REVIEW: The Red Shoes – King’s Theatre, Glasgow
Matthew Bourne has taken Michael Powell and Emeric Pressburger's 1948, Technicolor masterpiece of British cinema, The Red Shoes and turned...
Ballet
REVIEW: Matthew Bourne’s Swan Lake – Theatre Royal, Glasgow
Matthew Bourne’s Swan Lake first burst to life on stage in 1995, changing the face of classical dance forever. This...
REVIEW: Swan Lake – Theatre Royal, Glasgow
Originally scheduled for 2020, this revival of David Dawson's 2016 work Swan Lake, heralds spring for Scottish Ballet. Gone is...
REVIEW: Cinders! – Theatre Royal, Glasgow
Scottish Ballet's festive favourite has returned with a new name and a fresh new take on the familiar tale. You...
REVIEW: Matthew Bourne’s Romeo and Juliet – King’s Theatre, Glasgow
Breathing a new life and originality into Shakespeare's much-told tale, Matthew Bourne revives, refines and revises his gripping 2019 re-invention...
REVIEW: Scottish Ballet’s The Crucible – Theatre Royal, Glasgow
American choreographer Helen Pickett seals her reputation as a masterful creator of narrative ballet in her adaptation of Arthur Miller's...
REVIEW: Scottish Ballet’s Wee Hansel and Gretel – Theatre Royal, Glasgow
Scottish Ballet present "a wee version of a big ballet", a perfectly distilled version of their family favourite Hansel and...
REVIEW: Scottish Ballet Autumn Season Sibilo/Emergence – Theatre Royal, Glasgow
The most gratifying thing about Scottish Ballet's Autumn Season launch isn't the two undoubtedly striking pieces of work on show - Sophie...
REVIEW: Matthew Bourne’s Sleeping Beauty – Theatre Royal, Glasgow
Considered by many the most audience conscious of artists, credit must undoubtedly go to Matthew Bourne for his groundbreaking work,...
REVIEW: Scottish Ballet’s A Streetcar Named Desire – Festival Theatre, Edinburgh
Returning to the stage three years after its award-winning debut, Nancy Meckler’s direction, Annabelle Lopez Ochoa’s choreography and Tennessee Williams’...
