Tag Archives: Kirsty Ross

REVIEW: Octave GLO Celebr8 – GLO Auditorium, Motherwell

The classiest choral group around are back in town. Octave bring their eighth annual concert, GLO Celebr8 to the GLO Auditorium in Motherwell.

With a programme of 35 songs, and as the title of their debut CD, Music for Everyone proclaims, there truly is something for everyone here. From pop classics such as Blame it on the Boogie and Son of a Preacher Man, through traditional British classics The Crookit Bawbee and The Foggy, Foggy Dew to movie and stage musical theatre big-hitters old and new, the evening’s programme is a carefully curated gem.

Musical Director David Fisher has a canny ability to programme a concert to please an audience. That said, he has some of the finest amateur vocalists in the region to sing his specially selected songs. While there are some stand-out solo efforts, the concert elevates when the eight performers sing as one. Particular highlights include beautiful ensemble renditions of Elton John and Bernie Taupin’s Your Song and Pure Imagination from Charlie and the Chocolate Factory. The superlative acoustics in the auditorium mean that these wonderful voices have the chance to soar and prove that Octave still have the ability to give you goose bumps.

A welcome, new feature of this year’s concert is the inclusion of a Master of Ceremonies, Bill Craig. Craig is a natural raconteur and the witty, professionally delivered introductions are both informative and amusing. It allows the singers to concentrate on singing and move the proceedings from one section to another with aplomb.

Octave deliver something fresh and new every year and long may it continue.

REVIEW: Octave – 5till GLO-ing, GLO Auditorium, Motherwell

A quick glance around the packed auditorium is enough to tell you all you need to know about the popularity and quality of vocal ensemble Octave. Returning for their fifth outing at the GLO Auditorium, it’s another excellent programme of popular musical theatre standards, lesser known gems and classic pop hits.

As always, each member of the ensemble is given their chance to shine, but there are some standouts in this evening of quality performances: Esther O’Hara’s rendition of How Did We Come to This from The Wild Party is an emotive big hitter, as is The Sound of Music‘s eternal classic Climb Ev’ry Mountain from Carol Whitelaw.

This year the more obscure tracks outnumbered the big hitters with songs from Mame, The Scarlet Pimpernel, Man of La Mancha and Martin Guerre adding to more familiar classics from Evita, Les Mis and The Sound of Music. It’s an eclectic programme, and that is to be applauded, but if any criticism is to be made, it is that many of the tunes were emotionally similar in tone this year and as a result, it seemed as though there wasn’t as great a variety of light and shade – it is such a minor quibble though when there’s so much quality on display. The singing is universally top-notch and the production and staging utterly professional. To match the stunning singing, credit must also be given to the accompanying band who were on blistering form throughout.

Octave remain at the top of their game, still on unbeatable form – there are few vocal ensembles who could match their quality and professionalism. An evening of unquestionable quality from start to finish.

REVIEW: Octave GLO 4th – At the GLO Auditorium, Motherwell

Vocal ensemble Octave return to the GLO Auditorium for their fourth annual charity concert and deliver a jewel-coloured kaleidoscope of music from the 19th, 20th and 21st Centuries.

Any musical director who can programme songs as diverse as ‘Bohemian Rhapsody’, ‘Nella Fantasia’, ‘Puttin on the Ritz’, ‘Phil the Fluter’s Ball’ and Tom Lehrer’s ‘A Spring Song’ a barmy little ditty about “poisoning pigeons in the park” into a recital schedule and make it seem like the most natural marriage in the world deserves not only praise, but respect for bravery, creativity and a sure artistic vision: David Fisher your audience salutes you.

The programme of songs delivers something for every musical taste and as expected from this supremely talented ensemble, has as many surprises as familiar favourites, but always provides the best showcase for the singers. This year is no exception; highlights include Esther O’Hara’s version of Lloyd-Webber’s ‘Love Changes Everything’, Janis Cunningham’s ‘The Lady is a Tramp’ and the female members of the ensemble’s hairs-on-the-back-of-the-neck-raising rendition of ‘Time to Say Goodbye’. The boys don’t do too badly either, each managing to let their big personalities shine through especially in their tongue in cheek delivery of the Monty Python classic ‘Always Look on the Bright Side of Life’.

Always guaranteed to put a smile on your face and send you onto the street with a song in your heat, it is rare to find performers of this quality in the amateur spectrum. Octave are the ensemble to watch out for – do yourself a favour and catch them wherever you can.

REVIEW: Triumphant return for Octave at the GLO Auditorium

It is a joy, and unfortunately becoming a rare thing indeed, to be able to sit in an auditorium and bask in the musical glow when an ensemble are truly in harmony with one another in every sense of the word.

Too often musical directors fail to find the talent to match their ambitious musical choices – this cannot be said of OCTAVE. Musical Director David Fisher provides an inspired and inspiring selection of musical genres and eras in this carefully crafted programme of aural delights. It deftly treads the fine line between providing the audience with enough familiar material from the West End and Broadway big-hitters, whilst retaining its musical integrity by introducing some unexpected and less well known, but stunningly beautiful songs perfectly pitched to showcase the immense talent of its singers.

Where the performers are at their most exquisite is when they sing as an ensemble – the soaring volume and beautifully crafted layers bring goosebumps. Their unique selling point however is the ability of the singers to act, to truly sell the songs – this is no static choir performance – there is a range of beautifully and subtly choreographed pieces as well as high comedy and show-stopping razzmatazz which help sustain interest throughout this two hour performance.

You would be hard pressed to find a musical ensemble of better quality than this anywhere in the UK and believe me I’ve seen a lot, reviewing all over the country. Hopefully this fledgling group will spread their wings so that we can all have the opportunity to enjoy them.

At the GLO Auditorium Motherwell until Saturday 8th September see below;