INTERVIEW: LOCAL TALENT CHRISTOPHER JORDAN-MARSHALL MAKES WEST END DEBUT IN MAMMA MIA!
It seems like a short while ago I saw you as a student at the Royal Conservatoire of Scotland starring...
London
REVIEW: NT Live Hamlet – Barbican, London
What do I think? Well, it can be boiled down to one simple sentence: an outstanding Hamlet in a massively...
REVIEW: Gypsy – Savoy Theatre, London
What more can be said about Gypsy?, save for the fact that it is all it is hyped up to...
REVIEW: Bend It Like Beckham – Phoenix Theatre, London
Gurinder Chadha's adaptation of her own 2002 movie Bend It Like Beckham misses the goalposts more than it hits the back...
REVIEW: The Elephant Man – Theatre Royal Haymarket, London
The Elephant Man, Bernard Pomerance's 1977 play charting the life of Joseph Merrick, lacks narrative drive and its stereotypical portrayal...
REVIEW: Beautiful – Aldwych Theatre, London
A little lacking in plot, it is the star-making turn of Katie Brayben which elevates Beautiful above your common or...
REVIEW: Memphis – Shaftesbury Theatre, London
Six months on and Memphis still has the audience rocking in the aisles. This story of the birth of rock...
REVIEW: Forbidden Broadway – Vaudeville Theatre, London
Since 1981 Gerard Alessandrini’s hysterically funny revue, Forbidden Broadway has been delighting audiences with its pin-sharp parodies of the great...
REVIEW: Dirty Rotten Scoundrels – Savoy Theatre, London
Having watched the publicity that surrounded the West End debut of musical Dirty Rotten Scoundrels (based of course on the...
REVIEW: The Crucible – The Old Vic, London
The Old Vic's current revival of The Crucible is the most intensely gripping, thoroughly enthralling, powerful, visceral theatrical production I...
