assembly Hall, Edinburgh
You would be hard-pressed to find more bang for your buck anywhere else on the Fringe this year. Frances Thorburn, Gail...
REVIEW: Impossible – Pleasance Dome, Edinburgh
The true story of the feud between Harry Houdini and Arthur Conan Doyle proves to be rich fodder in this...
REVIEW: The Missing Hancocks (Shows A&B) – Assembly Rooms, Edinburgh
There's little to say about this recreation of four of the legendary 'missing' Hancock scripts save that you will be...
REVIEW: Christina Bianco – Spiegeltent Colombino, Edinburgh
There will be few shows you see this year with more content packed into them than Christina Bianco's Party of...
REVIEW: The Titanic Orchestra – Pleasance Courtyard, Edinburgh
Billed as "a madcap comedy of illusion" this Easter European existential examination of loneliness and existence is certainly not that....
REVIEW: Urinetown – Assembly Hall, Edinburgh
There's a world water shortage and you can only pee if you pay, that is the premise of Greg Kotis...
REVIEW: Bette Davis Ain’t For Sissies – Assembly Rooms, Edinburgh
Jessica Sherr’s 60 minute glimpse into the psyche of Bette Davis is clearly a passion project. However, having done the...
REVIEW: Under The Ground – Assembly Checkpoint, Edinburgh
The Royal Conservatoire of Scotland’s new musical Under The Ground wears its influences well and truly on its sleeve. This...
REVIEW: The Girl From Nowhere – Pleasance Courtyard, Edinburgh
Victoria Rigby’s electrifying central performance elevates this tale of shattered dreams far above the normal road to ruin rock star...
