Tag Archives: Phoenix Theatre

REVIEW: Bend It Like Beckham – Phoenix Theatre, London

Gurinder Chadha’s adaptation of her own 2002 movie Bend It Like Beckham misses the goalposts more than it hits the back of the net.

Jess Bhamra (Natalie Dew) is an 18 year old football fanatic from Southall, the daughter of strict Punjabi Sikh parents and forbidden from playing the beautiful game. Her skills come to the attention of Jules (Lauren Samuels), who persuades her to try out for semi-pro team the Hounslow Harriers. Cue deception, love, heartbreak and acceptance all dished up to a Bhangra beat.

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Running at nearly three hours, there is too much padding and not enough drive in this musical re-working of Gurinder Chadha and husband Paul Mayeda Berges’ movie. It gets off to a woefully slow start and its lacklustre score and hugely stereotypical characterisations do nothing to elevate it above being a reasonably pleasant way to kill three hours.

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Howard Goodall’s Indian-infused score is repetitive and lacks the requisite number of big tunes a new musical needs, save the soaring and anthemic ‘Glorious’, there is little that sticks in the memory other than the hugely annoying ‘Girl Perfect’ which lodges in the brain for all the wrong reasons and, like many of the other songs, is repeated incessantly throughout. Charles Hart’s lyrics do little to help, being simplistic rather than sophisticated. One song that does linger in the memory though, is the haunting ‘Heer’, a 500 year old traditional Indian love song.

Lauren Samuels (Jules) and Natalie Dew (Jess) in Bend It Like Beckham The Musical. Photo credit  Ellie Kurttz_0

Natalie Dew is a suitably wide-eyed and innocent heroine and is ably supported by Lauren Samuels as fellow tomboy Jules and the rest of the cast are amiable enough, and of fine voice (especially Preeya Kalidas as Barbie doll sister Pinky and Tony Jayawardena as Mr. Bhamra) however, at times too much mugging goes on: the blame for this though can be laid squarely at the fact that the characters are two-dimensional and much too thinly written. Twilight and Harry Potter actor Jamie Campbell Bower as coach Joe, though competent, barely registers after the event.

Miriam Buether’s two tier, semi-circular, rotating set is rather simplistic and on the cheap looking side, but it is eye-poppingly bright and cheerful. The costumes by Katrina Lindsay didn’t need much work being either football kit, traditional sari or early 2000’s lycra and bling.

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The whole endeavour is pleasant enough but nothing more, it is bright, brash, not exactly brain taxing and runs far too long into extra time, and I wonder how much life it will have ultimately.

REVIEWS: Once – Phoenix Theatre, London

New musical Once is a heart-rending and affecting celebration of love, friendship and music. When an Irish Hoover repair man by day and busker by night and a young Czech mother meet through a shared love of music, their songwriting takes them both on a journey they never expected.

This was never going to be a typical West End or Broadway musical as anyone who has seen or heard of the the original 2006 film would know. Instead this is a tender, small-scale story told over a period of five days of a love unrequited between an unnamed guy and girl.

The success of such a simple show lies completely in the hands of its cast, and the two leads Declan Bennet and Zrinka Cvitesic (above), are a revelation. I defy anyone not to leave the theatre a little in love with either one or both of them. Both are in possession of beautifully emotive voices and a charisma and magnetism that is hard not to warm to. They are ably supported by a fine cast of fellow actor-musicians.

The only downside is the somewhat stereotypical depiction of the girl’s fellow Czech immigrants and their foreign whacky-ness but that said it was easy to forgive in the context of the story and provided some of the lighter comedy moments. One other slightly jarring note was the movement design by Steven Hoggett, it appears to have been included only to differentiate the piece from being a play with music and an all-out musical, however, it served no real purpose in either driving the story or adding to the emotional temperature of the performance.

This is an engaging tale: relevant, believable and relate-able and beautifully told by a top class cast. It leaves you with feelings of warmth, sadness and inevitably What If’s? It isn’t faultless but it’s as close as you would want anything to be. I defy you not to be moved.

The Phoenix Theatre, London

 Booking until 30th November 2013

 Tickets and information at http://www.oncemusical.co.uk/