A comedian equally revered and reviled, Bob Monkhouse is a difficult subject to tackle: the unique cadence to the voice, the perma-tan, the very individual delivery. Alex Lowe’s play The Man Called Monkhouse attempts to address some of the misunderstandings and un-truths that dogged the much-maligned man throughout his life.
The show begins in 1995 at a point when Monkhouse was taking advantage of a career resurgence after years in the wilderness. A notorious collector and documenter of jokes, TV shows and movies, two of his beloved joke books have been stolen (an event documented in the TV news of the day) and Monkhouse frustratedly tries to get the help of the police to ensure their return. Meanwhile he is called upon to write a eulogy for his former comedy writing partner Denis Goodwin and it is here that we are given a glimpse into Monkhouse’s path to fame, his notorious womanising and his treatment at the hands of the media.
It is impossible not to sympathise, especially at the tabloid’s exploitation of his son Gary’s wedding (Gary had cerebral palsy) and in his revelations about his mother who showed up to his wedding in head to toe black. There’s also reflection about the constant accusations of insincerity levelled at him throughout his career – where he confides that he often felt detached from others and pretended to have feelings just to fit in. The play never explicitly says that Monkhouse had a personality disorder but the hints are dropped pretty heavily.
Actor Simon Cartwright’s unsettlingly accurate portrayal of Monkhouse raises goosebumps the moment he opens his mouth and is deserving of the highest praise. A fascinating insight into the man behind the mask and a stellar performance from the leading man.
Runs until 31 August 2015
Originally published at: http://www.thepublicreviews.com/the-man-called-monkhouse-assembly-hall-edinburgh/