Tag Archives: Sarah Earnshaw

REVIEW: Nativity! The Musical – King’s Theatre, Glasgow

The clocks have gone back, Hallowe’en and Bonfire Night are over, so, of course, Christmas is here. Seven weeks early, but who’s complaining when it’s the stage version of Bafta Award-winning Debbie Isitt’s hugely loveable 2009 movie, Nativity?

For those familiar with the big-screen trilogy, the stage plot is lifted entirely from the first film. Mr. Maddens (Scott Garnham) is a less than effective primary school teacher, having previously been an even less than successful actor. With the festive season approaching, the school Nativity show looming and a broken heart courtesy of his ex-girlfriend Jennifer (Ashleigh Gray) who dumped him to pursue her career dreams in Hollywood, things can’t possibly get worse. Unfortunately they do. Competition arrives in the form of his former best friend, Gordon Shakespeare (Andy Brady), who is now receiving plaudits for his festive extravaganzas at a rival primary school. Maddens declares that a Hollywood producer is coming to film his Christmas show, needless to say they’re not, and mayhem ensues, aided and abetted by hyperactive classroom assistant Mr. Poppy (Simon Lipkin).

With such well-loved source material, the cast need to step up and fortunately they more than match, and in some cases exceed that of the film. For West End theatre buffs, this is dream casting. Scott Garnham is entirely believable as the lovelorn Mr. Maddens with a gorgeous voice to boot, Ashleigh Gray makes her mark in the relatively small role of Jennifer and manages to showcase her phenomenal vocal skills, Andy Brady is a suitably manic Mr. Shakespeare (his Herod is a gem) but it is the utterly irresistible Simon Lipkin as Mr. Poppy who thoroughly steals the show. Lipkin is a star in everything he’s in and here he gets to showcase his formidable talents while still bringing out the best in everyone around him.

But what about the kids?, after all, this really is a children’s show. The local children cast as the pupils of Oakwood Primary School are drilled to perfection, but the pupils of St. Bernadette’s are truly phenomenal. Added to an already spectacular cast, there’s also an irresistible pooch called Cracker to crank up the cute factor.

The production values are high and the set looks as good as anything your likely to see on a West End stage, and the choreography from the always reliable Andrew Wright is perfectly reflective of that of children in 2018. The roster of musical numbers has been significantly upped from the half a dozen songs in the movie and each is a catchy delight.

Nativity! starts on a high and the entertainment factor never diminishes for the entire running time. It knows how to tug at the heart strings without becoming over schmaltzy, you’d need to be hard-hearted indeed not to be touched by this. This is a show of infinite quality from start to finish and stands head and shoulders above most festive offerings.

It preaches a laudable message of the power of a positive mindset and that sometimes the good guys can win in the end. Ultimately it’s a festive, feel-good, feast for the eyes that fills you with the warm and fuzzies.

Beg, borrow or steal to get a ticket, this really is an unmissable show.

Runs until November 2018 | Image: Richard Davenport

This review was originally written for The Reviews Hub. The UK’s leading and most prolific digital portal for the performing arts. With 150 reviewers spread across the UK, managed by 10 editors, The Reviews Hub publishes reviews, previews, features and interviews on entertainment throughout the whole country.


REVIEW: Puttin’ on the Ritz – Playhouse, Edinburgh

The appeal of music from the golden age of movie musicals would seem to be endless.With shows like Top Hat, Singin’ in the Rain and 42nd Street currently or recently completing tours, it’s no surprise that Spirit Productions have launched their self-proclaimed ‘song and dance extravaganza’ Puttin’ on the Ritz.

Utilising the music of the big three; Irving Berlin, Cole Porter and George Gershwin, the show features six vocalists, a troupe of sixteen dancers and special guest star Lorna Luft. Taking the form of a musical review, the action moves along at a brisk pace, each classic hit segueing into the next on a whistle-stop tour of the greatest hits of Hollywood’s ‘Golden Age’.

Whilst each featured vocalist is entirely competent, the dancers adept, the choreography inventive and the costumes and set suitably glittery, the whole affair is lacking a certain sparkle. The singers appear under-amplified in the cavernous auditorium, the sound failing to reach or make any impact on the circle where this reviewer was seated. The projection screen titles and flat introductions by the cast members also fail to build any rapport with the audience; a bit of chat would have gone a long way to drawing the audience in.

Special guest star Luft, the daughter of arguably the greatest movie musical star of all time, Judy Garland, appears briefly in each act singing a selection of her mother’s most famous songs. Her presence on the bill, undoubtedly the major draw, adds a direct connection to the songs we are experiencing here, and she endeavours to conjur up a rapport with the crowd, sharing some Hollywood anecdotes and revealing that Garland’s ancestors were from Aberdeen to curry a bit of favour with the locals. But it just isn’t enough and her appearance is all too brief.

There is no question that the raw material is all here, the music of the great American Songbook is amongst the greatest ever written, each of the performers undoubtedly talented, but on the whole Puttin’ on the Ritz is lacking that certain something that makes for a truly great night at the theatre.

Runs until 20 September 2014