Tag Archives: Paul James Corrigan

REVIEW: Sunshine on Leith – King’s Theatre, Glasgow

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Stephen Greenhorn’s original musical, Sunshine on Leith, predates the movie version by seven years. Originally commissioned by Dundee Rep’s artistic director James Brining. Brining, now artistic director at the West Yorkshire Playhouse, returns to the work, breathing new life into the piece for this 2018 tour and you can almost hear the fanfare of trumpets that herald the musical’s return to its homeland.

Greenhorn’s tale is Scottish to its very core, but the themes of love, loss and opportunities taken or missed, are universal. Soldiers Davy (Steven Miller) and Ally (Paul James Corrigan) return from Afghanistan home to Leith. Ally pursues his former love Liz (Neshla Caplan), Davy, her best pal Yvonne (Jocasta Almgill), but in the joy of their return home there are problems too, not least with Davy’s parents Rab (Phil McKee) and Jean (Hilary MacLean).

The political and social climate has changed much in the 11 years since its creation, but the story still has the power to move, and it’s in no small way down to the music and lyrics of Craig and Charlie Reid. At first glance the songs of The Proclaimers may not seem like a match made in heaven for a musical, but they are. Playing a crucial part in driving the plot along. The familiarity of the lyrics to the Scottish audience, heightens the emotion in the parts of the narrative they serve to enhance. That said, the emotional moments aren’t exactly subtle, but the narrative is treated with such a deft hand and sufficient originality elsewhere, that it’s easy to forgive any tiny quibble. Greenhorn’s dialogue is pitch-perfect for this story of ‘normal’, ‘ordinary’ people, a hard thing to pull off in musical theatre and every joke lands slap-bang on its mark. Greenhorn also manages to address the eternal issue of the emotionally stunted, stereotypical Scottish man with thoughtfulness as well as humour.

Worthy of note is Emily-Jane Boyle’s outstanding choreography. It is intricate and original, but still looks like real people dancing – a feat that’s hard to achieve convincingly.

The cast are joined on the transforming pub set (comparisons will inevitably be made with the musical Once) by the seven-piece band who (as they are not hidden in the pit) bring a raw immediacy to the music. The arrangements of these familiar songs are worthy of note too: the ears pricking up at some of the original treatments of them.

Paul James Corrigan (Ally) returns to a stage he is more than familiar with and feeds off of the energy of his home crowd. There’s an extra spring in his step which transmits to the auditorium, well-known and loved for his comedy performances, he impresses as a singer and dancer too. The crowd with him every step of the way. Steven Miller (Davy) is a fine dramatic actor and has an even finer voice to match, he gets the chance to show off his comedy chops here, Jocasta Almgill is excellent as Davy’s love interest Yvonne, and Phil McKee and Hilary MacLean as Davy’s parents are perfectly played.

This story (to its credit) resists the urge to tie everything up in a neat bow and resolve every plotline, ultimately, this is a life-affirming story about ‘real lives’ that will resonate with most, if not all, of its target audience. If the eardrum bursting reaction of this audience at the end is anything to go by – it more than hit all the right notes. To borrow from The Proclaimers themselves, this is guaranteed to make your heart fly.

Runs until 23 June 2018 | Image: Contributed

THIS REVIEW WAS ORIGINALLY WRITTEN FOR AND PUBLISHED BY THE REVIEWS HUB

REVIEW: Gary Tank Commander – Mission Quite Possible, The SSE Hydro, Glasgow

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There’s an air of trepidation as you approach Glasgow’s massive Hydro arena, just how well would one of Scotland’s best-loved TV comedies Gary Tank Commander translate to the (massive) stage? Well, in the hands of comedy genius Greg McHugh, brilliantly is the answer.

Hapless, naive and utterly loveable national treasure Gary and his mates in the “armeh”, parachute into their Afghan camp and deliver their usual brand of madness and mayhem featuring camels, chaos, cheesy pasta and chips.

With appeals not to give too much away, this is a story of heroism and doing the right thing – two things not entirely easy for our Gary.

Huge credit must go to McHugh’s script which sustains the laughs over a two hour period and while there a few little lulls it really is hysterically funny. The set design is also worthy of mention, cleverly filling the huge stage.

Like it’s predecessor that transitioned from TV to the stage Still Game, the resounding success of this live show will hopefully mean a return to the small screen for Gary and the gang. Based on the reaction of this audience alone, the BBC would be foolish not to bring it back.

Image: Martin Shields

REVIEW: The Pie-Eyed Piper of Hamilton – Oran Mor Summer Pantomime, Glasgow

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Proving that pantomime is for all year not just for Christmas, Oran Mor’s latest summer offering is The Pie-Eyed Piper of Hamilton, a familiar tale re-worked for our post-referendum, parliament invading SNP times.

City State is overrun with rats and nothing nor no one can get rid of them, so the straw haired Mayor from the south is forced against all his instincts, to call on the services of a shell-suit wearing permanent inebriate with magical powers from north of the border.

pie eyed piper

 

Cue a clash of cultures and political satire a plenty. There’s double-damery too from Paul James Corrigan as the Piper’s tattoo adorned mammy and the skin-tight lycra clad Mayor’s daughter, and cross dressing from Annie Grace and Kirstin McLean as the Piper and Cyril the Mayor’s right hand man.

As always the cast are on top form but the politicking and the too-frequent and unfunny use of the f-word render this less successful than previous outings, there’s still fun throughout – just don’t take the tinies to see it.