REVIEW: The Crucible – The Old Vic, London
The Old Vic's current revival of The Crucible is the most intensely gripping, thoroughly enthralling, powerful, visceral theatrical production I...
London
REVIEW: Shakespeare in Love – Noel Coward Theatre, London
Based upon the much-loved 1998 movie, Lee Hall's stage adaptation of Shakespeare in Love follows Marc Norman and Tom Stoppard's...
REVIEW: Skylight – Wyndhams Theatre, London
David Hare's 1995, award-winning play is a perfectly choreographed emotional dance sublimely performed by two of the country's most gifted...
REVIEW: Birdland – Royal Court, London
It’s universally acknowledged that absolute power has the ability to corrupt absolutely but in Simon Stephens’ new play Birdland, it’s...
REVIEW: I Can’t Sing – The London Palladium
The X Factor has become the touchstone for all that is abhorrent about Britain today: the unhealthy obsession with celebrity...
REVIEW: Blithe Spirit – Gielgud Theatre, London
Noël Coward's irresistible play Blithe Spirit returns to the West End accompanied by a fanfare of trumpets and Dame Angela Lansbury...
REVIEW: Strangers on a Train – Gielgud Theatre, London
Based on Patricia Highsmith's 1950 novel (followed in 1951 by the radically adapted Alfred Hitchcock film version) Craig Warner (writer) and...
REVIEW: Merrily We Roll Along – Harold Pinter Theatre, London
This Sondheim classic marks triple Olivier Award-winner Maria Friedman's directorial debut and this production from the acclaimed Menier Chocolate Factory, follows...
REVIEW: Book of Mormon – Prince of Wales Theatre, London
Never in the history of the West End has a show arrived on a bigger wave of hype or anticipation...
REVIEW: The Audience, Gielgud Theatre, London
Again in the West End it would appear that the main draw of new play The Audience is its star...
