REVIEW: Welcome My Son – Platform, Glasgow
Physical theatre artist Phil Hardie's re-telling of the Frankenstein story, Welcome My Son, is a darkly atmospheric, hugely accomplished and...
Month: October 2017
INTERVIEW: Barrie Hunter on brand new musical The Sunshine Ghost currently touring Scotland
New musical The Sunshine Ghost tells the comic story of the acquisition of Castle MacKinnon by a love-struck billionaire and...
REVIEW: Blanche and Butch – Eastwood Park Theatre, Giffnock
Robert Softley Gale's Blanche and Butch is a thoughtful, provocative, gorgeous-to-look-at powerhouse of a production. Inspired by Noel Greig's dark...
REVIEW: Eastern Promise Festival – Pictish Trail – Platform, Easterhouse
From the isle of Eigg via Edinburgh, Johnny Lynch aka Pictish Trail, delivers an accomplished set to round off the...
FEATURE: Tron Ambassadors guest reviews
This month, I again had the chance to work with the Tron Theatre on their Ambassadors programme, delivering their theatre...
REVIEW: Eastern Promise Festival – Visible Cloaks – Platform, Easterhouse
Portland, Oregon's ambient duo Visible Cloaks are well known in the electronic music world. Tonight at Platform, the pair recreate...
REVIEW: EASTERN PROMISE FESTIVAL – Pauline and the Matches
If gold medals were awarded for sheer eccentricity then the collective behind Pauline and the Matches would be world-beaters. A...
REVIEW: EASTERN PROMISE FESTIVAL – Sita Pieraccini presents Make a HOO
Sita Pieraccini's work Make a HOO is billed as: "a play set in the tropical hills and the Sri Lankan...
REVIEW: Deep Fried – Webster’s Theatre, Glasgow
Based on his own experiences working beneath the Golden Arches, John Gerard Crossan along with co-writer Kyle Hamill have created...
REVIEW: Weegie Hink Ae That present Where Ye Fae? – Websters Theatre, Glasgow
New Scottish sketch group, Weegie Hink Ae That, take the most familiar (and embarrassing) Glasgow stereotypes, and oh so cleverly...
