Tag Archives: 2019

NEWS: Legendary Scottish theatre show The Cheviot, The Stag, and the Black Black Oil returns for nationwide tour

One of Scottish theatre’s most iconic and influential productions returns to the stage in 2019, in a special revival from the National Theatre of Scotland. First staged by the 7:84 company in the 1970s, John McGrath’s The Cheviot, The Stag, and the Black, Black Oil has become a cornerstone of contemporary Scottish theatre. Successfully restaged by director Joe Douglas in 2015, the show broke box office records at Dundee Rep Theatre before touring Scotland to critical and audience acclaim.

Echoing the play’s original tour in the 1970s, this 2019 revival will see it visiting art centres and community spaces in Dundee and across rural Scotland, before a 2-week run at Newcastle’s Live Theatre, where Joe Douglas is now Artistic Director.

Forty-five years on from its original tour John McGrath’s pivotal political play has lost none of its vitality and relevance, expertly weaving, songs, poems, scenes and sketches into a freewheeling Highland ceilidh. From the ruthless croft clearances of the 18th century to the fashionable Victorian game hunts, and the scars left by the ‘70s North Sea oil boom right up to the political upheaval of the current day, The Cheviot, The Stag, and the Black, Black Oil presents the stories and experiences of Scotland’s land, sea, and people across the centuries.

Cast members from the 2016 production, Stephen Bangs, Jo Freer, Christina Gordon, Calum Macdonald, Billy Mack and Aly Macrae are reunited and joined by actor musician Reuben Joseph for the new 2019 tour.

Joe Douglas, Director said:

This play has power. Or more specifically, it hands power back to audiences. It shows up the historic hypocrisy and systemic cruelty of wealthy landowners, aristocrats, oil tycoons and politicians – all in the name of profit – and shouts loudly and directly that “enough is enough”. Change is occurring in many rural parts of the country and the position of Gaelic language and culture within the wider Scottish psyche is changing too – but change takes time, which is why this play is still so relevant almost 50 years on. It will be fascinating to see how The Cheviot, the Stag and the Black, Black Oil sits in village halls and other more intimate venues in 2019 and to see what it stirs up. At the very least, we promise a good night out.”

The Cheviot, the Stag and the Black, Black Oil is the most famous production of the 7:84 company, set up by John McGrath alongside his wife Elizabeth MacLennan and her brother David in 1971. Avowedly socialist in its outlook, its aim was to take popular, political theatre to the working classes and they performed in alternative venues throughout Scotland, England and Wales. The title of the company derived from a 1966 statistic that 7% of the population of Great Britain owned 84 % of the wealth.

This show sees the National Theatre of Scotland collaborate with Newcastle’s Live Theatre for the first time since the immensely successful co-production Our Ladies of Perpetual Succour, which toured to the theatre following its debut in 2015, and went on to enjoy significant success across the world, most recently touring to London’s West End and winning an Olivier Award for Best New Comedy in 2017.

The National Theatre of Scotland is committed to minimising the carbon footprint of its productions. As part of an investigation into making this a reality, the Company is piloting new initiatives and adjustments to the way they work, in their endeavour to make this production of the Cheviot, the Stag and the Black Black Oil as carbon neutral as possible. The long term aim is to make these initiatives part of a new model of best practice going forward.

Examples include: banning the use of single use plastic, recycling old National Theatre of Scotland sets to make the new set for the show, minimising print runs for marketing, minimising the purchase of new items, using low energy technical equipment, using digital technologies to reduce use of paper and measurement of energy consumption across the tour.

The National Theatre of Scotland is also part of the Greens Arts Initiative, a community of Scottish arts organisations working to reduce their environmental impact.

Join the conversation: #Cheviot

Touring to Ardler Centre, Dundee (16 May); Eden Court, Inverness (19-20 May); Mareel, Lerwick (23 May); Stenness Community Centre, Orkney (25 May); Macphail Centre, Ullapool (28 May); Dornie Village Hall (29 May); Sabhal Mòr Ostaig, Skye (31 May); Aros Centre, Portree, Skye (01 June); Aberdeen Arts Centre (04 June); Perth Theatre (05 June); Macrobert, Stirling (06 June); Charlestone Centre, Dundee (07 June); Live Theatre, Newcastle (12 to 22 June).

Listings Information

Ardler Centre, Dundee – 16 May @ 7pm
Tickets: £12 (£10, £5 for Futureproof Passport holders)
Box Office: nationaltheatrescotland.com

Eden Court, Inverness – 19 May @ 4pm, 20 May @ 7pm
Accessible Performances: 19 May – AD, CAP, Touch Tour; 20 May – BSL
Tickets: £17 (16 & £10 student, £5 for Futureproof Passport holders)
Box Office: nationaltheatrescotland.com / eden-court.co.uk

Mareel, Lerwick – 23 May @ 7pm
Tickets: £12 (£10, (£5 for Futureproof Passport holders)
Box Office: nationaltheatrescotland.com / shetlandarts.org

Stenness Community Centre, Orkney –
25 May @ 4pm
Tickets: £12 (£10, £5 for Futureproof Passport holders)
Box Office: orkneyfolkfestival.com

Macphail Centre, Ullapool – 28 May @ 7pm
Accessible Performance: 28 MayAD, CAP, Touch Tour
Tickets: £12 (£10, £5 for Futureproof Passport holders)
Box Office: nationaltheatrescotland.com

Dornie Village Hall – 29 May @ 7pm
Tickets: £12 (£10, £5 for Futureproof Passport holders)
Box Office:nationaltheatrescotland.com

Sabhal Mòr Ostaig, Skye – 31 May @ 7pm
Tickets: £15 (£13, £5 for Futureproof Passport holders)
Box Office: seall.co.uk

Aros Centre, Portree, Skye – 01 June @ 7pm
Tickets:  £15 (£13, £5 for Futureproof Passport holders)
Box Office: nationaltheatrescotland.com / aros.co.uk

Aberdeen Arts Centre – 04 June @ 7pm
Accessible Performance: 04 JuneBSL
Tickets: £16-£18 (£5 for Futureproof Passport holders)
Box Office: nationaltheatrescotland.com / aberdeenperformingarts.com

Perth Theatre –
05 June @ 7pm
Tickets: £12-£18 (£5 for Futureproof Passport holders)
Box Office: nationaltheatrescotland.com / horsecross.co.uk

Macrobert, Stirling – 06 June @ 7pm
Accessible Performance: 06 JuneBSL, AD, Touch Tour
Tickets: £17.50 (£15.50/£6, £5 for Futureproof Passport holders)
Box Office: nationaltheatrescotland.com / macrobertartscentre.org

Charleston Centre, Dundee – 07 June @ 7pm
Accessible Performance: 07 June –  BSL, AD, Touch Tour
Tickets: £12 (£10, £5 for Futureproof Passport holders)
Box Office: nationaltheatrescotland.com

Live Theatre, Newcastle – 12-15 & 18-22 June @ 7.30pm; 16 June @ 4pm*;
15, 20 & 22 June @ 2pm
Accessible Performance: 14 June – BSL
Tickets: Off peak £22 (£15), peak £26 (£18)
Box Office: nationaltheatrescotland.com / live.org.uk

*Post show discussion

All National Theatre of Scotland performances are Autism Friendly.  The National Theatre of Scotland is working in partnership with the National Autistic Society, in 2019, to increase access to theatre for neuro-diverse audiences.

Image: Tomm Ga Ken Wan

NEWS: SCOTTISH OPERA ANNOUNCES 2019/20 SEASON

Stuart Stratford, Scottish Opera Music Director and Alex Reedijk, General Director. Scottish Opera 2019

Scottish Opera has unveiled its 2019/20 Season which includes a European premiere at the Edinburgh International Festival, three further new productions, one revival, six titles in the Opera in Concert series, and the world premiere of a new ‘opera for toddlers’ at the Edinburgh Festival Fringe.

A truly international line-up of singers appears throughout the Season. Making their debuts with the Company are Trevor Eliot Bowes, Orla Boylan, Wallis Giunta, Eric Greene, Byron Jackson and Sydney Mancasola.

There are welcome return visits from Evez Abdulla, Mark Le Brocq, Richard Burkhard, Emma Carrington, Sioned Gwen Davies, Aidan Edwards, Jennifer France, Morten Grove Frandsen, Ric Furman, Justina Gringyte, Katie Grosset, Aled Hall, Hanna Hipp, Charlotte Hoather, Paul Carey Jones, Gwyn Hughes Jones, Ellie Laugharne, Jessica Leary, Hye-Youn Lee, Nicholas Lester, Jamie MacDougall, Ben McAteer, William Morgan, Lancelot Nomura, Clare Presland, Sarah Pring, Daniel Keating-Roberts, Duncan Rock, Natalya Romaniw, David Shipley, Michel de Souza, Julia Sporsén, David Stout, Richard Suart, Elgan Llŷr Thomas, Freddie Tong, Sinéad Campbell-Wallace, Roland Wood and Dingle Yandell.

Alex Reedijk, General Director, said: ‘This Season, Scottish Opera brings a diverse range of titles, including 12 operas, to audiences in over 50 venues all over Scotland and beyond. From 20th century masterpieces by Benjamin Britten and John Adams to much-loved works by Gilbert & Sullivan and Puccini, and an intriguing Opera in Concert series curated by Music Director Stuart Stratford, there is a wonderful array of operatic fare.

‘Directing our full-scale productions are five great talents: Jonathan Cocker, who is reviving Anthony’s Besch’s iconic Tosca which opens the Season; John Fulljames; Dominic Hill; Tom Morris and Stuart Maunder. Creative partnerships are crucial to what we do, so it’s thrilling to be working alongside festivals, companies and opera houses locally, nationally and internationally. The Company is greatly looking forward to returning to the Lammermuir Festival, and to taking Missy Mazzoli’s sensational Breaking the Waves to the Edinburgh International Festival.

‘The ever-inventive Outreach and Education Department builds on the success of our work for young children with the world premiere of Fox-tot!, by the brilliant, young Scottish composer Lliam Paterson, at the Edinburgh Festival Fringe. Scottish Opera Young Company returns to the stage with Sondheim; we present three Dementia Friendly performances as well as Spinning Songs and Memory Spinners workshops; and we tour Pop-up Opera, The Opera Factory and our Primary Schools Tour.’

Stuart Stratford, Scottish Opera Music Director, added: ‘We are committed to exploring some lesser known repertoire in our Opera in Concert performances, and I am delighted that we are continuing our Mascagni odyssey with a double bill of Zanetto, performed with Wolf- Ferrari’s Susanna’s Secret. Mascagni’s Iris is also not to be missed, and the series comes full circle to finish with Cavalleria rusticana, the piece that catapulted Mascagni to success. It is paired with Leoncavallo’s Zingari. Another rarity can be heard in our semi-staged performance of Gilbert & Sullivan’s Utopia, Limited, which stands alongside our new touring production of The Gondoliers.

‘I am thrilled our new Season gets underway at the Edinburgh International Festival with the European premiere of Breaking the Waves by the exciting American composer, Missy Mazzoli. Nixon in China is another modern American classic. It still resonates with today’s global politics, and it changed the rulebook of what contemporary opera could be. John Adams’ soundworld continues to influence generations of new composers. Benjamin Britten’s A Midsummer Night’s Dream completes our trio of work from the 20th and 21st centuries, with a new staging by Citizens Theatre Artistic Director, Dominic Hill.’

Season 2019/20 Productions

Missy Mazzoli’s Breaking the Waves has its European premiere at the Edinburgh International Festival in August.

Tony Award-winning Tom Morris, Artistic Director of Bristol Old Vic, whose previous work includes War HorseTouching the Void, and The Death of Klinghoffer at English National Opera and the Metropolitan Opera, New York, directs this dark and daring opera. Set and costume designs are by Soutra Gilmour.

Based on Lars von Trier’s award-winning film, Mazzoli’s opera caused a sensation when it premiered in 2016, winning the 2017 Best New Opera Award from the Music Critics Association of North America. It was also shortlisted for an International Opera Award.

The opera, with a libretto by Royce Vavrek, tells the story of Bess, a young woman living in a deeply religious community in the Scottish Highlands in the 1970s. The cast includes American soprano Sydney Mancasola, Edinburgh-born baritone Duncan Rock and Irish-Canadian mezzo Wallis Giunta, winner of the 2018 International Opera Awards’ Young Singer of the Year. Scottish Opera Music Director Stuart Stratford conducts.

Co-presented by Opera Ventures, Scottish Opera and Edinburgh International Festival, Breaking the Waves is a co-production with Opera Ventures and Houston Grand Opera, in association with Bristol Old Vic. It has been made possible with support from Howard and Sarah Solomon Foundation, Denise Coates Foundation, Karl Sydow, Scottish Opera’s New Commissions Circle, The Aaron Copland Fund for Music and a syndicate of donors.

Puccini’s Tosca, in a production originally directed by Anthony Besch and designed by Peter Rice in 1980, opens Scottish Opera’s main season in October.  Set in 1940s Rome, in the shadow of Mussolini’s dictatorship, this ill-fated romance plays out against a backdrop of political corruption and intrigue. Revived by director Jonathan Cocker and conducted by Stuart Stratford, this much-loved production stars Natalya Romaniw (Eugene Onegin 2018) in the title role, Gwyn Hughes Jones (Il trovatore 2015) as Cavaradossi and Roland Wood (Pelléas & Mélisande 2017) as Scarpia. Tosca is supported by The Scottish Opera Syndicate.

In February, John Fulljames, Director of Opera at The Royal Danish Theatre, directs John Adams’ iconic opera, Nixon in China, inspired by President Richard Nixon’s much-publicised 1972 visit to Communist China. A Scottish Opera premiere, this is a new co-production with The Royal Danish Theatre and Teatro Real Madrid.

Acclaimed Portuguese conductor Joana Carneiro leads an exciting cast including Eric Greene as Richard Nixon; Julia Sporsén (Ariadne auf Naxos 2018); Mark Le Brocq (Anthropocene 2019); Nicholas Lester (The Trial 2017) and Hye-Youn Lee (La bohème 2017). The libretto is by Alice Goodman and the designer is Dick Bird (The Mikado 2016).

Dominic Hill, Artistic Director of the Citizens Theatre, returns to Scottish Opera to direct Benjamin Britten’s atmospheric A Midsummer Night’s Dream. He is joined by designer Tom Piper, famed for the Blood Swept Lands and Seas of Red installation at the Tower of London. Stuart Stratford conducts a cast that includes David Shipley (Rigoletto 2018), a recent graduate of the Jette Parker Young Artists Programme; countertenor Morten Grove Frandsen, a winner of Denmark’s Reumert Talent prize; former Scottish Opera Emerging Artist Jennifer France (Anthropocene 2019); and Scottish tenor and BBC broadcaster Jamie MacDougall (Ariadne auf Naxos 2018).  Audiences also have the chance to see a new work by Scottish Opera Composer in Residence, Samuel Bordoli, titled Hermia’s Nightmare. Performed in the foyer before each show, it explores scenes from Shakespeare’s play that were not included by Britten in his score. A Midsummer Night’s Dream is supported by The Alexander Gibson Circle.

The 2019/20 Season closes with Gilbert & Sullivan’s The Gondoliers, directed by Stuart Maunder, Artistic Director at State Opera South Australia, and designed by Dick Bird (The Mikado 2016). The whimsical opera, in a new co-production with D’Oyly Carte Opera and State Opera South Australia, tells the story of two happy-go-lucky gondoliers who discover that one of them is, in fact, heir to the throne of a distant kingdom. Scottish Opera’s Head of Music, Derek Clark, conducts an ensemble cast that includes ENO Harewood Artist William Morgan (The Magic Flute 2019), Ellie Laugharne (The Pirates of Penzance 2013), Ben McAteer (The Mikado 2016), Sioned Gwen Davies (Rigoletto 2018) and G&S favourite Richard Suart (The Mikado 2016).  As well as performances in Glasgow, Aberdeen, Inverness and Edinburgh, The Gondoliers tours to London’s Hackney Empire. This production is supported by Scottish Opera’s ‘Play A Supporting Role’ Appeal.

Opera in Concert

Scottish Opera Music Director, Stuart Stratford, has once again curated a programme of rarely-performed works in this Season’s Opera in Concert series, supported by the Scottish Opera Endowment Trust and the Friends of Scottish Opera. The semi-staged performances explore further the verismo works of Pietro Mascagni and a lesser-known piece by Gilbert & Sullivan in several firsts for Scottish Opera, and for Scotland.

In September, the Company returns to the award-winning Lammermuir Festival in East Lothian with a double-bill of Mascagni’s Zanetto (a Scottish Opera premiere) and Susanna’s Secret by Wolf-Ferrari. Soloists including Sinéad Campbell-Wallace, Hanna Hipp (Kátya Kabanová 2019), Richard Burkhard (The Magic Flute 2019) and Clare Presland (Rusalka 2016) are conducted by David Parry (La traviata 2017), and directed by Rosie Purdie.

Performed in the beautiful, mediaeval St Mary’s Parish Church in Haddington, the venue for 2018’s Scottish Opera performance of The Burning Fiery Furnace, Zanetto is set in the hills above Renaissance Florence, and tells the story of Silvia, a lonely courtesan who has lost her faith in love, until she meets a wandering minstrel.

It is performed alongside the sophisticated and charming Susanna’s Secret, the perfect comedic contrast, in which a husband who smells smoke on his wife’s clothes accuses her of cheating.

In December, Opera in Concert features the Scottish Opera premiere of Mascagni’s Iris at City Halls, Glasgow. A gripping tale of innocence lost, Iris includes the stunning ‘Hymn to the Sun’, which is often hailed as the composer’s finest writing. Stuart Stratford conducts soloists including Ric Furman (Kátya Kabanová 2019), Natalya Romaniw (Eugene Onegin 2018) and Roland Wood (Pelléas and Mélisande 2017). Roxana Haines (Edgar 2018) directs.

The passionate and lyrical Cavalleria rusticana by Mascagni is performed in May 2020 at the Usher Hall, Edinburgh. Telling the tale of a young Sicilian villager who returns from war to find his fiancée has married someone else, conductor Stuart Stratford has chosen to pair it with Leoncavallo’s lesser-known work Zingari, another Scottish Opera premiere. With a parallel narrative that sees another love triangle go disastrously wrong, Zingari is based on Pushkin’s The Gypsies. Orpha Phelan directs soloists including Evez Abdulla, Justina Gringyte and Julia Sporsén.

The Opera in Concert series ends with a semi-staged performance of Utopia, Limited. A new co-production with D’Oyly Carte Opera and State Opera South Australia, this Scottish Opera premiere has an updated libretto by director Stuart Maunder, and a new musical version by Scottish Opera’s Head of Music, Derek Clark, who also conducts. Wittily satirising the British Empire’s politics, monarchy and press, Gilbert & Sullivan’s penultimate opera is performed by the cast of The Gondoliers, and designed by Dick Bird. Utopia, Limited tours to Glasgow, Edinburgh and Hackney Empire in London.

Opera Highlights

Supported by the Friends of Scottish Opera, the ever-popular Opera Highlights goes on the road again this Season, visiting 34 venues around Scotland from Stonehaven to Stranraer, in Autumn 2019 and Spring 2020. The varied programme of music curated by Scottish Opera’s Head of Music, Derek Clark, sees four singers and a pianist perform works by Mozart, Rossini, Donizetti and Gilbert & Sullivan, and a new piece by Scottish Opera Composer in Residence Samuel Bordoli.

Roxana Haines (Edgar 2018) directs two different casts of exciting new talent including Scottish Opera’s Emerging Artists for 2019/20 – soprano Charlie Drummond, former young artist at the National Opera Studio; baritone Mark Nathan, recent graduate from the Opera School at the Royal Conservatoire of Scotland; and baritone Arthur Bruce, a former member of the Scottish Opera Young Company also recently graduated from the RCS Opera School.

Fox-tot! – an opera for toddlers

The world premiere of Fox-tot!, a new opera for toddlers aged one to two, is presented at the Edinburgh Festival Fringe this summer. It has been written by Lliam Paterson, composer of the acclaimed BambinO, which last year toured to Paris and New York’s Metropolitan Opera, and is directed by Roxana Haines (Edgar 2018).

For this new Scottish Opera co-commission with Royal & Derngate, Northampton, Lliam has taken inspiration from French baroque dances and contemporary opera. A little fox goes on an adventure to explore the world and learn to see through the eyes of other creatures. Stretched out in the sun as a cat, soaring in the sky as a butterfly, it’s fun to be someone else. But, as Mother Vixen guides her cub’s journey, will the little one discover what it takes to become an excellent fox?

Designed by Giuseppe Belli and Emma Belli (BambinO 2017), the 45-minute show is an engaging mix of music and puppetry, performed by mezzo-soprano and former Scottish Opera Emerging Artist Katie Grosset (The Opera Factory 2018), and countertenor Daniel Keating-Roberts (The 8th Door 2017). They are joined by cellist Laura Sergeant and percussionist Michael D Clark, who both performed in BambinO.

Following the Edinburgh Festival Fringe dates at Edinburgh Academy, Fox-tot! tours to Royal and Derngate, Northampton in August and September, and around Scotland in Spring 2020.

Fox-tot! is supported by Scottish Opera’s Education Angels, New Commissions Circle and using public funding by Arts Council England.

Scottish Opera Young Company

Scottish Opera Young Company, for 17 to 25 year olds, will perform Stephen Sondheim’s Merrily We Roll Along in Glasgow in the Spring of 2020. Young Company Artistic Director Jonathon Swinard conducts Sondheim’s multi-Olivier Award-winning work, which was specifically written for young adult voices. A dark tale of ambition and disillusion, it tells the story of Franklin Shepard whose career has seen him go from penniless composer to Hollywood impresario. Merrily We Roll Along is supported by Scottish Opera’s Education Angels.

Pop-up Opera

Three brilliant Pop-up Opera shows hit the road this summer in Scottish Opera’s specially adapted trailer at festivals and events around Scotland: A Little Bit of Iolanthe (supported by The D’Oyly Carte Charitable Trust), A Little Bit of Magic Flute, and Puffy McPuffer and The Crabbit Canals, for five to eight year olds. Each performance is 25 minutes long and brought to life by storyteller Ross Stenhouse, sopranos Jessica Leary and Charlotte Hoather, baritone Aidan Edwards, instrumentalists and colourful illustrations. The tour includes Perth Festival of the Arts, Dunfermline, Dumfries & Galloway Arts Festival, Old Kilpatrick, Barrhead, Giffnock, Borders Book Festival, Dirleton, Callander, Cupar Arts EDEN, Aboyne & Deeside Festival, Haddington Show and Glasgow Canal Festival. Pop-up Opera is supported by Scottish Opera’s Education Angels.

Emerging Artists

The Scottish Opera Emerging Artists programme, which offers young talent a period of full-time work with the Company to help launch their careers, will this Season include soprano Charlie Drummond, baritones Arthur Bruce and Mark Nathan, and Samuel Bordoli who continues as Composer in Residence. The name of a costume trainee and repetiteur are still to be announced.

Emerging Artist singers perform in a number of this Season’s productions and tours, and in recitals at the University of St Andrews, Royal Conservatoire of Scotland and University of Glasgow, and are supported by The Robertson Trust, Elizabeth Salvesen and Scottish Opera’s Emerging Artist Benefactors.

Scottish Opera Education and Outreach

Amadeus & The Bard is an original piece, conceived, written and directed by Mary McCluskey, former Artistic Director of Scottish Youth Theatre. It explores the surprising number of parallels between Mozart and Scottish poet, Robert Burns.

Performed by Scottish Opera Emerging Artist Arthur Bruce, soprano and Samling Young Artist Stephanie Stanway and renowned actor Andy Clark, alongside a four-voice ensemble from the Scottish Opera Young Company, the programme is curated by Scottish Opera’s Head of Music Derek Clark. It celebrates the work of the two 18th-century Enlightenment giants, from the magical and mystical in The Magic Flute and Tam O’ Shanter to the love music of Don Giovanni and A Red, Red Rose. The Music Director and pianist is Karen MacIver, one half of award-winning duo PianoPiano.

Amadeus & The Bard tours this Autumn to Earlston, Kirkcudbright, Annan, Cumnock, Ayr, Largs, Edinburgh, Glasgow and Paisley. It is supported by Edith Rudinger Gray Charitable Trust and Scottish Opera’s Education Angels.

In the Spring and Summer of 2020, the ever-popular Primary Schools Tour, for children in primaries five to seven, revives Warriors! The Emperor’s Incredible Army. It offers kids the chance to participate in high quality, day-long music theatre workshops, culminating in a performance for parents and guests. Commissioned in partnership with the five Scottish Confucius Institutes, music is by Alan Penman with words by Ross Stenhouse.

The Opera Factory, written and presented by Allan Dunn, returns this summer. Primary 3 pupils go on a whirlwind music adventure to find out how opera is made. The production is supported by online resources designed to reinforce key learning outcomes of A Curriculum for Excellence for Level 1.

Scottish Opera’s Community Choir, open to adults of all ages and conducted by Katy Lavinia Cooper, starts up again in September. The choir sings a mixture of opera, classical, popular, folk and world music, and meets every Wednesday at Theatre Royal Glasgow.

Dementia Friendly

There will be three Dementia Friendly performances of Tosca, in Glasgow, Aberdeen and Edinburgh. This fully-staged, shortened version of the show features presenter Allan Dunn, The Orchestra of Scottish Opera and a cast of singers. Lighting levels in the auditorium are adjusted and audiences are able to come in and out of the auditorium or watch in the bar on TV screens if they prefer.  Scottish Opera staged the UK’s first Dementia Friendly opera performance in November 2016, with The Marriage of Figaro at Festival Theatre Edinburgh.

Memory Spinners, shortlisted in the Best Community Initiative category of Scotland’s Dementia Awards 2017, continues to meet weekly in Glasgow, Edinburgh and Airdrie. The groups – for people living with dementia and their carers – help them relax and get creative using music, storytelling, movement and the visual arts.

Weekly Spinning Songs in East Kilbride and Edinburgh are also taking place. This new intergenerational project for pre-school and primary children and elderly people helps participants develop their musical and expressive arts skills to create original songs that reflect life in their local communities.

Insights into opera

Opera Unwrapped performances offer a one-hour opera taster, ideal for anyone curious to learn more about the art form, how a show is created or some backstage secrets. There are Unwrapped performances of Tosca, Nixon in China and A Midsummer Night’s Dream. Audiences can also find out more about the opera they are seeing in pre-show talks. People with a visual impairment can enjoy the full opera experience at audio-described performances, where a live commentary describes the action on stage without compromising the music.

Breaking the Waves (Missy Mazzoli)

King’s Theatre, Edinburgh (Part of the Edinburgh International Festival)

21, 23, 24 Aug 2019, 7.15pm

 

Tosca (Puccini)

Theatre Royal Glasgow

16, 18, 22, 26 Oct 2019, 7.15pm
20 Oct 2019, 3pm
Dementia Friendly Performance 24 Oct 2019, 3pm

His Majesty’s Theatre, Aberdeen                                       

31 Oct | 2 Nov 2019, 7.15pm
Dementia Friendly Performance 1 Nov 2019, 3pm

Eden Court, Inverness

5, 7, 9 Nov 2019, 7.15pm

Festival Theatre Edinburgh

14, 21, 23 Nov 2019, 7.15pm
17 Nov 2019, 3pm
Dementia Friendly Performance 19 Nov 2019, 3pm

 

Nixon in China (John Adams)

Theatre Royal Glasgow

18, 20, 22 Feb 2020, 7.15pm

Festival Theatre Edinburgh

27, 29 Feb 2019, 7.15pm

 

A Midsummer Night’s Dream (Benjamin Britten)

Festival Theatre Edinburgh

31 Mar | 2, 4 Apr 2020, 7.15pm

Theatre Royal Glasgow

21, 23, 25 Apr 2020, 7.15pm

 

The Gondoliers (Gilbert & Sullivan)

Theatre Royal Glasgow

14, 15, 16, 22, 23 May 2020 7.15pm
17 May 2020, 2.30pm

His Majesty’s Theatre, Aberdeen

28, 29, 30 May 2020, 7.15pm

Eden Court, Inverness

3, 4, 5, 6 Jun 2020, 7.15pm

Festival Theatre Edinburgh
10, 11, 13 Jun 2020, 7.15pm
13 Jun 2020, 2.30pm

Hackney Empire, London

15,16,18 Jul 2020, 7.30pm

16, 18 Jul 2020, 2.30pm

 

Opera in Concert

Lammermuir Festival, St Mary’s Parish Church, Haddington | 20 Sep 2019, 7.30pm

Zanetto (Mascagni) and Susanna’s Secret (Wolf-Ferrari)

On sale 28 May 2019 at www.lammermuirfestival.co.uk

 

City Halls, Glasgow | 1 Dec 2019, 3pm

Iris (Mascagni)

 

Usher Hall, Edinburgh | 2 May 2020, 7.30pm

Cavalleria rusticana (Mascagni) and Zingari (Leoncavallo)

 

Theatre Royal Glasgow | 21 May 2020, 7.15pm

Festival Theatre Edinburgh | 12 Jun 2020, 7.15pm

Hackney Empire, London | 17 Jul 2020, 7.30pm

Utopia, Limited (Gilbert & Sullivan)

 

Opera Highlights

Autumn 2019

12 Sep to 19 Oct

Touring to Motherwell, Stirling, Stonehaven, Tain, Ullapool, Stornoway, Portree, Oban, Galashiels, Perth, Dunfermline, Thurso, Kirkwall, Ellon, Stranraer, Greenock & Musselburgh

 

Spring 2020

4 Feb to 14 Mar

Touring to Bathgate, Birnam, Markinch, Campbeltown, Bowmore, Arrochar, Bunessan, Arisaig, Beauly, Cumnock, Castle Douglas, Callander, Lerwick, Peebles, Fochabers, Alford & Rutherglen

 

Fox-tot! (Lliam Paterson)

Edinburgh Academy (Part of the Edinburgh Festival Fringe)

2 to 16 Aug 2019 (excluding Mondays), 10am and 11.30am

Tickets on sale now from https://tickets.edfringe.com/

Royal & Derngate, Northampton

27 Aug 2019, 2pm

28 Aug to 1 Sep 2019, 11am and 2pm

 

Touring Scotland Spring 2020

 

Scottish Opera Young Company – Merrily We Roll Along (Sondheim)

Glasgow

Spring 2020

 

Amadeus & The Bard

9 Sep to 12 Oct 2019

Touring to Earlston, Kirkcudbright, Annan, Cumnock, Ayr, Largs, Edinburgh, Glasgow & Paisley

 

Pop-up Opera

24 May to 20 July 2019

Tour includes Perth Festival of the Arts, Dunfermline, Dumfries & Galloway Arts Festival, Old Kilpatrick, Barrhead, Giffnock, Borders Book Festival, Dirleton, Callander, Cupar Arts EDEN, Aboyne & Deeside Festival, Haddington Show & Glasgow Canal Festival

 

Emerging Artists Recitals

University of St Andrews | Wed 20 Nov 2019

Royal Conservatoire of Scotland | Fri 10 Jan 2020

University of Glasgow | Thu 16 Jan 2020

 

Opera Unwrapped

 

Tosca

Glasgow |Mon 21 Oct 2019, 6pm

Inverness | Fri 8 Nov 2019, 6pm

Edinburgh | Mon 18 Nov 2019, 6pm

 

Nixon in China

Glasgow | Fri 21 Feb 2020, 6pm

Edinburgh | Fri 28 Feb 2020, 6pm

 

A Midsummer Night’s Dream

Edinburgh | Wed 1 Apr 2020, 6pm

Glasgow | Wed 22 Apr 2020, 6pm

 

Pre-show talks

 

Tosca

Glasgow | Sat 26 Oct 2019, 6pm

Aberdeen |Sat 2 Nov 2019, 6pm

Inverness | Sat 9 Nov 2019, 6pm

Edinburgh | Sat 23 Nov 2019, 6pm

 

Nixon in China

Glasgow | Sat 22 Feb 2020, 6pm

Edinburgh | Sat 29 Feb 2020, 6pm

 

A Midsummer Night’s Dream

Edinburgh | Sat 4 Apr 2020, 6pm

Glasgow | Sat 25 Apr 2020, 6pm

 

The Gondoliers
Glasgow | Sat 23 May 2020, 6pm

Aberdeen | Sat 30 May 2020, 6pm

Inverness |Sat 6 Jun 2020, 6pm

Edinburgh | Sat 13 Jun 2020, 6pm

London | Sat 18 Jul 2020, 6pm

 

Audio-described performances

 

Breaking the Waves

Edinburgh | Fri 23 Aug 2019, 7.15pm

 

Tosca

Glasgow | Sat 26 Oct 2019, 7.15pm

Aberdeen | Sat 2 Nov 2019, 7.15pm

Inverness | Sat 9 Nov 2019, 7.15pm

Edinburgh | Sun 17 Nov 2019, 3pm

 

Nixon in China

Glasgow | Sat 22 Feb 2020, 7.15pm

Edinburgh | Sat 29 Feb 2020, 7.15pm

 

A Midsummer Night’s Dream

Edinburgh | Sat 4 Apr 2020,7.15pm

Glasgow | Sat 25 Apr 2020, 7.15pm

 

The Gondoliers

Glasgow | Sat 23 May 2020, 7.15pm

Aberdeen | Sat 30 May 2020, 7.15pm

Inverness | Sat 6 Jun 2020, 7.15pm

Edinburgh | Sat 13 Jun 2020, 2.30pm

 

Touch Tours start at 6pm for evening performances and 1.45pm for matinees.

(1.15pm for The Gondoliers on 13 Jun 2020).

Images: James Glossop

NEWS: Joe McFadden to star in Mark Goucher and Jason Donovan’s UK tour of Priscilla, Queen of the Desert

Mark Goucher and first-time producer Jason Donovan have today announced that actor and Strictly Come Dancing winner Joe McFadden will star in their brand-new production of the much-loved glittering hit musical Priscilla, Queen of the Desert. The producers have also announced today that the tour will continue through 2020. The show, which was announced last year, will tour the UK and Ireland from September 2019. It marks Donovan’s first time as a producer, having performed in the cast of the original West End production and two subsequent UK tours. The producing team is completed by Gavin Kalin and Matthew GalePriscilla, Queen of the Desert will preview in Dartford from 5 September 2019.

Joe McFadden’s theatre credits include: House on Cold Hill (UK tour); The Missing (National Theatre of Scotland); Rainbow Kiss (Royal Court); Torch Song Trilogy (Menier Chocolate Factory); Rent (West End); Haunting Julia (Colchester Mercury/ UK Tour); She Loves Me (Chichester Festival Theatre); Chitty Chitty Bang Bang (The Edinburgh Playhouse); A Life In The Theatre (Royal Lyceum Edinburgh); How To Succeed In Business Without Really Trying; (Chichester Festival Theatre); 15 Seconds (Traverse Theatre ); Aladdin (The Old Vic); Entertaining Mr Sloane (Theatre Clwyd). Television credits include:  Holby City (BBC); Casualty (BBC); Heartbeat (ITV/YTV); Cranford (BBC); Sparkhouse (BBC/Red Productions); A Mortal God (BBC); Reverse Psychology (BBC); Judge John Deed (BBC/One Eyed Dog); The Glass (ITV1/Granada); The Law (ITV1/Pearson); Sex, Chips & Rock n’ Roll (BBC); The Crow Road (BBC/Union Pictures). Film includes:  Small Faces; Dad Savage; Zig Zag Love; The Trouble with Men and Women; Bumping The Odds.

Newly announced cities that the tour will visit include: Southampton; Plymouth; Nottingham; Dublin; Cambridge; Newcastle; Southend; Sheffield; Carlisle; Ipswich; Leeds; Oxford; Birmingham; Glasgow; Cardiff; Bristol.  Full listings are still to be announced.

Joe McFadden said: “I’m over the moon to be taking on this new and exciting challenge in a musical that I have been a massive fan of for such a long time. I’m looking forward to working with this wonderful production team, including Jason whose guidance I feel especially lucky to have given his previous experience with the production.  I can’t wait to take the Priscilla bus on the road and have a bonzer time making the role my own!”

Mark Goucher said: “Joe is great casting for Priscilla. He is a very strong musical theatre performer and will bring great charm and integrity to this new production of a great musical.”

Jason Donovan said: “So pleased to announce Joe be starring in our production. He’s a down to earth, talented guy who will bring enormous warmth to the role of Mitzi. I can’t wait to see him in heels doing those dance routines…. Awesome.”

The iconic hit musical has more glitter than ever before, featuring a dazzling array of stunning costumes, fabulous feathers and a non-stop parade of dance-floor classics including It’s Raining Men, I Will Survive, I Love The NightlifeFinally and many more.

Based on the Oscar-winning film, PRISCILLA is the hilarious adventure of three friends who hop aboard a battered old bus bound for Alice Springs to put on the show of a lifetime. Their epic journey is a heart-warming story of self-discovery, sassiness and acceptance.

This brand new production comes from the team behind the critically acclaimed UK tours of Hairspray; with direction by Paul Kerryson, choreography by Tom Jackson-Greaves with designs by Phil R Daniels and Charles Cusick Smith, lighting design by Ben Cracknell and sound design by Ben Harrison.

PriscillaUKTour.com & PriscillaUKTour.co.uk

Monday 4 November – Saturday 9 November 2019
EDINBURGH PLAYHOUSE
Tel: 0844 8713014
Tickets on sale 14th September

Monday 18 November – Saturday 23 November 2019
INVERNESS EDEN COURT
Tel: 01463 234234
Tickets now on sale

Image: Darren Bell

NEWS: JOHN BARROWMAN ANNOUNCES UK SUMMER TOUR INCLUDING GLASGOW & EDINBURGH DATES

This summer, John Barrowman will tour England, Scotland, and Wales celebrating his 30 years on stage and screen with favourite songs and fabulous stories from his life and career.

Barrowman is a singer, actor, dancer, presenter, judge and author. Most recently, UK audiences delighted in supporting him as he made the final three in ITV’s I’m A Celebrity Get Me Out of Here 2018.

The Scottish-born star will come to Glasgow’s Royal Concert Hall on Tuesday, June 18 and Edinburgh’s Usher Hall on Wednesday, June 19.

Speaking about the tour he said: “I can’t believe it’s been 30 years from my West End debut in Anything Goes to my Australian jungle adventures in I’m A Celebrity, and there’s been lots of fabulousness in between.

 “I’m thrilled to celebrate this amazing milestone with my FABULOUS tour. I’m looking forward to meeting fans and sharing some of my favourite moments with you all.”

Tickets go on sale at 10am Wednesday, January 23 from www.cuffeandtaylor.com

NEWS: Casting announced for Annie at The King’s

Full casting for the musical ANNIE which runs at the King’s Theatre in Glasgow this spring as part of a UK tour, has been announced.

Joining the previously announced Anita Dobson as Miss Hannigan will be Alex Bourne as ‘Oliver Warbucks’, Richard Meek as ‘Rooster’, Jenny Gayner as ‘Lily’ and Carolyn Maitland as ‘Grace Farrell’. The title role of ‘Annie’ is shared by Faye Katsande, Ava Smith and Freya Yates. They are joined by three teams of young performers who play the girls in Miss Hannigan’s orphanage.

Completing the cast will be Michael Anderson, Thomas Audibert, Andy Barke, Caroline Bateson, Daisy Boyles, Blaise Colangelo, Gary Davis, Ashleigh Graham, George Rae, Anne Smith, India Thornton, Matt Trevorrow, Amy West and Samuel Wilson Freeman.

This production recently ran for an extended season in the West End following a sell-out tour of the UK and Ireland in 2015/16 as well as a recent sell-out season in Toronto.

As Angie Watts in EastEnders, Anita Dobson created one of the most popular characters in television winning numerous awards. Her West End theatre credits include “Madame Morrible’ in “Wicked”, ‘Mama Morton’ in “Chicago”, ‘Mrs Meers’ in “Thoroughly Modern Mille”, ‘Chris’ in “Calendar Girls”, ‘Joan Crawford’ in “Bette and Joan” and ‘Nancy’ in “Frozen” at the National Theatre for which she was nominated for an Olivier, Evening Standard and London Critics Award. Her film credits include “London Road”.

Alex Bourne reprises his performance as ‘Oliver Warbucks’ after playing the role in this production of “Annie” in the West End, Toronto and on the 2015/16 tour. His many other West End credits include ‘Danny’ in “Grease”, ‘The Beast’ in “Beauty and the Beast”, ‘Billy Flynn’ in “Chicago”, ‘Khashoggi’ in “We Will Rock You” and ‘Fred/Petruchio’ in “Kiss Me, Kate” for which he received an Olivier Award nomination for Best Actor in a Musical. His other credits include ‘Daryl Van Horne’ in “The Witches of Eastwick” and the Watermill Theatre, for which he received a TMA nomination for Best Actor, ‘Sam Michael’ in the national tour of “Mamma Mia!” and ‘Lex Hogan’ in “Eugenius!” at the Other Palace.

 Richard Meek’s many credits include ‘Trevor Graydon’ in “Thoroughly Modern Millie”, ‘Brad’, ‘Eddie’ and ‘Dr Scott’ in “The Rocky Horror Show” and ‘Sir Galahad’ in “Spamalot”, all on national tour. He has also appeared as ‘Leo Bloom’ in the international tour of “The Producers” as well as ‘Dustin’ and ‘Greaseball’ in the 25th anniversary cast of “Starlight Express” in Bochum, Germany.

Jenny Gayner’s West End credits include ‘Miss Wilson’ in the original cast of “The Girls” at the Phoenix Theatre, ‘Hunyak’ in “Chicago” at the Adelphi, Cambridge and Garrick theatres and “Spamalot” at the Palace Theatre. Jenny has also appeared as ‘Lina Lamont’ in “Singin’ in the Rain” and ‘Brooke Windham’ in “Legally Blonde”, both at Kilworth House.

Carolyn Maitland reprises her performance as ‘Grace Farrell’ after playing the role in this production of “Annie” in Toronto. Her West End credits include ‘Ellen’ in “Miss Saigon” at the Prince Edward Theatre, ‘Marian’ in “The Woman in White” at the Charing Cross Theatre and “Groundhog Day” and “Kiss Me, Kate”, both at the Old Vic. Her other credits include ‘Molly’ in the national tour of “Ghost”,  which ran at the King’s in 2017, and ‘Kathy Seldon’ in Singin’ in the Rain at Kilworth House.

Set in 1930s New York during The Great Depression, brave young Annie is forced to live a life of misery and torment at Miss Hannigan’s orphanage. Determined to find her real parents, her luck changes when she is chosen to spend Christmas at the residence of famous billionaire, Oliver Warbucks. Spiteful Miss Hannigan has other ideas and hatches a plan to spoil Annie’s search…

With its award-winning book and score, this stunning new production includes the unforgettable songs ‘It’s the Hard Knock Life’, ‘Easy Street’, ‘I Don’t Need Anything But You’ and ‘Tomorrow’.

ANNIE has Music by Charles Strouse, Lyrics by Martin Charnin and a Book by Thomas Meehan. ANNIE is directed by Nikolai Foster with set and costume design by Colin Richmond, choreography by Nick Winston, lighting by Ben Cracknell and sound design by Richard Brooker. ANNIE is produced by Michael Harrison and David Ian.

ANNIE

King’s Theatre, Glasgow

Mon 15 – Sat 20 Apr 2019

Mon-Sat: 7.30pm

Wed, Sat: 2.30pm

www.atgtickets.com

0844 871 7648

 

WHAT’S ON JANUARY: Dial M For Murder at Eastwood Park.

Giffnock Theatre Players upcoming production Dial M For Murder is coming to Eastwood Park Theatre later this month. It’s an intense, sophisticated, gripping thriller made famous by the movie of the same name, directed by Alfred Hitchcock and starring Ray Milland and Grace Kelly.

M for Money… Marriage… Murder. This suspenseful classic weaves an ever-tightening web of danger and deception.

Former tennis pro Tony Wendice has carefully plotted the murder of his wealthy, elegant, younger but unfaithful wife Sheila, so that he will inherit her money. His ingenious plan involves blackmailing an old university friend to strangle her, while he has the perfect alibi. It’s the perfect murder – or so he thinks. His plan goes wrong, but as events unfold he quickly improvises, coming up with a new scheme to outsmart the police and still get rid of his wife. But has he met his match in the shrewd, sharp detective assigned to the case? Or will he get away with it all?

Dial M For Murder runs at Eastwood Park Theatre, Rouken Glen Road, Giffnock, G46 6UG in Glasgow’s Southside from 23rd to 26th January 2019 at 7.30pm, with a matinee performance at 2.30pm on Saturday 26th January.

Tickets are £15 (£13 concessions available) and may be purchased by phoning 07518 201 756 or 0141 577 4956, or by emailing tickets-gtp@hotmail.co.uk or online at www.eastwoodparktheatre.co.uk/boxoffice (online booking fee applies). Also available at the theatre’s box office.

For further information and for all the latest news from Giffnock Theatre Players, please visit our website at www.giffnocktheatreplayers.com. You can also find us on Facebook at www.facebook.com/giffnockplayers, or on Twitter at twitter.com/giffnockplayers .

NEWS: SCOTTISH OPERA’S NEW PRIMARY SCHOOLS SHOW 1719! COMMEMORATES THE JACOBITE RISINGS

In the Spring and Summer of 2019, thousands of primary five, six and seven school pupils will rehearse and perform an opera about one of the most dramatic periods in Scottish history: the Jacobite risings.

Entitled 1719!, the opera has been composed by David Munro, revised and re-orchestrated by Alan Penman with words by Allan Dunn. Pupils learn the words and songs in their classrooms with teaching materials prepared by Scottish Opera’s Education and Outreach department and then work with a team from the Company to prepare for a performance in front of classmates, friends and family.

Scottish Opera’s Primary Schools Tour hits the road on 14 January in Mosshead Primary, Bearsden and will visit 50 schools around Scotland including Glasgow, Edinburgh, Perth and Kinross and the Highlands, until March. It continues on 16 April, touring to schools in areas including Aberdeen, the Borders, the Western Isles, Shetland and Dumfries and Galloway.

1719! travels back to a key moment in Scottish history to tell the story of the Jacobite Scots locked in a desperate struggle to restore the House of Stuart to the throne of Great Britain, while the Hanoverian King George argued with other European rulers over the lands and riches of the New World. King Philip of Spain sent troops and money to help the Jacobites in an attempt to distract the British government from this dispute. Pupils will go back in time 300 years when the Jacobites and their Spanish allies gathered in Glen Shiel for battle with King George’s forces, in what was the last close engagement of British and European troops on British soil.

Scottish Opera’s Director of Outreach and Education, Jane Davidson said: ‘An amazing way to learn about one of the most dramatic and exciting periods in Scottish history, 1719! features more battles than Braveheart and is a thrilling adventure that pits the Jacobite troops and their Spanish allies against the forces of King George’s government in the mountains surrounding Glen Shiel. Although not the most famous of engagement in the Jacobite Wars, it had far reaching significance for Britain’s role in Europe and 300 years later, is still recalled in the name Sgurr nan Spainteach (The Peak of the Spaniards) in recognition of the Spanish troops who fought there.’

1719! is supported by The Cruden Foundation, New Park Educational Trust, The Forteviot Charitable Trust, Scottish Opera’s Education Angels and a number of other generous funders.

More details about 1719! are available from www.scottishopera.org.uk/join-in/opera-for-schools/

NEWS: National Theatre of Scotland announces its 2019 season

This week, Jackie Wylie Artistic Director and Chief Executive of the National Theatre of Scotland launched next year’s programme of work:

In 2019 the National Theatre of Scotland is focussing on major Scottish artists, creating major new works that explore the vital questions facing all of us both as Scots and as global citizens. 

What Scottish theatre can do like no other national culture is tackle the big questions of our times, with a unique sense of joy and a love of communal celebration.

Touring remains at the heart of our commitment to audiences across Scotland and beyond. In 2019, twenty productions will be touring to theatre venues, schools, community centres, and pop up performance spaces. We will also take the work of Scottish artists throughout the UK and internationally to New York, Montreal, Virginia, Kentucky and Lisbon.

We are proud to be without walls – we have partnerships in our DNA, and we aim for our collaborations to be as diverse as Scotland’s ever changing populace. I would like to thank the partners, funders, artists and collaborators who are joining us to ensure that theatre in Scotland, in 2019, matters more than ever”

WORLD PREMIERES AND NEW PRODUCTIONS INCLUDE:

  • Interference will be performed in a transformed Glasgow office block from 16 to 30 March 2019.  A bold and chilling new trilogy of near-future plays by three provocative writers, Morna Pearson, Hannah Khalil and Vlad Butucea, and directed by National Theatre of Scotland’s Associate Director Cora Bissett. A National Theatre of Scotland production.
  • Dear Europe is a special event produced by National Theatre of Scotland to mark Scotland’s scheduled exit from the European Union. Six of the country’s most adventurous theatre- makers will create and present short performances that respond to this significant moment in Europe’s history at SWG3, Glasgow on the night of 29 March 2019. Co-curated by Stewart Laing and Jackie Wylie. A National Theatre of Scotland production in association with SWG3.
  • Them! tackles the nebulous nature of identity in a changing world. Written by Pamela Carter with long-time collaborator Stewart Laing directing his first project in his new role as Associate Director with the National Theatre of Scotland. Premiering at Tramway, Glasgow in June and July 2019. A National Theatre of Scotland production.
  • Thank You Very Much is a new work from Claire Cunningham using the phenomenon of Elvis tribute artists as a springboard to explore impersonation, identity, acceptance and the challenges of being yourself. A Manchester International Festival and National Theatre of Scotland co-production, opening in Manchester in July 2019 and touring to Glasgow in October & November 2019.
  • Total Immediate Collective Imminent Terrestrial Salvation, written by Tim Crouch and directed by Karl James & Andy Smith will premiere at the Edinburgh Festivals in August 2019 before touring to Brighton and Lisbon later in the autumn. Exploring manipulation and the nature of truth in an age of arch-political misdirection, the play is a bold experiment in the collective creation of fiction. A National Theatre of Scotland production in association with Attenborough Centre for the Creative Arts and Teatro do Bairro Alto, Lisbon.
  • Red Dust Road is the first stage adaptation of the bestselling memoir by Jackie Kay, tracing the challenges she faced on the journey to discover the truth about her birth parents. Adapted for the stage by Tanika Gupta and directed by Dawn Walton, it will premiere at the Edinburgh International Festival and HOME, Manchester, touring throughout autumn 2019. A National Theatre of Scotland and HOME, Manchester co-production, developed with support from Macrobert Arts Centre.
  • The Drift by performer and spoken-word artist Hannah Lavery journeys through history, Scottishness, belonging, and grief, exploring her legacy of being “mixed” in Scotland. Directed by Eve Nicol, it will tour Scotland from 02 to 12 October 2019 as part of Black History Month 2019. A National Theatre of Scotland production, tour supported by Flint & Pitch and The Workers Theatre with the Coalition of Racial Equality and Rights, as part of Black History Month 2019.
  • The Panopticon will be adapted for the stage by Jenni Fagan from her celebrated novel of the same name. A gritty and gripping coming-of-age tale turned on its head, the production will be directed by Debbie Hannan, touring to the Traverse Theatre and Platform, Glasgow in November 2019. A National Theatre of Scotland production.

TOURING SCOTLAND

  • Joe Douglas returns to direct John McGrath’s seminal political play The Cheviot, The Stag & the Black, Black Oil, in newly imagined version, based on his acclaimed recent production for Dundee Rep Theatre. The production will tour nationwide, in the spirit of the 1973 original tour. A National Theatre of Scotland production in association with Dundee Rep Theatre and Live Theatre, Newcastle.

INTERNATIONAL TOURING

  • Adam is the remarkable true story of a young trans man and his journey to reconciliation; with himself, those closest to him, and the world as he knows it. Conceived for the stage and directed by Cora Bissett, written by Frances Poet and performed by Adam Kashmiry, upon whom the story is based, and Rehanna MacDonald. The show receives its US premiere in New York from 14 to 16 February 2019. A National Theatre of Scotland production.
  • Première neige/First Snow follows its successful run at the 2018 Edinburgh Festival Fringe with an international tour to Canada. Directed by Patrice Dubois and written by Davey Anderson, Philippe Ducros and Linda McLean, the Fringe First-winning show will be performed at Théâtre de Quat’Sous in Montreal from 26 February to 23 March. An international co-production between National Theatre of Scotland, Théâtre PÀP and Hôtel-Motel.
  • Anything That Gives Off Light returns following its premiere at the Edinburgh International Festival in 2016. Focusing on three characters in a pub as they wrestle with loneliness, grief and a festering sense of betrayal, the production will visit Virginia, Kentucky, and New York from 01 to 30 March 2019. A co-production from The TEAM, the National Theatre of Scotland and Edinburgh International Festival.

PARTICIPATORY THEATRE AND FESTIVALS INCLUDE:

  • LIKE FLYING is a new participatory project from the National Theatre of Scotland, working in partnership for the first time with SAMH, (Scottish Association for Mental Health) in association with East Ayrshire Council and Edinburgh City Council. The project, tackling mental wellbeing through aerial performance, will be performed in schools in East Ayrshire and Edinburgh in June  2019 and curated by National Theatre of Scotland Artist-in-Residence Nic Green.
  • The Coming Back Out Ball, a year-long engagement programme created for the LGBTI elder community comes to Scotland, having been successfully pioneered in Australia by Tristan Meecham and Bec Reid of All The Queens Men. Led by Scottish theatre-maker Lewis Hetherington alongside the original creative team from All The Queens Men, the project will take place from May 2019.
  • Just Start Here, the National Theatre of Scotland’s pop-up festival celebrating new work and Scottish artists, arrives in Aberdeen on 08 and 09 March 2019 as part of the Company’s Engine Room programme. Produced in partnership with Citymoves, Aberdeen.

THE YEAR IN BRIEF:

February

  • Adam, conceived for the stage and directed by Cora Bissett, written by Frances Poet and performed by Adam Kashmiry and Rehanna MacDonald, tours to New York for performances at the Skirball Centre in Manhattan from 14 to 16 February 2019, the show’s first international dates.

March

  • Anything that Gives Off Light, directed by Rachel Chavkin, with Associate Direction from Davey Anderson, visits Virginia, Kentucky, and New York from 01 to 30 March 2019. Written by Jessica Almasy, Davey Anderson, Fraser Ayres, Rachel Chavkin, Brian Ferguson, and Alexander Grierson. A co-production from The TEAM, the National Theatre of Scotland and Edinburgh International Festival.
  • Première neige/First Snow, directed by Patrice Dubois and written by Davey Anderson, Philippe Ducros and Linda McLean, follows its successful premiere at last year’s Edinburgh Fringe with a tour to Théâtre de Quat’Sous in Montreal from 26 February to 23 March 2019. An international co-production between National Theatre of Scotland Théâtre PÀP and Hôtel-Motel.
  • Engine Room’s Just Start Here pop-up festival returns, bringing two days of music, climate change activism and cross-art form making to Aberdeen from 08 to 09 March 2019.  Presented in partnership with Aberdeen’s Citymoves.
  • Interference, a chilling new trilogy of near-future plays, will be performed in a transformed Glasgow office block from 16 to 30 March 2019. Written by Morna Pearson, Hannah Khalil and Vlad Butucea and directed by Cora Bissett. A National Theatre of Scotland production.
  • Dear Europe will mark Scotland’s scheduled exit from the European Union with an evening of live music and live performance at SWG3, Glasgow on Friday 29 March 2019. Co-curated by Stewart Laing and Jackie Wylie and featuring work from artists Adura Onashile, Nima Séne, Alan McKendrick, Angus Farquar, Nic Green, and Leonie Rae Gasson. A National Theatre of Scotland production, in association with SWG3

May

  • The Cheviot, The Stag & the Black, Black Oil begins its new Scotland-wide tour with performances in Dundee, Inverness, Shetland and the Highlands. Joe Douglas returns to direct John McGrath’s seminal political play. A National Theatre of Scotland production in association with Dundee Rep Theatre and Live Theatre, Newcastle. Based on the original Dundee Rep Theatre production.
  • My Left Right Foot – The Musical returns to the stage with new performances at Dundee Rep from 21 to 25 May 2019. Written and directed by Robert Softley Gale, with music and lyrics by Scott Gilmour & Claire McKenzie, Richard Thomas & Robert Softley Gale. A Birds of Paradise and National Theatre of Scotland co-production.

June

  • Them! is written by Pamela Carter and directed by Stewart Laing, his first project in his new role as Associate Director with the National Theatre of Scotland. It will premiere at Tramway, Glasgow in June/July. A National Theatre of Scotland production.
  • LIKE FLYING, is led by National Theatre Scotland Artist in Residence Nic Green in schools in East Ayrshire and Edinburgh from June. In partnership with (SAMH) Scottish Association for Mental Health, in association with East Ayrshire Council and Edinburgh City Council.
  • The Cheviot, The Stag & the Black, Black Oil visits the final stops on its Scotland-wide tour, including Skye, Aberdeen and Stirling, before beginning a two-week run at Newcastle’s Live Theatre.

July

  • Thank You Very Much is a new work from Claire Cunningham, using the phenomenon of Elvis tribute artists as a springboard to explore impersonation, identity, acceptance and the challenges of being yourself. It is commissioned and produced by Manchester International Festival and National Theatre of Scotland and premieres in Manchester in July 2019 before touring to Glasgow in October & November 2019.
  • Them!, Stewart Laing and Pamela Carter’s subversive and immersive new production, concludes its debut performances at Tramway, Glasgow.

August

  • Total Immediate Collective Imminent Terrestrial Salvation, written by Tim Crouch and directed by Karl James & Andy Smith, is the first of two shows from the National Theatre of Scotland at the 2019 Edinburgh Festivals, running through August.
  • Red Dust Road has its opening performances, the first stage production of Jackie Kay’s heart-warming memoir, in an adaptation by Tanika Gupta and directed by Dawn Walton. The show premieres at the Edinburgh International Festival, before visiting Macrobert Arts Centre, Stirling and Eden Court, Inverness later in the autumn

September

  • Red Dust Road follows its opening performances at the Edinburgh International Festival with a tour to the home of co-producing partners HOME, in Manchester.

October

  • The Drift by performer and spoken-word artist Hannah Lavery, directed by Eve Nicol, tours Scotland from 02 to 12 October 2019, with visits to Aberdeen, Tobermory, Hawick, Edinburgh and Glasgow as part of Black History Month.

November

  • Jenni Fagan adapts her hit novel The Panopticon for the stage. Directed by Debbie Hannan, the show will be presented at the Traverse Theatre, Edinburgh and Platform, Glasgow.
  • Thank You Very Much receives its Scottish premiere in Glasgow from 31 Oct to 03 November 2019, following its opening performances at Manchester International Festival in the summer.

Throughout 2019

Theatre in Schools Scotland
National Theatre of Scotland and Imaginate. Touring a programme of acclaimed shows to nurseries and schools across Scotland.

Engine Room

Established in 2018, our Engine Room programme will continue to provide artistic development opportunities for artists throughout Scotland.

The Coming Back Out Ball

A year-long engagement programme from May 2019 created for the LGBTI elder community in Scotland, led by Lewis Hetherington, Tristan Meecham and Bec Reid. Presented by National Theatre of Scotland and All The Queens Men in partnership with Luminate.

How The Earth Must See Itself

A short film produced by the National Theatre of Scotland and Scottish Sculpture Workshop, created by Lucy Cash and Simone Kenyon, and based on the book – The Living Mountain by Nan Shepherd

 

NEWS: A SEASON OF RADICAL TAKES ON CLASSIC DRAMA AT THE TRON

Tron Theatre’s Spring-Summer 2019 season is packed full of work that will challenge conventions and subvert some of drama’s most classic of texts. Andy Arnold’s programme for the new year sees him welcome early career influencers like Pete Brook of Impact Theatre and Linda Marlowe alongside some of the finest emergent artists and companies making work. Highlights will include:

* Jo Clifford’s razor-sharp new version of The Taming of the Shrew, presented by Sherman Theatre, Cardiff and Tron Theatre Company.
* imitating the dog’s bold re-telling of Joseph Conrad’s Heart of Darkness fusing live performance with digital technology.
* The Zinnie Harris re-working of August Strindberg’s Miss Julie presented by Perth Theatre.
* Marius von Mayenburg’s fast-moving farce about external beauty, identity and the brutality of capitalism, The Ugly One in Tron Theatre Company’s summer comedy directed by Debbie Hannan.

Sherman Theatre, Cardiff and Tron Theatre Company will present Jo Clifford’s new version of Shakespeare’s The Taming of the Shrew (20-30 March, Press Night: Thu 21 March, 7.45pm). A bawdy and riotous take on a contentious classic, directed by Michael Fentiman, you are invited to step into a world where women hold all the power, the patriarchy is being challenged and new possibilities abound.  The summer comedy this year will be the Marius von Mayenburg farce translated by Maja Zade, The Ugly One (4 -20 July, Press Night: Friday 5 July, 7.45pm). Debbie Hannan will direct this hilarious and fast-moving piece that exposes some very ugly truths about our self-obsessed culture.

The main auditorium programme opens with Celtic Connections (18 Jan – 2 Feb), after which the theatre programme gets underway with Fuel’s production The Dark (15 & 16 Feb) about a four-year-old boy and his mother escaping a country divided by dictatorship and consumed by conflict. Shilpa T-Hyland will direct Perth Theatre’s production of Miss Julie (27 Feb – 2 Mar), in a version re-worked by Zinnie Harris and set in 1920s Scotland. The Tron are particularly pleased to be able to welcome back Tamasha for the Scottish premiere of Approaching Empty (5 Mar), an incisive new drama set in Northern England in the aftermath of Margaret Thatcher’s death, by award-winning playwright Ishy Din.  imitating the dog present a bold re-telling of Joseph Conrad’s Heart of Darkness (7-9 Mar), a visually rich, multi-layered work fusing live performance with digital technology. Choreography, live sewing, comedy and original music come together in ThisEgg’s dressed. (14-16 Mar), celebrating the power clothes have to define us, liberate us, hide us and embellish us.

Mark Thomas is back, this time with Check Up Our NHS@70 (9-11 Apr), using his own demise to explore the state of the NHS. Let Me Look At You (12 & 13 Apr) is a hilarious and deeply moving celebration of LGBTQ history performed by Mark Pinkosh and written by Godfrey Hamilton, otherwise known as Starving Artists.  For young audiences, Tortoise in a Nutshell present The Lost Things (16 & 17 Apr), Oliver Emanuel’s dark fairy-tale where nothing is quite as it seems, performed in a unique dome structure.  Hilarious and heart-lifting, Tangram Theatre (who presented Team Viking in 2017) present A Hundred Different Words for Love (19 & 20 Apr), a story of romance, despair and friendship. Following overwhelming responses from previous runs at the Traverse Theatre and Abbey Theatre, Gary McNair’s Locker Room Talk (25-27 Apr) continues the conversation about misogyny and masculinity which has become even more urgent since its premiere.

The Changing House programme opens with performance artist Katy Dye’s Baby Face (7-9 Feb) a brave and outlandish show about the infantilisation of women.  Testroom 2019 (12 Feb) returns to showcase puppetry-making and performance skills ahead of performances at manipulate. Sonnet Youth, Scotland’s literary ravers, take up residence for a spoken word Weekender with Gigantic Lying Mouth (15 Feb) about the human desire to lie and Confessionals (16 Feb) a coming-of-age character piece set in an East End boozer. The tour de force that is Linda Marlowe gives voice to Steven Berkoff’s outrageous female characters in Berkoff’s Women (21-23 Feb) and there’s the Scottish premiere of In Other Words (5-7 Mar), a deeply moving love story exploring the effects of Alzheimer’s disease.

Kolbrun Bjort Sigfusdottir examines the immigrant experience of the EU referendum in (Can This Be) Home (14-16 Mar) and Holly Gallagher presents her new show Tensile Strength (Or How To Survive At Your Wit’s End) (20-22 Mar) about stress and how so many of us feel it to an unhealthy degree. DUPed (4-6 Apr) explores the legacy and continuing impact the Reverend Dr. Ian Kyle Paisley and his Democratic Unionist Party on those who oppose extreme religious and social conservatism. Harry Josephine Giles brings bleak humour and tender fury in Drone (11-13 Apr), a live jam of sound, visuals and poetic storytelling about the life of a military drone.  Father (17-20 Apr) is the European premiere of an intimate work with mythical scope – an abusive parent/child relationship reflected in their wider relationship with Mother Nature and the evolution of our climate. Perth Theatre have the last Changing House show of the season with their fast-paced and irreverent Marie (25-27 Apr), a darkly comic new play inspired by the life of Mary Queen of Scots but given a distinctly modern twist.

 

NEWS: Scottish Ballet Announces 50th Anniversary Season

Cabinet Secretary for Culture, Tourism and External Affairs Fiona Hyslop and Scottish Ballet’s CEO/Artistic Director Christopher Hampson have revealed the spirited and ambitious programme for the company’s 2019/2020 season, including three world premieres. Founded in 1969, Scotland’s national dance company celebrates 50 years of inspiring audiences on stage and beyond in 2019, with a creative vision crafted by Scotland.

SPRING
A first for 2019, the company will launch their 50th season in the Highlands. There will be a celebratory opening of the double bill Spring! at Inverness’ Eden Court on Thursday 28 March, followed by a party everyone in the audience is invited to!

Dextera is a world premiere of a new work by Scottish Ballet Resident Choreographer Sophie Laplane, with music by Mozart performed by the Scottish Ballet Orchestra. Sir Kenneth MacMillan’s 35-minute long antidote to blues, Elite Syncopations, forms the second part of the bill with its virtuoso heights of sexy, witty psychedelia and frothy ragtime nonchalance. MacMillan’s choreography spans the decades, melding 1920s social dances with classical ballet and uses music from ragtime composers, including Scott Joplin, as a perfect accompaniment.
Following three dates in Inverness, Spring! will tour to Glasgow, Aberdeen and Edinburgh in April and May 2019.

DIGITAL SEASON

After an award-winning inaugural presentation in 2017, the Digital Season returns for a month-long programme of work featuring short films, live streams, virtual reality experiences and digitally driven projects to enhance, alter and inform the way we experience dance. Existing in a society where the real and unreal are one in the same, and Artificial Intelligence has developed its own human nature, the Digital Season explores our grasp of reality, identity, and transformation.

As the company’s first Digital Artist in Residence, Zachary Eastwood-Bloom will work from within Scottish Ballet to create bespoke artworks for the Digital Season and beyond. A Glasgow-based sculptor, Zachary uses digital technologies such as 3D scanning, digital 3D modelling and 3D printing to transform traditional sculptural materials such as bronze, marble and ceramic.

SUMMER/AUTUMN

Arthur Miller’s masterpiece of power and persecution, The Crucible is transformed into a gripping new ballet with choreography by Helen Pickett and a haunting new musical score from Peter Salem, performed live by the Scottish Ballet Orchestra. The ballet will receive its world premiere at Edinburgh International Festival, opening the dance programme in 2019. The ballet will then tour to Glasgow, Aberdeen and Inverness in September and October 2019.

Image: Nicola Selby

WINTER

Fans of Hans Christian Andersen’s much-loved tale – which also inspired Frozen – will be delighted at the announcement of The Snow Queen as Scottish Ballet’s glittering winter show. With a specially adapted score from works by Rimsky Korsakov this spectacular world premiere is an inspiring story of love and friendship, driven by three central female characters. Choreographed by the company’s CEO/Artistic Director Christopher Hampson and designed by award-winning Lez Brotherston, The Snow Queen will join Scottish Ballet’s highly popular family repertoire and tour to Glasgow, Aberdeen, Inverness and Newcastle following an opening at Edinburgh’s Festival Theatre on Saturday 7 December 2019. The performances will be accompanied by an extensive community engagement programme in schools and care homes across Scotland.

Image: Nicola Selby

MAKE A WISH!

For 50 years Scottish Ballet has been crafted by Scotland – by the people, the tradition, the sense of humour, the generosity and the spirit. As a way of saying thank you to the whole country, Scottish Ballet is inviting the people of Scotland to Make a Wish! It can be anything from the dancers performing at a birthday party or on the banks of Loch Ness, or even the chance to get on stage and be part of a Scottish Ballet show. The public are encouraged to submit their wishes at scottishballet.co.uk/wish and, following a public vote and the consideration of the judging panel including Susan Calman, Fred MacAulay, Dame Darcey Bussell, Christopher Hampson, Janice Forsyth and Principal Dancer Christopher Harrison, Scottish Ballet will make five wishes come true throughout 2019.

FIVE IN FIVE

A dance company lives by its ability to produce adventurous, relevant and entertaining work and Scottish Ballet recognises that investing in new repertoire is crucial in being able to sustain excellence. Therefore, in an ambitious new commissioning programme called Five in Five, Scottish Ballet will commission and stage five new full-length ballets over five years; one for every decade of the company’s history. Presenting new work will encourage the Company’s existing audiences to keep returning and new audiences to try something different. This will also reinforce Scottish Ballet as one of the most daring and pioneering dance companies. The world premieres of The Crucible and The Snow Queen will be the first two of the five new commissions. In total, the company seeks to raise £5 million over five years to deliver these five new productions and associated access and engagement programmes.

Cabinet Secretary for Culture, Tourism and External Affairs, Fiona Hyslop said:
‘As Scotland’s national dance company, Scottish Ballet makes an extraordinary contribution to our cultural landscape, on stage and beyond. Scottish Ballet showcases our nation’s creative spirit at its highest level to local and international audiences, while also delivering some excellent work with health and education partners to communities across Scotland. I am pleased to celebrate the company’s 50th anniversary and look forward to seeing this exciting programme of activity in 2019.’
CEO/Artistic Director of Scottish Ballet, Christopher Hampson said:
‘Scottish Ballet forged new ground in 1969, and we continue to promote Scotland’s pioneering spirit in everything that we do. We embrace our 50th anniversary with an unprecedented programme of new work, affirming our commitment to be one of the most daring dance companies in the world.’

Dame Darcey Bussell said:
I am excited to be on the judging panel for Scottish Ballet’s Make A Wish campaign to help share the magic of ballet with people across Scotland in the company’s 50th year. I look forward to seeing lots of wonderful wish ideas and am sure there will be some really personal and imaginative ones for us to choose from.’

James MacKenzie-Blackman, Chief Executive of Eden Court, Inverness, said:
‘Audiences from across the Highlands and Islands travel from far and wide to see Scottish Ballet in Inverness, and we are thrilled and honoured that the company has chosen to open their milestone 50th anniversary season at Eden Court. Together, we will be hosting an opening night party for artists and audiences to mark our special partnership and recognise the critical contribution our organisations make to creativity across the Highlands and Islands.’

Edinburgh International Festival Director Fergus Linehan said:
‘Scottish Ballet has been inspiring audiences at the International Festival with unforgettable performances since the 1970s and we’re thrilled to welcome back the company as it celebrates 50 years. It’s especially exciting to open our 2019 dance programme together with a premiere of this scale and scope and we look forward to sharing The Crucible with audiences from all over the world’.

Choreographer of The Crucible, Helen Pickett said:
It has been an incredible collaborative process working with Scottish Ballet to bring my vison of Arthur Miller’s play to the stage. I am working with an exceptional creative team, Peter Salem, James Bonas, Emma Kingsbury and David Finn, and together we have translated this iconic drama into the powerful medium of dance. We are honoured to present The Crucible at the Edinburgh International Festival among the very best arts companies in the world.’

Resident Choreographer, and Creator of Dextera, Sophie Laplane said:
‘Having immersed myself within Scottish Ballet as a dancer and resident choreographer, I wanted to embody the company’s creativity and hard work by kickstarting their anniversary season with an energetic new piece that celebrates the company’s craft. I’m excited to work with Scottish Ballet Orchestra to score Dextera to Mozart, to form a vibrant body of work as part of the Spring! double bill.’

Digital Artist in Residence, Zachary Eastwood-Bloom said:
‘This digital residency allows me to delve deeply into a world of new ideas and approaches that I have been itching to develop. Using digital technologies such as 3D scanning and Motion Capture, I will explore bodily movement and the space between dancers through a range of media. Scottish Ballet is a very rich and exciting environment to work in and I think the Digital Season will reflect that.’

Priority booking for all productions for Friends of Scottish Ballet are available from Wednesday 10 October.
Public on-sale from Monday 22 October, with tickets for The Crucible dates at Edinburgh International Festival available after the Festival’s programme launch in March 2019.

Spring!

To kickstart their 50th anniversary year, Scottish Ballet presents a fresh double bill fizzing with energy and guaranteed to send you home smiling. Resident choreographer Sophie Laplane will premiere her latest work, Dextera. Her trademark edgy style promises a tour de force of creative ideas, set to the music of Mozart. Sir Kenneth MacMillan’s Elite Syncopations is an irresistible carnival of colourful characters. This much-loved whirl of 1920s dance hall glitz is set to a series of Scott Joplin’s tunes, performed live by an onstage ragtime band.

Eden Court, Inverness: 28-30 March

Theatre Royal, Glasgow: 4-6 April

His Majesty’s Theatre, Aberdeen: 11-13 April

Festival Theatre, Edinburgh: 2-4 May

The Crucible

Arthur Miller’s drama of power and persecution.

The village of Salem stands on the brink. A teenage girl imagines her future. A marriage is tested. Church bells ring, uniting the community in prayer. These are good people; this could be anywhere. They fear the shadows in the forest, but the real monsters are much closer to home. You’ll be on the edge of your seat watching this tight-knit society unravel into chaos. Ask yourself: when everything is in the balance, what are you prepared to pay for the truth? Helen Pickett’s choreography unleashes the emotional force of Miller’s masterpiece, vividly accompanied by the Scottish Ballet Orchestra performing Peter Salem’s haunting new score.

Edinburgh International Festival in August 2019. (On sale dates announced in March 2019)

Theatre Royal, Glasgow: 26-28 September

His Majesty’s Theatre, Aberdeen: 3-5 October

Eden Court, Inverness: 9-10 October

The Snow Queen

Scottish Ballet’s 50th year will come to a spectacular close with the world premiere of The Snow Queen. Inspired by Hans Christian Andersen’s much-loved tale – which was also the basis for Frozen – this glittering new production will be set to the music of Rimsky-Korsakov, performed live by the Scottish Ballet Orchestra. Choreographed by Christopher Hampson and designed by the award-winning Lez Brotherston, this story of love and friendship is sure to delight the whole family.

Festival Theatre, Edinburgh: 7-29 December

Theatre Royal, Glasgow: 3-19 January 2020

His Majesty’s Theatre, Aberdeen: 22-26 January 2020

Eden Court, Inverness: 29 January – 2 February 2020
Theatre Royal, Newcastle (On sale dates announced in 2019)

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