REVIEW: The Man Who Mistook His Wife for a Hat – Sir Alexander Gibson Opera Studio, Glasgow
The Master of Music Opera students of the Royal Conservatoire of Scotland present a bold and brave, rarely seen contemporary...
RCS
REVIEW: Street Scene – New Athenium Theatre, Glasgow
Street Scene, Kurt Weill’s 1946 “Broadway Opera” is rarely revived in Scotland, the last time, the 1989 Scottish Opera/ENO production....
REVIEW: Side Show – West Brewery, Glasgow
Based vaguely on the true story of British-born conjoined twins Daisy and Violet Hilton, vaudeville performers of the 1920s and...
REVIEW: The Fiery Angel (Scottish Opera Sunday Series) – City Halls, Glasgow
Masochistic obsession, black magic, demons, mass possession, exorcism, skeletons, nuns, appearances from Faust and Mephistopheles, it's no wonder Sergei Prokofiev's...
100 WORD REVIEWS: Urinetown – Assembly Hall, Edinburgh
There's a world water shortage and you can only pee if you pay, that is the premise of Greg Kotis...
REVIEW: Under The Ground – Assembly Checkpoint, Edinburgh
The Royal Conservatoire of Scotland’s new musical Under The Ground wears its influences well and truly on its sleeve. This...
100 WORD REVIEWS: Willy’s Bitches – Assembly Checkpoint, Edinburgh
The second of the Royal Conservatoire of Scotland's musical offerings, allows Shakespeare's women to vent some steam at their treatment at...
