Tag Archives: Matthew McKenna

REVIEW: Snow White and the Seven Dwarfs – SEC Armadillo, Glasgow

The panto-going citizens of Glasgow raised a cheer when the cast of the SEC Armadillo’s pantomime Snow White was announced. The almost universally adored Greg McHugh – he of the much-missed Gary, Tank Commander would star as court jester Gary, his TV co-star Leah MacRae would play Nanny McWee his mother (not sure the lovely Leah should be best pleased at that!), River City’s Frances Thorburn would be our heroine Snow White and a doyenne of British comedy acting, the wonderful Doon Mackichan would be the evil Queen Lucretia.

The quality cast, coupled with the sheer scale of the spectacle, add up to the city’s most fabulous, funny festive offering. There’s a camaraderie from the cast that just radiates to the audience, who are on-side with the high jinks from the start. McHugh is undoubtedly the star and his antics as the cheeky but na├»ve Gary are the highlights of the show, but there are star turns a-plenty, especially from Mackichan who is an absolute treat as the evil queen.

The only negative notes are a troupe of mildly horrifying looking woodland animals whose costumes look like they’ve been culled from the leftovers of the abattoir, all the more incongruous in such a spectacularly glitzy show and the auditorium itself, whose vast size does tend to engulf any audience reactions.

Definitely the most spectacular panto in town and certainly the most star-studded.

REVIEW: Titanic The Musical – King’s Theatre, Glasgow

Maury Yeston and Peter Stone’s Titanic: The Musical first appeared on Broadway in 1997, winning five Tony Awards in the process. Director Thom Southerland’s stripped back production, first seen at the Southwark Playhouse in 2013, was revived to great acclaim in 2016, and is now touring the UK.

While the subject matter may seem unlikely (an event where 1517 people lost their lives), even morbid, composer Yeston has himself claimed that the musical isn’t based on tragedy alone. Instead, it represents the hopes and dreams of all those on board: the 3rd Class passengers, their dreams of immigration to a new life; those in 2nd Class with their aspirations to live life like those in 1st Class; the 1st Class passengers hoping to forever maintain their positions of privilege in the New World. Writer Peter Stone achieves this. There’s yearning, optimism and a finger firmly on the pulse of society (both high and low) in the early years of the 20th Century.

It also neatly catalogues the seemingly endless list of wrong decisions that set the ship on its tragic course, the desire to make history eerily prophetic: ignoring warnings not to push the ship hard; constantly pushing the speed; ignoring almost constant warnings of icebergs from fellow ships on the same journey; the feeling of invincibility over common sense; changing course to save a few hours (to get some publicity) which puts the ship on a collision course with tragedy, the list is too long to chart here. This is a work of infinite quality, wonderfully researched, that manages to stir the heart and soul. These are the stories of the real people who boarded the ship for that fateful journey, this is no lazy dramatization.

Whilst written by Americans, this is a uniquely British story. Stylistically the music too is quintessentially British: heavily influenced by both Elgar and Vaughan Williams it is simply beautiful. The ensemble shine and when singing as one, have the ability to raise the hairs on the back of your neck.

In a cast that is uniformly excellent, it seems churlish to single out any member but Matthew McKenna as First Class Steward Henry Etches is an actor of exceptional quality, who is infinitely watchable throughout.

If any criticisms can be levelled at the work it is the sheer number of characters who appear, as each is given their moment, it makes the running time a hefty two hours 40 minutes, that said, this is also laudable as it gives voice and equal weight to every type of passenger and crew. The actors do a fine good job of paying respectful tribute to these real people’s lives, Titanic – The Musical truly has the power to move.

Don’t be put off by the subject matter or puerile previous adaptations of the story on screen, this is a respectful, perfectly judged piece of writing that packs an emotional punch.

Runs until 26 June 2018 | Image: Scott Rylander

This review was originally written for The Reviews Hub