REVIEW: Matthew Bourne’s Swan Lake – King’s Theatre, Glasgow
It isn’t hyperbole to say that Matthew Bourne’s Swan Lake changed the face of classical dance forever. Retaining Tchaikovsky’s original...
New Adventures
REVIEW: The Red Shoes – King’s Theatre, Glasgow
Taking Michael Powell and Emeric Pressburger's 1948, Technicolor masterpiece of British cinema, The Red Shoes and turning it into a fully-fledged ballet,...
REVIEW: Matthew Bourne’s Sleeping Beauty – Theatre Royal, Glasgow
Considered by many the most audience conscious of artists, credit must undoubtedly go to Matthew Bourne for his groundbreaking work,...
REVIEW: Matthew Bourne’s The Car Man – Festival Theatre, Edinburgh
Despite 15 years passing since its premiere, Matthew Bourne's boundary pushing The Car Man is still managing to captivate, enthrall and excite...
REVIEW: Edward Scissorhands – Theatre Royal, Glasgow
This review was originally written for and published by www.thepublicreviews.com Matthew Bourne’s contemporary ballet of Tim Burton’s much-loved movie Edward...
REVIEW: Matthew Bourne’s Sleeping Beauty
Innovation, originality and humour characterise Matthew Bourne's ground-breaking work and credit indeed must go to Bourne for the popularisation of...
