Tag Archives: Fringe

NEWS: Grid Iron Theatre Co. confirms the long-awaited staging of Doppler for the Edinburgh Festival Fringe

Edinburgh-based theatre company Grid Iron is pleased to confirm that its site-responsive outdoor adaptation of Erlend Loe’s best-selling book Doppler will take place as part of the Edinburgh Festival Fringe 2021.

The play was originally scheduled to be presented at last year’s Fringe with the plans then pivoted to a digital sharing in light of the Covid-19 related restrictions. With only a few days of outdoor filming achieved due to Storm Francis, the Company had decided to instead produce a documentary film charting the story of the show and its production, Doppler – The Story so Far, which was released for free in March 2020 and watched by almost 10,000 people worldwide.

Grid Iron is also thrilled to reveal it is one of a group of 15 shows and five venues awarded first ever Fringe Artist and Venue Recovery Fund.

Judith Doherty, Chief Executive and Co-Artistic Director of Grid Iron Theatre Company said: “After this roller-coaster of a ride that was Doppler – from the seed being planted in Ben Harrison’s mind when he read the book almost 3 years ago and plans for a Festival 2020 run, through to a digital sharing and finally the documentary – we could not be more excited to announce our 2021 plans for a live, outdoor sharing of the play.

“We are so grateful to the Fringe for this grant because it will allow us to provide BSL interpreted performances as part of the run and other access materials to make sure that our audience, although small in number, can be wide in reach.”

Doppler is an adaptation of a satirical novel by a Norwegian writer Erlend Loe, translated to English by Don Bartlett and Don Shaw. It focuses on Doppler, a man who, following the death of his father, decides to abandon his family and move to the forest on the outskirts of Oslo. He is determined to live a life as far removed from his previous as possible but struggles to maintain his isolation as his existence garners a lot of unwanted attention.

Produced and presented strictly following Scottish Government’s safety guidelines, Doppler will be staged outdoors and feature a small cast of four. Further information, including venue, dates and cast, will be announced in due course.

Grid Iron are an Edinburgh-based theatre company who, following their incorporation in 1995 and their first show Clearance at the Traverse, Edinburgh, swiftly gained a reputation for creating high-quality, high profile shows. The Company went on to specialise in presenting shows in unusual locations. They are a new writing company who work in challenging sites that lend themselves especially well to Grid Iron’s taut production style. Occasionally they create work for the stage or use theatre buildings in a site-specific, promenade manner.

In 1997 Grid Iron produced their first full-scale site-specific production, The Bloody Chamber, their adaptation of Angela Carter’s Bluebeard fairytale, which they presented in famously haunted underground vaults beneath Edinburgh’s historic Royal Mile. It was the company’s first appearance at the Edinburgh Festival Fringe and, by the opening night, the show had sold out for its entire three-week run. Awards: Herald Angel for Outstanding Contribution and Achievement in Theatre and Total Theatre Nominations for Best Newcomers and Best Design.

www.gridiron.org.uk

 

NEWS: Edinburgh Festival Fringe 2021: Show registration opened in May as Fringe Player announced

The Edinburgh Festival Fringe Society announced that show registration for Fringe 2021 opened on Wednesday 05 May.

Artists and venues will be able to register Fringe shows right up until the end of the festival. The Fringe’s world-class programme will be available to browse and book at edfringe.com, with tickets going on sale for audiences in early summer.

As Scotland navigates its roadmap out of lockdown, much is still unknown about what the Fringe will look like this August. However, a range of scenarios are being prepared for, from socially distanced live events to digital offerings.

The Fringe Society is supporting artists and audiences to find and book work online across a range of platforms, including the brand-new Fringe Player. This online platform aims to bring some festival magic into homes across the world, while providing a secure platform for artists, companies and venues to host their shows. The platform is available to any registered 2021 Fringe show or venue to use if they wish.

Any live performance registered as part of the 2021 Fringe will be expected to adhere to public health guidance from the Scottish Government.

Audiences can search, browse and buy tickets to both online and in-person work through tickets.edfringe.com. More details on individual shows and Fringe 2021 will be available in early summer.

Shona McCarthy, Chief Executive, Edinburgh Festival Fringe Society said: “We’re delighted to be able to open registration for 2021. Of course, we’re still very much in planning mode as we await further updates from the Scottish Government, but this feels like a hugely positive step in the right direction.

“Through the work being created across the various digital platforms, including the Fringe Player, artists have a brilliant opportunity to reach audiences and communities all over the world. I look forward to seeing how our Fringe creatives use these platforms in 2021 and beyond.”

The Edinburgh Festival Fringe will take place from 06 – 30 August 2021.

REVIEW: Sinatra Raw – Bier Keller Frankenstein’s Pub, Edinburgh

This isn’t the Sinatra who screaming Bobby-soxer’s threw themselves at, nor the rose-tinted twilight years legend, this is Palm Springs, 1971, Frank Sinatra is in the biggest decline of his illustrious career. The era of Glam Rock beckons and retirement looms. We’re gathered here for one, last, intimate show.

This is a night filled with memories, both bitter and brilliant. Behind-the-headlines anecdotes intersperse this collection of greatest hits. British-born, now Las Vegas based Richard Shelton delivers this brand new, self-written play with both sass and class. There’s meat on the bones of this show, the memories private and painful, show a little seen side of the showbiz Titan, illuminating the breadth and depth of Sinatra’s many grudges and regrets. Hugely entertaining, this is a classy little number housed in the basement of a tatty Edinburgh pub.

Shelton is a class act and this play a little gem.

 

 

REVIEW: Spring Awakening – The Famous Spiegeltent, Edinburgh

Eight-time Tony Award-winner, Spring Awakening made its debut off-Broadway in 2006, finally arriving in the West End in 2009 after a sold-out run at the Lyric Hammersmith. An adaptation of Franz Wedekind’s seminal, 1906 work Frühlings Erwachen, it chronicles the rocky path from adolescence to adulthood in a hugely oppressed, 19th Century Germany, dealing with themes of puberty, sexuality, rape, child abuse, homosexuality, suicide and abortion.

In direct contrast to its setting is its modern pop/rock score from Duncan Sheik and Steven Slater, a score replete with knock-out tunes that both elevate and save the relentlessly dark book.

Edinburgh-based Captivate Theatre’s age-appropriate cast delivers a huge dose of raw enthusiasm and teenage angst throughout and ably cope with the demands of this emotionally draining show. However, their fervor at times spills over into imprecise diction, lack of projection and tuning issues. The cast whilst competent individually is at their strongest when singing as one, and the harmonies are glorious throughout.

This is a gripping work with much to say, but the weakness of the book and its relentless intensity fails to sustain interest for the two-hour running time. Were it not for the first-rate score and the commitment of the young cast it would be a hard watch. A brave choice, which should be applauded.

REVIEW: The Falcon’s Malteser by Anthony Horowitz – Pleasance Courtyard, Edinburgh

Theatre company New Old Friends have a rare and brilliant gem on their hands: taking Anthony Horowitz’s much-loved 1986 kiddie noir novel The Falcon’s Malteser and delivering a show that is utterly entertaining and daftly funny for both adults and children alike.

Ex-cop and now private eye, Tim (rather dim) and his teenage (genius) brother Nick Diamond find themselves in possession of a mysterious and much sought after package. Throw into the mix a cast of, what seems like thousands, including: a vertically challenged Mexican, a Russian gangster, an East End villain and a German hit-man to name a few. There’s a cracking script filled with slapstick, songs and sight gags and delightfully clever wordplay – all ripping along at a breakneck speed that keeps you glued throughout.

Much of the show’s success is down to the well-drilled and simply top-notch cast: though churlish to single anyone out, it is Dan Winter who creates the lion’s share of the laughs, as in turn: a door to door, door salesman; a science teacher; a butcher; a newsagent; a hotel proprietor; a night-club bouncer and a hit-man – oh, and he sings too.

It’s filled with witty writing, warmth, charm and winning performances – what more could you ask for? Gather your grannies and grandpas, mums and dads, brothers and sisters, sons and daughters and get along to this gag-filled gem. You’d be missing out if you missed it.

Runs until 31 August 2015

Originally published at: http://www.thepublicreviews.com/the-falcons-malteser-by-anthony-horowitz-pleasance-courtyard-edinburgh/