Tag Archives: UK Tour

REVIEW: Royal Shakespeare Company’s Matilda The Musical – Edinburgh Playhouse

With its origins as the Royal Shakespeare Company’s 2010 festive show, nine years down the line, Dennis Kelly and Tim Minchin’s musical adaptation of Roald Dahl’s Matilda has been seen by over eight million people around the globe. Winning awards and smashing box office records wherever it goes (and deservedly so) the transformation of a much-adored but thematically and emotionally challenging children’s book was never going to be easy, taking its creators seven years to develop from page to stage – but boy was it worth it.

There are few other musicals, let alone one largely written for a child audience, that is a genuine emotional rollercoaster, laugh-out-loud funny and entirely entertaining from curtain up to curtain down for an audience of all ages. Never shying away from the darker corners of human nature, it re-iterates throughout that despite this one having one, not all stories have a happy ending. An unexpected and unwelcome addition to the grotesque Wormwood family, five-and-a-half-year-old prodigy with telekinetic powers Matilda (Scarlett Cecil), takes solace in books – from Austen and Brontë to Dickens and Dostoyevsky and finds a kindred spirit in her gentle and downtrodden new teacher Miss Honey. While she relishes starting school, the cruelty she seeks to escape at home is heaped upon her and her classmates ten-fold by their larger than life, ex-Olympic hammer throwing head mistress Miss Trunchbull (played to utter perfection and with great relish by Elliot Harper).

With a two-hour 40-minute running time, jam packed with dialogue, tricky lyrics and hugely inventive choreography and scene changes, Matilda’s success relies in no small part to a well-drilled cast, and you’d be hard-pressed to find a better quality one than this. Scarlett Cecil, one of four Matildas is an absolute star, it must be remembered that this is a child taking on this role, a child who rarely leaves the stage during the entire production, a child who is delivering complex dialogue and lyrics that those treble her age would find challenging. The entire child cast are exceptional (the adults are pretty spectacular too) not a foot or word is out of place and the energy and gusto with which they attack every scene adds a youthful realism.

Both Kelly’s words (perfectly adapted from Roald Dahl’s original book) and Tim Minchin’s music and lyrics are clever, clever, clever and prove that there’s no need to dumb down to provide entertainment with mass appeal. As perfect as it’s possible to be, Matilda remains an outstanding musical in the British theatrical canon.

Runs until 27 April 2019 | Image: Contributed

This review was originally written for THE REVIEWS HUB

INTERVIEW: Gus Boyd of the Police/Sting Show talks about their latest tour

The ex-members of Hotel California, KT Tunstall and Fish’s bands, return to the touring circuit with this new exciting project, The Police Sting Show. Touring Scotland throughout October and November and finishing this year’s tour at Eastwood Park Theatre on Saturday 25 November, the show features re-worked, fresh versions of all the iconic Police and Sting solo album songs in a 100-minute show featuring an acoustic Sting section. 

Gus Boyd, who performs as Sting, talks about what we can expect and what’s coming up next year. 

Why do you think the Police’s music still has such an enduring appeal?

Basically, because they are great timeless songs that have lasted that initial audience generation and being listened and liked by our children’s generation.

How long has it taken for you to perfect your portrayal of Sting/The Police?

I started working stripping back the songs on acoustic guitar just under two years ago.

Added in a drummer and bass player 18 months ago and we created our own interpretations and style for the 24 songs that we currently play.

Tell us what we can expect from the show?

Not copies of the songs but our own style and fresh take, but still retaining the integrity and the song message.

Do you find audiences differ as you travel around the country?

They are all fans of The Police and Sting Music but do differ in age demographic especially in the regional areas.

It’s great to see the young generation enjoying the songs alongside people of their parents ages!

The Police/Sting Show will be at Eastwood Park Theatre on 25 November at 7.30pm as part of the UK tour.

More info at: https://www.eastwoodparktheatre.co.uk/article/9002/The-Police-Sting-Show

REVIEW: Jersey Boys – Playhouse, Edinburgh

This review was originally written for and published by www.thepublicreviews.com

Oh what a night it is as Marshall Brickman and Rick Elice’s West End and Broadway smash Jersey Boysarrives in Scotland’s capital. The rags to riches tale of Frankie Valli and the Four Seasons has always been a sure-fire winner with audiences and this first UK tour doesn’t disappoint.

Those coming to the tale expecting the run of the mill jukebox musical will be pleasantly surprised, while most may have heard the astonishing back catalogue of hits, many may be less familiar with the real-life antics of the quartet and the gritty reality provides a welcome foil to the showbiz glamour. This is so much more than a thinly drawn narrative stringing the band’s greatest hits together: the whole show has heart and guts and something to get your teeth into.

Though ever so slightly streamlined from the West End version, Klara Zieglerova’s simplistic but effective set is still very much in evidence, as is Sergio Trujillo’s iconic choreography, but what elevates this production is its cast. As Valli, Belgian actor/musician Tim Driesen is an absolute knock-out, he has the rare distinction of being able to sing at full power in every part of his range and oh boy what a range he has, going from baritone to eye-watering falsetto with ease, his New Jersey accent is also pitch-perfect. He is more than ably supported by Sam Ferriday (Bob Gaudio), Lewis Griffiths (Nick Massi) and Stephen Webb (Tommy DeVito), each in possession of impressive vocal chops and the combination of all four provides many a hairs on the back of the neck moment. They rival and at times, vocally surpass the original West End cast. Matt Gillett’s Bob Crewe also provides some welcome light relief throughout the piece.

This is a crowd pleaser in every way: great songs, great story, great singers and actors and the perfect antidote to the chilly autumn blues. It’s one of the world’s best-loved musicals and it isn’t hard to see why. Do yourself a favour and get along to see it if it comes to a city near you.

Runs until 25 October then touring