Tag Archives: Creative Scotland Touring Fund

REVIEW: Rocket Post – Platform, Easterhouse

The story of the Rocket Post (the subject of two films and this stage production) is a long-told but largely forgotten Scottish legend.

It’s July 1934 in the Western Isles and there’s a crowd gathered on a sandy beach to watch German scientist Gerhard Zucker. Zucker wants to connect the world and believes the future of communication is rockets, more specifically, rocket post. He chooses a 1600 metre flight path between the Isles of Harris and the (now) unpopulated Scarp to deliver his cargo. Zucker loads the letters, lights the fuse and… well, what could possibly go wrong? Plenty as it happens. The gunpowder fuelled rocket disintegrates into a hailstorm of singed paper confetti and he only has three days to fix it.

Revived from the original 2017 National Theatre of Scotland production, this utterly charming musical play aimed at children aged six plus, combines, to great effect: storytelling; puppetry; clever and captivating props, and a mix of songs old and new in German, Gaelic and English.

It is a story of hope and optimism, of faith in the future, traditional versus new, the status quo versus change, life at home or venturing into the big wide world as well as a subtle musing on the effect of technology that resonates down the years. Amid great scepticism and a little anti-German sentiment from the local population, Gerhard pursues his dream and along the way inspires local woman Bellag to see beyond her horizons.

The mark of success for this production is its ability to appeal to its wide-ranging audience. The smallest members are awe-struck at the storytelling and stage craft, and the writing is highly amusing and has a cleverness that has much to be appreciated by the adults. The cast (David Rankine, MJ Deans and Ailie Cohen) have a magnetism that draws you in and keeps you enthralled. Utterly, utterly charming, it leaves you with a feeling of warmth as you step out into the cold Autumn night.

Reviewed on 24 October 2022 and continues touring | Image: Contributed

REVIEW: Crocodile Rock – Tron Theatre, Glasgow

Andy McGregor appears to be spearheading a resurgence in homegrown musicals. Crocodile Rock, originally performed as part of Òran Mór’s 2019 A Play, a Pie and a Pint season, is now embarking on a well-deserved national tour.

Steven McPhail is 17 and stuck on a tiny island off the west coast of Scotland, not knowing quite who he is, or what the hell to do with his life. His prospects boil down to working in his dad’s hard-as-nails pub, or his mum’s B&B. There’s that, and the daily humiliation of going to school to face the object of your affection who has made your life hell since you tried to kiss him.

Steven’s horizons expand way beyond the beaches of the Isle of Cumbrae to the bright lights of the big city, when he tentatively takes his first steps in stilettos and makeup after he meets the glorious Vincente the “queen from Barcelona”.

This one-man-and-a-band musical is absolutely what the Scottish theatre-going public needs right now; with places we know, references we whole-heartedly get, with characters we can really care about and a conciseness of storytelling (coming in at an economic under-90 minutes).

The fact that we care is not only down to McGregor’s emotional rollercoaster of a show, but the central performance on which its success firmly rests. Stephen Arden is utterly magnetic as Steven, completely compelling and thoroughly sublime from the get-go. He flits through a myriad of characters with stunning ease, making each distinct – no mean feat and one to be lauded. That coupled with an impressive vocal range of which he has complete control, it’s a sure-fire recipe for success.

This fabulous musical about finding your tribe is a must-see. It will leave you with a skip in your step and a song in your heart.

Runs until 1 October 2022 then touring | Image: Tim Morozzo