Tag Archives: NEWS

WHAT’S ON NEXT WEEK: Waiting For Gabriel at EK Arts Centre

Running Late Theatre Company present Waiting for Gabriel

It’s Christmas Eve and a group of strangers who were once friends wait for Gabriel. A vacancy has opened up so if they want that promotion, they’ll have to impress him. They’ve each been waiting 2000 years, have plenty of work experience and the right skills for the job so they really shouldn’t let a little friendly rivalry distract them before he arrives.

From the angels who brought you A Christmas Carol – The Radio Play and It’s A Wonderful Life – The Radio Play, Running Late Theatre Company present Waiting for Gabriel, an original heavenly comedy.

Mulled wine and mince pies will be served after the performance.

Available to book online or by calling East Kilbride Arts Centre on 01355 261000.

Date: 21-23 December 2018

Time: Fri-Sat 8:00pm, Sun 3:00pm and 8:00pm

Cost: £12.00

Venue: East Kilbride Arts Centre

WHAT’S ON DECEMBER: Join Gavin Sutherland for a ‘Swingin’ Christmas’ at City Halls

Conductor, arranger and composer Gavin Sutherland will be making his BBC Scottish Symphony Orchestra conducting debut in two fantastic festive concerts at Glasgow’s City Halls.

For Swingin’ Christmas on the 21 Dec, he will be joined by jazz singer and broadcaster Clare Teal, in a sparkling, effervescent mix of Christmas classics and undiscovered gems alongside some finger-snapping arrangements of popular hits.

Gavin also presents Christmas at the Movies on the 23 Dec, alongside singer and BBC Radio Scotland presenter Jamie MacDougall.

Alongside his popular and light music concert engagements, Gavin has been the Music Director of English National Ballet since 2008, and Principal Conductor of since 2010. Gavin has also conducted at esteemed international cultural hubs including the Royal New Zealand Ballet and the New National Ballet of Japan. In addition, Gavin has conducted at the BBC Proms and is a regular conductor for BBC Radio 2’s Friday Night Is Music Night.

Conductor, composer, arranger and orchestrator Gavin Sutherland was appointed Music Director of English National Ballet in 2008, becoming Principal Conductor in 2010. Most recently, Gavin orchestrated Vincenzo Lamagna’s score for the Olivier Award-winning Akram Khan’s Giselle for the company, which tours to Chicago in early 2019. Previously, Gavin has featured as Principal Guest Conductor of the Royal New Zealand Ballet, and has also guest conducted for New National Ballet of Japan, Norwegian National Ballet, Atlanta Ballet, New Adventures and South African Ballet Theatre. In addition to his work as a conductor, Gavin regularly supplies the BBC orchestras, the Australian Philharmonic, New Zealand Symphony, Philharmonia, Royal Scottish National, London Philharmonic, City of Birmingham Symphony, Royal Opera House, Royal Northern Sinfonia and Hallé Orchestras with bespoke orchestrated works. In December 2018, he will make his debut with the BBC Scottish Symphony Orchestra in a performance with BBC Radio 2’s Clare Teal. Gavin made his BBC Proms debut in 2016 conducting the BBC Concert Orchestra in the ‘Strictly Prom’ at London’s Royal Albert Hall, and he is a regular conductor for BBC Radio 2’s Friday Night is Music Night. Gavin is passionate about music education provision, having benefitted from free and subsidised music lessons throughout his comprehensive schooling in the North East of England. In 2019 he will release a new disc, featuring previously unrecorded works by the British light music composer Haydn Wood, and has to date recorded over ninety CDs. He is passionate about Light Music, and has worked closely with the Library of Light Orchestral Music to secure and provide over 60,000 sets of this special music to orchestras and other organisations across the world.

Upcoming performance dates:

Claire Teal’s Swingin’ Christmas (Glasgow)  21 Dec 2018

Christmas at the Movies (Glasgow)   23 Dec 2018

Upcoming work:

ENB Swan Lake (London)    3 – 13 Jan 2019 ENB Manon (London)     16 – 20 Jan 2019 ENB Giselle (Chicago, IL)    28 Feb – 2 Mar 2019 ENB She Persisted (Sadler’s Wells)  3 – 13 Apr 2019

NEWS: National Theatre of Scotland announces its 2019 season

This week, Jackie Wylie Artistic Director and Chief Executive of the National Theatre of Scotland launched next year’s programme of work:

In 2019 the National Theatre of Scotland is focussing on major Scottish artists, creating major new works that explore the vital questions facing all of us both as Scots and as global citizens. 

What Scottish theatre can do like no other national culture is tackle the big questions of our times, with a unique sense of joy and a love of communal celebration.

Touring remains at the heart of our commitment to audiences across Scotland and beyond. In 2019, twenty productions will be touring to theatre venues, schools, community centres, and pop up performance spaces. We will also take the work of Scottish artists throughout the UK and internationally to New York, Montreal, Virginia, Kentucky and Lisbon.

We are proud to be without walls – we have partnerships in our DNA, and we aim for our collaborations to be as diverse as Scotland’s ever changing populace. I would like to thank the partners, funders, artists and collaborators who are joining us to ensure that theatre in Scotland, in 2019, matters more than ever”

WORLD PREMIERES AND NEW PRODUCTIONS INCLUDE:

  • Interference will be performed in a transformed Glasgow office block from 16 to 30 March 2019.  A bold and chilling new trilogy of near-future plays by three provocative writers, Morna Pearson, Hannah Khalil and Vlad Butucea, and directed by National Theatre of Scotland’s Associate Director Cora Bissett. A National Theatre of Scotland production.
  • Dear Europe is a special event produced by National Theatre of Scotland to mark Scotland’s scheduled exit from the European Union. Six of the country’s most adventurous theatre- makers will create and present short performances that respond to this significant moment in Europe’s history at SWG3, Glasgow on the night of 29 March 2019. Co-curated by Stewart Laing and Jackie Wylie. A National Theatre of Scotland production in association with SWG3.
  • Them! tackles the nebulous nature of identity in a changing world. Written by Pamela Carter with long-time collaborator Stewart Laing directing his first project in his new role as Associate Director with the National Theatre of Scotland. Premiering at Tramway, Glasgow in June and July 2019. A National Theatre of Scotland production.
  • Thank You Very Much is a new work from Claire Cunningham using the phenomenon of Elvis tribute artists as a springboard to explore impersonation, identity, acceptance and the challenges of being yourself. A Manchester International Festival and National Theatre of Scotland co-production, opening in Manchester in July 2019 and touring to Glasgow in October & November 2019.
  • Total Immediate Collective Imminent Terrestrial Salvation, written by Tim Crouch and directed by Karl James & Andy Smith will premiere at the Edinburgh Festivals in August 2019 before touring to Brighton and Lisbon later in the autumn. Exploring manipulation and the nature of truth in an age of arch-political misdirection, the play is a bold experiment in the collective creation of fiction. A National Theatre of Scotland production in association with Attenborough Centre for the Creative Arts and Teatro do Bairro Alto, Lisbon.
  • Red Dust Road is the first stage adaptation of the bestselling memoir by Jackie Kay, tracing the challenges she faced on the journey to discover the truth about her birth parents. Adapted for the stage by Tanika Gupta and directed by Dawn Walton, it will premiere at the Edinburgh International Festival and HOME, Manchester, touring throughout autumn 2019. A National Theatre of Scotland and HOME, Manchester co-production, developed with support from Macrobert Arts Centre.
  • The Drift by performer and spoken-word artist Hannah Lavery journeys through history, Scottishness, belonging, and grief, exploring her legacy of being “mixed” in Scotland. Directed by Eve Nicol, it will tour Scotland from 02 to 12 October 2019 as part of Black History Month 2019. A National Theatre of Scotland production, tour supported by Flint & Pitch and The Workers Theatre with the Coalition of Racial Equality and Rights, as part of Black History Month 2019.
  • The Panopticon will be adapted for the stage by Jenni Fagan from her celebrated novel of the same name. A gritty and gripping coming-of-age tale turned on its head, the production will be directed by Debbie Hannan, touring to the Traverse Theatre and Platform, Glasgow in November 2019. A National Theatre of Scotland production.

TOURING SCOTLAND

  • Joe Douglas returns to direct John McGrath’s seminal political play The Cheviot, The Stag & the Black, Black Oil, in newly imagined version, based on his acclaimed recent production for Dundee Rep Theatre. The production will tour nationwide, in the spirit of the 1973 original tour. A National Theatre of Scotland production in association with Dundee Rep Theatre and Live Theatre, Newcastle.

INTERNATIONAL TOURING

  • Adam is the remarkable true story of a young trans man and his journey to reconciliation; with himself, those closest to him, and the world as he knows it. Conceived for the stage and directed by Cora Bissett, written by Frances Poet and performed by Adam Kashmiry, upon whom the story is based, and Rehanna MacDonald. The show receives its US premiere in New York from 14 to 16 February 2019. A National Theatre of Scotland production.
  • Première neige/First Snow follows its successful run at the 2018 Edinburgh Festival Fringe with an international tour to Canada. Directed by Patrice Dubois and written by Davey Anderson, Philippe Ducros and Linda McLean, the Fringe First-winning show will be performed at Théâtre de Quat’Sous in Montreal from 26 February to 23 March. An international co-production between National Theatre of Scotland, Théâtre PÀP and Hôtel-Motel.
  • Anything That Gives Off Light returns following its premiere at the Edinburgh International Festival in 2016. Focusing on three characters in a pub as they wrestle with loneliness, grief and a festering sense of betrayal, the production will visit Virginia, Kentucky, and New York from 01 to 30 March 2019. A co-production from The TEAM, the National Theatre of Scotland and Edinburgh International Festival.

PARTICIPATORY THEATRE AND FESTIVALS INCLUDE:

  • LIKE FLYING is a new participatory project from the National Theatre of Scotland, working in partnership for the first time with SAMH, (Scottish Association for Mental Health) in association with East Ayrshire Council and Edinburgh City Council. The project, tackling mental wellbeing through aerial performance, will be performed in schools in East Ayrshire and Edinburgh in June  2019 and curated by National Theatre of Scotland Artist-in-Residence Nic Green.
  • The Coming Back Out Ball, a year-long engagement programme created for the LGBTI elder community comes to Scotland, having been successfully pioneered in Australia by Tristan Meecham and Bec Reid of All The Queens Men. Led by Scottish theatre-maker Lewis Hetherington alongside the original creative team from All The Queens Men, the project will take place from May 2019.
  • Just Start Here, the National Theatre of Scotland’s pop-up festival celebrating new work and Scottish artists, arrives in Aberdeen on 08 and 09 March 2019 as part of the Company’s Engine Room programme. Produced in partnership with Citymoves, Aberdeen.

THE YEAR IN BRIEF:

February

  • Adam, conceived for the stage and directed by Cora Bissett, written by Frances Poet and performed by Adam Kashmiry and Rehanna MacDonald, tours to New York for performances at the Skirball Centre in Manhattan from 14 to 16 February 2019, the show’s first international dates.

March

  • Anything that Gives Off Light, directed by Rachel Chavkin, with Associate Direction from Davey Anderson, visits Virginia, Kentucky, and New York from 01 to 30 March 2019. Written by Jessica Almasy, Davey Anderson, Fraser Ayres, Rachel Chavkin, Brian Ferguson, and Alexander Grierson. A co-production from The TEAM, the National Theatre of Scotland and Edinburgh International Festival.
  • Première neige/First Snow, directed by Patrice Dubois and written by Davey Anderson, Philippe Ducros and Linda McLean, follows its successful premiere at last year’s Edinburgh Fringe with a tour to Théâtre de Quat’Sous in Montreal from 26 February to 23 March 2019. An international co-production between National Theatre of Scotland Théâtre PÀP and Hôtel-Motel.
  • Engine Room’s Just Start Here pop-up festival returns, bringing two days of music, climate change activism and cross-art form making to Aberdeen from 08 to 09 March 2019.  Presented in partnership with Aberdeen’s Citymoves.
  • Interference, a chilling new trilogy of near-future plays, will be performed in a transformed Glasgow office block from 16 to 30 March 2019. Written by Morna Pearson, Hannah Khalil and Vlad Butucea and directed by Cora Bissett. A National Theatre of Scotland production.
  • Dear Europe will mark Scotland’s scheduled exit from the European Union with an evening of live music and live performance at SWG3, Glasgow on Friday 29 March 2019. Co-curated by Stewart Laing and Jackie Wylie and featuring work from artists Adura Onashile, Nima Séne, Alan McKendrick, Angus Farquar, Nic Green, and Leonie Rae Gasson. A National Theatre of Scotland production, in association with SWG3

May

  • The Cheviot, The Stag & the Black, Black Oil begins its new Scotland-wide tour with performances in Dundee, Inverness, Shetland and the Highlands. Joe Douglas returns to direct John McGrath’s seminal political play. A National Theatre of Scotland production in association with Dundee Rep Theatre and Live Theatre, Newcastle. Based on the original Dundee Rep Theatre production.
  • My Left Right Foot – The Musical returns to the stage with new performances at Dundee Rep from 21 to 25 May 2019. Written and directed by Robert Softley Gale, with music and lyrics by Scott Gilmour & Claire McKenzie, Richard Thomas & Robert Softley Gale. A Birds of Paradise and National Theatre of Scotland co-production.

June

  • Them! is written by Pamela Carter and directed by Stewart Laing, his first project in his new role as Associate Director with the National Theatre of Scotland. It will premiere at Tramway, Glasgow in June/July. A National Theatre of Scotland production.
  • LIKE FLYING, is led by National Theatre Scotland Artist in Residence Nic Green in schools in East Ayrshire and Edinburgh from June. In partnership with (SAMH) Scottish Association for Mental Health, in association with East Ayrshire Council and Edinburgh City Council.
  • The Cheviot, The Stag & the Black, Black Oil visits the final stops on its Scotland-wide tour, including Skye, Aberdeen and Stirling, before beginning a two-week run at Newcastle’s Live Theatre.

July

  • Thank You Very Much is a new work from Claire Cunningham, using the phenomenon of Elvis tribute artists as a springboard to explore impersonation, identity, acceptance and the challenges of being yourself. It is commissioned and produced by Manchester International Festival and National Theatre of Scotland and premieres in Manchester in July 2019 before touring to Glasgow in October & November 2019.
  • Them!, Stewart Laing and Pamela Carter’s subversive and immersive new production, concludes its debut performances at Tramway, Glasgow.

August

  • Total Immediate Collective Imminent Terrestrial Salvation, written by Tim Crouch and directed by Karl James & Andy Smith, is the first of two shows from the National Theatre of Scotland at the 2019 Edinburgh Festivals, running through August.
  • Red Dust Road has its opening performances, the first stage production of Jackie Kay’s heart-warming memoir, in an adaptation by Tanika Gupta and directed by Dawn Walton. The show premieres at the Edinburgh International Festival, before visiting Macrobert Arts Centre, Stirling and Eden Court, Inverness later in the autumn

September

  • Red Dust Road follows its opening performances at the Edinburgh International Festival with a tour to the home of co-producing partners HOME, in Manchester.

October

  • The Drift by performer and spoken-word artist Hannah Lavery, directed by Eve Nicol, tours Scotland from 02 to 12 October 2019, with visits to Aberdeen, Tobermory, Hawick, Edinburgh and Glasgow as part of Black History Month.

November

  • Jenni Fagan adapts her hit novel The Panopticon for the stage. Directed by Debbie Hannan, the show will be presented at the Traverse Theatre, Edinburgh and Platform, Glasgow.
  • Thank You Very Much receives its Scottish premiere in Glasgow from 31 Oct to 03 November 2019, following its opening performances at Manchester International Festival in the summer.

Throughout 2019

Theatre in Schools Scotland
National Theatre of Scotland and Imaginate. Touring a programme of acclaimed shows to nurseries and schools across Scotland.

Engine Room

Established in 2018, our Engine Room programme will continue to provide artistic development opportunities for artists throughout Scotland.

The Coming Back Out Ball

A year-long engagement programme from May 2019 created for the LGBTI elder community in Scotland, led by Lewis Hetherington, Tristan Meecham and Bec Reid. Presented by National Theatre of Scotland and All The Queens Men in partnership with Luminate.

How The Earth Must See Itself

A short film produced by the National Theatre of Scotland and Scottish Sculpture Workshop, created by Lucy Cash and Simone Kenyon, and based on the book – The Living Mountain by Nan Shepherd

 

NEWS: A SEASON OF RADICAL TAKES ON CLASSIC DRAMA AT THE TRON

Tron Theatre’s Spring-Summer 2019 season is packed full of work that will challenge conventions and subvert some of drama’s most classic of texts. Andy Arnold’s programme for the new year sees him welcome early career influencers like Pete Brook of Impact Theatre and Linda Marlowe alongside some of the finest emergent artists and companies making work. Highlights will include:

* Jo Clifford’s razor-sharp new version of The Taming of the Shrew, presented by Sherman Theatre, Cardiff and Tron Theatre Company.
* imitating the dog’s bold re-telling of Joseph Conrad’s Heart of Darkness fusing live performance with digital technology.
* The Zinnie Harris re-working of August Strindberg’s Miss Julie presented by Perth Theatre.
* Marius von Mayenburg’s fast-moving farce about external beauty, identity and the brutality of capitalism, The Ugly One in Tron Theatre Company’s summer comedy directed by Debbie Hannan.

Sherman Theatre, Cardiff and Tron Theatre Company will present Jo Clifford’s new version of Shakespeare’s The Taming of the Shrew (20-30 March, Press Night: Thu 21 March, 7.45pm). A bawdy and riotous take on a contentious classic, directed by Michael Fentiman, you are invited to step into a world where women hold all the power, the patriarchy is being challenged and new possibilities abound.  The summer comedy this year will be the Marius von Mayenburg farce translated by Maja Zade, The Ugly One (4 -20 July, Press Night: Friday 5 July, 7.45pm). Debbie Hannan will direct this hilarious and fast-moving piece that exposes some very ugly truths about our self-obsessed culture.

The main auditorium programme opens with Celtic Connections (18 Jan – 2 Feb), after which the theatre programme gets underway with Fuel’s production The Dark (15 & 16 Feb) about a four-year-old boy and his mother escaping a country divided by dictatorship and consumed by conflict. Shilpa T-Hyland will direct Perth Theatre’s production of Miss Julie (27 Feb – 2 Mar), in a version re-worked by Zinnie Harris and set in 1920s Scotland. The Tron are particularly pleased to be able to welcome back Tamasha for the Scottish premiere of Approaching Empty (5 Mar), an incisive new drama set in Northern England in the aftermath of Margaret Thatcher’s death, by award-winning playwright Ishy Din.  imitating the dog present a bold re-telling of Joseph Conrad’s Heart of Darkness (7-9 Mar), a visually rich, multi-layered work fusing live performance with digital technology. Choreography, live sewing, comedy and original music come together in ThisEgg’s dressed. (14-16 Mar), celebrating the power clothes have to define us, liberate us, hide us and embellish us.

Mark Thomas is back, this time with Check Up Our NHS@70 (9-11 Apr), using his own demise to explore the state of the NHS. Let Me Look At You (12 & 13 Apr) is a hilarious and deeply moving celebration of LGBTQ history performed by Mark Pinkosh and written by Godfrey Hamilton, otherwise known as Starving Artists.  For young audiences, Tortoise in a Nutshell present The Lost Things (16 & 17 Apr), Oliver Emanuel’s dark fairy-tale where nothing is quite as it seems, performed in a unique dome structure.  Hilarious and heart-lifting, Tangram Theatre (who presented Team Viking in 2017) present A Hundred Different Words for Love (19 & 20 Apr), a story of romance, despair and friendship. Following overwhelming responses from previous runs at the Traverse Theatre and Abbey Theatre, Gary McNair’s Locker Room Talk (25-27 Apr) continues the conversation about misogyny and masculinity which has become even more urgent since its premiere.

The Changing House programme opens with performance artist Katy Dye’s Baby Face (7-9 Feb) a brave and outlandish show about the infantilisation of women.  Testroom 2019 (12 Feb) returns to showcase puppetry-making and performance skills ahead of performances at manipulate. Sonnet Youth, Scotland’s literary ravers, take up residence for a spoken word Weekender with Gigantic Lying Mouth (15 Feb) about the human desire to lie and Confessionals (16 Feb) a coming-of-age character piece set in an East End boozer. The tour de force that is Linda Marlowe gives voice to Steven Berkoff’s outrageous female characters in Berkoff’s Women (21-23 Feb) and there’s the Scottish premiere of In Other Words (5-7 Mar), a deeply moving love story exploring the effects of Alzheimer’s disease.

Kolbrun Bjort Sigfusdottir examines the immigrant experience of the EU referendum in (Can This Be) Home (14-16 Mar) and Holly Gallagher presents her new show Tensile Strength (Or How To Survive At Your Wit’s End) (20-22 Mar) about stress and how so many of us feel it to an unhealthy degree. DUPed (4-6 Apr) explores the legacy and continuing impact the Reverend Dr. Ian Kyle Paisley and his Democratic Unionist Party on those who oppose extreme religious and social conservatism. Harry Josephine Giles brings bleak humour and tender fury in Drone (11-13 Apr), a live jam of sound, visuals and poetic storytelling about the life of a military drone.  Father (17-20 Apr) is the European premiere of an intimate work with mythical scope – an abusive parent/child relationship reflected in their wider relationship with Mother Nature and the evolution of our climate. Perth Theatre have the last Changing House show of the season with their fast-paced and irreverent Marie (25-27 Apr), a darkly comic new play inspired by the life of Mary Queen of Scots but given a distinctly modern twist.

 

NEWS: SCOTTISH OPERA PRESENTS WORLD PREMIERE OF ANTHROPOCENE BY STUART MACRAE AND LOUISE WELSH

The world premiere of Anthropocene, a gripping new work commissioned by Scottish Opera from composer Stuart MacRae and librettist Louise Welsh, takes place on January 24 at Theatre Royal Glasgow. It then tours to King’s Theatre, Edinburgh and London’s Hackney Empire.

Telling the story of an expeditionary team of scientists who become trapped in the frozen Arctic wastelands, Anthropocene is directed by Matthew Richardson (Rigoletto 2018) and designed by Samal Blak, the award-winning team behind MacRae and Welsh’s five-star opera The Devil Inside (2016).

© Julie Broadfoot – http://www.juliebee.co.uk

Conducted by Scottish Opera Music Director Stuart Stratford, the superb ensemble cast includes former Scottish Opera Emerging Artist Jennifer France (Ariadne auf Naxos 2018), Scottish soprano Jeni Bern and Stephen Gadd (Rigoletto 2018.) They are joined by Benedict Nelson (The Burning Fiery Furnace 2018), Mark Le Brocq, Paul Whelan, Anthony Gregory and Laura Zigmantaite (Ariadne auf Naxos 2018), a former Scottish Opera Emerging Artist.

Anthropocene is the fourth collaboration between MacRae and Welsh, a fruitful partnership initially born of the 15-minute opera Remembrance Day in 2009. The composer-librettist team went on to create Ghost Patrol in 2012, which won a South Bank Sky Arts Award and was nominated for an Olivier Award, and 2016’s The Devil Inside, based on a short story by Robert Louis Stevenson.

Inverness-born MacRae’s work has been performed at the Royal Opera House and Edinburgh International Festival, and by ensembles including Scottish Chamber Orchestra and Hebrides Ensemble. He is currently Composer in Association at Lammermuir Festival.

A Professor of Creative Writing at University of Glasgow, Welsh is the author of a number of popular novels including award-winning The Cutting Room and Plague Times Trilogy.

Composer Stuart MacRae said: ‘The triumph of human self-interest over nature and over other humans: this is the essence of the Anthropocene age. It is also the cause of man-made climate change, countless environmental catastrophes and the exploitation of marginalised peoples by wealthy nations and individuals. When faced with extreme isolation, a loss of control over their destiny, and personal catastrophe, the appearance of a mysterious outsider poses an impossible dilemma for the crew of the Anthropocene, and becomes the focus of temptation, sympathy, ambition, empathy and fascination.

‘It’s been a joy to work on Anthropocene with librettist Louise Welsh, who brings such depth, colour and variety to this original story, and I’m delighted that it will be brought to the stage by our hugely imaginative long-term collaborators, Matthew Richardson and Samal Blak, and conducted by Stuart Stratford.’

Librettist Louise Welsh said: ‘Anthropocene is one of the most exciting projects I have been involved with. This is my fourth opera with Stuart MacRae for Scottish Opera and it is an honour to write words which I know he will set to a unique palette of music.

‘The themes of Anthropocene are both perennial and up-to-the-minute. Human beings have always striven to conquer distant and hostile territories. The twenty-first century has opened the field to rich amateurs who might previously have stayed at home and charted on maps the progress of expeditions they had funded. Anthropocene is a story of over-wielding ambition, murder, human sacrifice and thwarted love. It is also an exploration of the tensions between magic and science.’

Stuart Stratford, Scottish Opera Music Director said: ‘Stuart MacRae and Louise Welsh have yet again delivered an amazing piece of music theatre for Scottish Opera. An incredibly imaginative story of discovery, betrayal and violent sacrifice with daring and dazzling virtuoso orchestral textures, Anthropocene will keep the audience gripped throughout.’

Those who wish to discover more about how the production was created can attend Pre-show Talks, and audience members with a visual impairment can enjoy the full opera experience at audio-described performances, which have a live commentary describing the action on stage without compromising the music.

Anthropocene is supported by John S. Cohen Foundation, RVW Trust and Scottish Opera’s New Commissions Circle.

 

Cast List

Ice                                                                             Jennifer France

Professor Prentice                                              Jeni Bern 

Charles                                                                    Stephen Gadd

Miles                                                                        Benedict Nelson

Harry King                                                               Mark Le Brocq

Captain Ross                                                          Paul Whelan

Vasco                                                                         Anthony Gregory

Daisy                                                                          Laura Zigmantaite

 

Creative Team

 

Conductor                                                              Stuart Stratford

Director                                                                   Matthew Richardson

Set and Costume Designer                              Samal Blak 

Lighting Designer                                                 Matthew Richardson 

Movement Director                                             Kally Lloyd-Jones

Associate Lighting Director                                Zoe Spurr

 

Performance Diary

 

Theatre Royal Glasgow, 282 Hope Street, Glasgow G2 3QA

Thu 24 Jan, 7.15pm

Sat 26 Jan, 7.15pm

 

Pre-show Talk                                             Sat 26 Jan, 6pm

Touch Tour                                                    Sat 26 Jan, 6pm

Audio-described performance            Sat 26 Jan, 7.15pm

 

King’s Theatre Edinburgh, 2 Leven Street, Edinburgh, EH3 9LQ

Thu 31 Jan, 7.15pm

Sat 2 Feb, 7.15pm

 

Pre-show Talk                                             Sat 2 Feb, 6pm

Touch Tour                                                    Sat 2 Feb, 6pm

Audio-described performance            Sat 2 Feb, 7.15pm

 

Hackney Empire, 291 Mare Street, London, E81 1EJ

Thu 7 Feb, 7.30pm

Sat 9 Feb, 7.30pm

London performances are presented in association with The Royal Opera

IMAGE: Julie Broadfoot

NEWS: Citizens Theatre announce cast for A Christmas Carol.

The Citizens Theatre today introduced the cast of A Christmas Carol – including lots of Citz familiar faces. Leading the ensemble as the miserly Scrooge is Benny Young (Hay Fever), while Peter Collins (Cinderella, Hansel & Gretel, Rapunzel) and John O’Mahony (Hansel & Gretel, A Christmas Carol 2014) return for another festive season. Andy Clark has a long list of credits at the Citizens (Lampedusa, The Libertine, Othello, Hamlet, Peter Pan). They will be joined by Elisa de Grey, Reuben Joseph and Jess Murphy, who make their Citizens debut. The cast is completed by Jamie Marie Leary, and current Actor Interns Malcolm Cumming and Anna Russell-Martin.

Citizens Theatre Artistic Director Dominic Hill leads the creative team with his trademark theatrical style. The 2014 team return with Rachael Canning designing set, costumes and puppets, Lizzie Powell designing lighting and the inimitable Nikola Kodjabashia providing music and sound. 

NEWS: Top Scottish Talent Announced for Eastwood Park Theatre’s Original Christmas Show

Eastwood Park Theatre has announced the cast line up for its original Christmas show, Jack and the Beanstalk II: Return of the Farmer, featuring top Scottish talent including a local Netflix star and CBeebies favourite.

The role of Jack will be taken on by Scottish actor Joshua Aitken, a recent Glasgow Academy of Musical Theatre Arts graduate, whose previous credits include National Theatre Scotland’s Submarine Time Machine.

The role of Rosie will be played by East Renfrewshire’s Kim Allan, who stars as Isabella MacDuff in the forthcoming highly anticipated Netflix film, Robert the Bruce action drama The Outlaw King, which will be available next month. She has also appeared in BBC drama The Replacement and Channel 4 and Netflix series Lovesick. Kim’s parents met on the stage while performing in amateur dramatic productions at Eastwood Park Theatre, so she is sure to feel at home when taking on her new role.

Scottish actor Ross Mann, who has a string of theatre, television and film credits to his name including TV series Outlander and forthcoming Ken Loach film Beats, I Am the Architect and Not a Word, will take on the role of Jack’s nemesis The Farmer.

River City’s Sarah McCardie, otherwise known as ‘Sharon McLaren’, will be taking on two roles – the evil Witch and Jack’s Mother. Sarah recently appeared in STV’s The Victim and is known to young children as the presenter ‘May’ of the CBeebies programme Big City Park, which won a BAFTA Scotland Award for Best Children’s Programme.

The unique Christmas show is brought by four renowned Scottish theatre talents – written and composed by Andy McGregor, directed by Julie Brown, designed by Claire Halleran and produced by Clarkston’s Callum Smith of Showroom, one of Scotland’s most exciting theatre companies.

Anthony McReavy from East Renfrewshire Culture and Leisure, said: “We’re delighted to welcome some of Scotland’s best acting talent to our original Christmas show, which has been penned by the writer of many successful festive shows for the Citizen’s Theatre and produced by Showroom, one of Scotland’s most exciting theatre companies. Tickets are already selling fast so STALK up while you can!”

A hilarious twist on a traditional Christmas show, Jack and the Beanstalk II: Return of the Farmer follows Jack McJack, who is now living a life of fame, fortune and fanciness. He owns Giffnock’s most successful supermarket and everything is going his way – until the trickster of a farmer who gave him his magic beans returns and demands his share of the profits. In the hilarious new tale he recalls the story of his heroic trip to the top of the beanstalk, before facing the farmer in an epic showdown.

Playing at Eastwood Park Theatre from 11-30 December, there will be a dedicated British Sign Language Interpreted (21st December, 7.30pm) and ‘relaxed’ (15th December, 1pm) performances for audience members with Additional Support Needs.

Tickets are priced at just £11 standard, £8 for concessions and a family of four can catch the show for £35. The show also qualifies for the group discount – buy ten tickets and one person can go free.

Book now:  https://www.eastwoodparktheatre.co.uk/article/9742/Jack-and-the-Beanstalk-II

 

NEWS: New musical of hit movie Little Miss Sunshine at King’s Theatre, Glasgow next summer

Little Miss Sunshine, the quirky off-Broadway hit musical is coming to Glasgow for the first time next year.

Based on the Academy Award-winning film by Michael Arndt, the stage adaptation of Little Miss Sunshine will run at the King’s Theatre from Tuesday 2 until Saturday 6 July 2019 as part of a UK tour.

Tickets are on sale to ATG Theatre Card holders now and general sale will begin on Friday 26 October at 10am.

The story tells of the Hoover family who have more than a few troubles. Young Olive has her heart set on winning the Little Miss Sunshine beauty contest and when an invitation to compete comes out of the blue, the Hoovers must pile into their rickety, yellow VW camper van. Can it survive the 800-mile trip from New Mexico to California – and more importantly, can they? This inventive and uplifting musical celebrates the quirks of every family, the potholes in every road, and the power of overcoming our differences.

 

Little Miss Sunshine is the off-beat musical comedy created by the Tony Award-winning team of James Lapine (who collaborated with Stephen Sondheim on Into the Woods and Sunday in the Park with George) and William Finn (25th Annual Putnam County Spelling Bee, Falsettos). This new production will be directed by the Arcola’s Theatre’s Artistic Director Mehmet Ergen with design by David Woodhead, lighting design by Richard Williamson, choreography by Anthony Whiteman and musical supervision by Mark Crossland.

Casting to be announced.

Little Miss Sunshine

King’s Theatre, Glasgow

Tue 2 – Sat 6 July 2019

Tues – Sat, 7.30pm

Wed & Sat, 2.30pm

www.atgtickets.com/glasgow

 

NEWS: KAREN DUNBAR TO STAR IN AWARD-WINNING MUSICAL CALENDAR GIRLS IN GLASGOW

David Pugh & Dafydd Rogers, the producers of Gary Barlow and Tim Firth’s musical comedy, CALENDAR GIRLS The Musical, are thrilled to bring the award-wining production to Glasgow for a two-week run next year.

Starring Scottish comedy queen Karen Dunbar, CALENDAR GIRLS THE MUSICAL, which is based on the true story and Tim Firth play of the same name, will run at the King’s Theatre from Tuesday 11 – Saturday 22 June 2019.

Karen Dunbar is best known for BBC1 Scotland’s sketch shows, The Karen Dunbar Show and Chewin’ the Fat. She has also worked extensively in theatre including with the National Theatre of Scotland and last year devised her own play, #71, for A Play, A Pie and A Pint at Oran Mor last year. Karen has also starred in the King’s Theatre pantomime.

Further casting is to be announced.

Gary Barlow and Tim Firth grew up in the same village in the North of England and have been friends for 25 years.  With Take That, Gary has written and co-written 14 number one singles, has sold over 50 million records worldwide and is a six times Ivor Novello Award winner.  Tim has won the Olivier Award and UK Theatre Award for Best New Musical, and the British Comedy Awards Best Comedy Film for Calendar Girls.

CALENDAR GIRLS THE MUSICAL is inspired by the true story of a group of ladies, who decide to appear nude for a Women’s Institute calendar in order to raise funds to buy a settee for their local hospital, in memory of one of their husbands, and have to date raised almost £5million for Bloodwise. This musical comedy shows life in their Yorkshire village, how it happened, the effect on husbands, sons and daughters, and how a group of ordinary ladies achieved something extraordinary.

Bloodwise, the UK’s specialist blood cancer charity, will continue to receive monies from this production.

Facebook: @thegirlsmusical

Twitter: @thegirlsmusical

Calendar Girls The Musical

King’s Theatre, Glasgow

Tue 11 – Sat 22 Jun 2019

www.atgtickets.com.glasgow

0844 871 7648*calls cost up to 7p per minute plus your phone company’s access charge

NEWS: SING-A-LONG-A PRESENT THE GREATEST SHOWMAN & TWO SCREENINGS ADDED DUE TO DEMAND

THEATRE ROYAL, GLASGOW

SUNDAY 27 JANUARY, 2.30PM AND 7.30PM

Additional screenings of Sing-a-long-a’s The Greatest Showman have been added in Glasgow due to popular demand.

It was announced that a sing along screening of the hit film would show at the King’s Theatre on Tuesday 8 January and tickets were snapped up within days of going on sale.

Two extra screenings have been confirmed for the King’s Theatre’s sister venue, Theatre Royal on Sunday 27 January at 2.30pm and 7.30pm.

It is anticipated that tickets will go just as quickly so be sure to get to the box office at Theatre Royal on Hope Street as fast as you can. Tickets can also be booked over the phone and online.

Cheer on Hugh Jackman, lust after Zac Efron and hiss Rebecca Ferguson (…or maybe not) as you experience The Greatest Showman in the greatest way possible – with lyrics on the screen so you can sing-a-long as loud as you want.

The live host will teach you a unique set of dance moves that will truly make you “come alive”. As they show you how to use our interactive prop bags, you also get to practice your cheers, your boos and even a few wolf whistles. Then you can sit back and relax and sing and along to the lyrics on screen.

It couldn’t be easier or more fun! Fancy dress is strongly encouraged and full audience participation is essential.

Even if you’ve not experienced a Sing-a-long-a before – now is the time.

Dress up in your best top hat and tails, add a beard if you fancy, and sing and dance your heart out in a night that’s guaranteed to put a smile on your face and music in your heart!

Sing-a-long-a The Greatest Showman

Theatre Royal, Glasgow

Sunday 27 January, 2.30pm and 7.30pm

www.atgtickets.com/glasgow

0844 871 7647* calls cost up to 7 per minute plus your phone company’s access charge.

Please note this is a screening of the movie not a live stage show.

« Older Entries