Based on the much-adored 1987 movie, the 2006 musical theatre version of Dirty Dancing was the fastest-selling show in West End history, with advanced sales of a staggering £15 million. And its popularity shows no sign of abating, despite an atrocious 2017 TV movie remake.
This revamped version (new sets and songs from the movie not originally in the stage musical) from director Federico Bellone, choreographer Gillian Bruce and designer Roberto Cometti, is currently playing to packed houses up and down the UK.
Almost entirely lifted scene for scene from the movie: It’s 1963, Camp Kellerman, an upscale Catskill resort. On the surface, it’s playing Simon Says, horseshoe tossing, tennis lessons and singing around the campfire. Behind the scenes though, the staff are having a rather raunchier time. When shy, middle-class teen Frances ‘Baby’ Houseman stumbles on this parallel world and charismatic bad boy Johnny Castle, a whole new world opens for her.
While themes of racism (there’s a rendition of We Shall Overcome, mentions of Freedom Riders, and a snippet of Dr Martin Luther King’s 1963 ‘I Have a Dream’ speech), abortion and classism are touched upon, they are delivered with a great big dose of sugary schmaltz. The overwhelming feeling is celebratory, it certainly honours the memory of the movie and those oh so quotable lines and pounding early 60s hits are all here.
Roberto Cometti’s set is certainly head and shoulders above recent tours, which were laden with back projections, as well as being visually pleasing it is inventive, and the scenes change with an admirable fluidity. It laudably evokes the feeling of a 1960s country retreat.
Lewis Griffiths is charismatic and supremely polished as the bad boy from the wrong side of the tracks, Johnny, and there’s a tangible chemistry between Katie Eccles’ Baby and himself. Carly Milner provides strong support as Penny.
Federico Bellone has certainly breathed new life into the old dog and returns it to the rawer movie original. The supporting cast of players are grittier and sexier than before and the set and lighting design, especially in key scenes, now fully enhances the action. The only gripe would be the unevenness of the two acts, the first rattles at breakneck speed through the plot and the second gets to the point where it outstays its welcome. That said, this was never intended to break new ground. Shakespeare, it ain’t. Instead it’s good, old-fashioned, escapist fun and if the ecstatic reaction of the audience is anything to go by, Dirty Dancing will continue to run and run.
This review was originally written for The Reviews Hub here
The UK tour of the Tony, Olivier and Grammy Award-winning Best Musical Jersey Boys comes to Glasgow at the Theatre Royal for the festive season from Tuesday 8 December 2015 – Sunday 3 January 2016.
Ahead of the multi-award-winning musical hitting town, Glasgow Theatre Blog had the opportunity to meet the cast and see a sneak peak of the show this week at Glasgow’s Oran Mor.
Matt Corner will be heading the cast as Frankie Valli* with Sam Ferriday as Bob Gaudio, Lewis Griffiths as Nick Massi and Stephen Webb as Tommy DeVito**.
Seen by over 22 million people worldwide, Jersey Boys is the true story of Frankie Valli and the Four Seasons and their rise to stardom from the wrong side of the tracks. These four boys from New Jersey became one of the most successful bands in pop history, were inducted into the Rock & Roll Hall of Fame and sold 100 million records worldwide, all before they turned 30. The show is packed with their hits, including Beggin’, Sherry, Walk Like A Man, December 1963 (Oh What a Night), Big Girls Don’t Cry, My Eyes Adored You, Let’s Hang On (To What We’ve Got), Bye Bye Baby, Can’t Take My Eyes Off You, Working My Way Back to You, Fallen Angel, Rag Doll and Who Loves You.
The Jersey Boys (and girls) stride into Glasgow. Image Ian Watson
I asked Lewis Griffiths (Nick Massi), Sam Ferriday (Bob Gaudio) and Henry Davis (Tommy DeVito) what they thought was the secret to Jersey Boys continued success.
Lewis Griffiths: “It’s real, it’s gritty and it’s credible, it’s a show that appeals to people who wouldn’t normally go to the theatre, especially to musicals”. Sam Ferriday adds: “The biggest thing, though is that although people might know the music, no one knew the back story of these guys, it’s turned out, that this is one of the reasons why the show has been such a hit, people are shocked by the actual story”. Henry Davis: “You don’t need to be a musical theatre fan to enjoy this show. People tell us that they’ve brought their husband, boyfriend, brother, dad and grandads, people who would normally never set foot in a theatre, to see the show and they’ve left more than pleasantly surprised. We’ve also been told that people have caught the theatre bug from coming to see the show. It appeals to such a wide demographic, it’s not just for one generation, it’s for everyone”. Lewis Griffiths: “Unlike big West End productions which have also toured, or are about to tour, shows like Mamma Mia, Wicked or Billy Elliot, this is a true story. It’s a legacy to these four men”.
Another secret of Jersey Boys’ success is the quality of its cast and it’s notoriously difficult casting process highlighted by producer David Ian: “It’s an unbelievably hard task to cast this show, any actor hoping to play Valli has to be under 5 foot 9 inches, look Italian-American, sing higher than Mickey Mouse and be able to act and dance as well as pulling off a believable New Jersey accent”, added to that, all actors vying for a part have to complete multiple auditions and a final vetting process by the real Frankie Valli and Bob Gaudio before stepping onstage.
Producer David Ian at the Jersey Boys Glasgow Launch. Credit Ian Watson
With this is mind, and the shows reputation for quality control, I was interested to find out if each actor is able to bring anything of themselves to the roles of these flesh and blood characters.
Lewis Griffiths explains: “I’m the only one whose character is no longer with us, so for me I really had very little to go on. he was also the quiet man of the group. There are YouTube clips of the others, so there’s something there, but that was the interesting thing for me, I’ve had to develop my own way of playing Nick Massi. I’ve had to drip-feed my own life experience into my portrayal, and after a year of playing him, I now know when there’s either too much Lewis or too much Nick. It’s 50% the character and 50% the actor. Sam Ferriday adds, “yes, there are clips of Tommy DeVito, Franki Valli and Bob Gaudio as they are now, but few of them in their heyday, the era we’re playing them in, so it can be hard”.
Producer David Ian with Jersey Boys Sam Ferriday, Matt Corner, David Ian, Henry Davis, Lewis Griffiths – credit Ian Watson
Winner of Broadway’s Tony, London’s Olivier and Australia’s Helpmann Awards for Best New Musical, and a winner of 57 major awards worldwide, and with the UK and Ireland tour just passing its first birthday, I asked the actors how they sustained an enthusiasm and freshness for the show.
Sam Ferriday: “We’re fans, fans of the music and fans of this incredibly written play, and it is a play, a play with amazing music. I know I grew up with the music and Henry’s mum and dad were big fans, so he did too, so you never get bored with performing songs that you love”, he also adds “it’s also the closest you can get as an actor to feeling like a rock star every night”.
A true ensemble piece, each actor has their chance to shine. Having seen the show on several occasions the on-stage chemistry is always palpable, I ask if it’s the same off-stage. Lewis Griffiths says: “One of the secrets of its success is the fact that no one story or character dominates, it really is a story of these four guys and there has to be the right balance of personalities between the four of us and luckily there is”.
Credit – Ian Watson
Touring from the very top to the tail of the UK, the actors have covered a vast geographic area, I wondered if there were differences in audiences’ reaction to the show up and down the country. Lewis Griffiths: “Yes, surprisingly we’ve had different reactions everywhere we go”. Henry Davis: “I’ve been here in Glasgow with Rocky Horror and that was mental so I’m looking forward to seeing the reaction to this”.
In a show filled with highlights, I ask if there are any stand-out moments each night for the actors. Lewis Griffiths: “For me it’s the dirty, gritty, fractious relationship between the four of them, the break-ups, the real life of it, the guts of the show, that’s what I get off on”. Henry Davis: “For me it’s the journey. The chance to tell this person’s story and, of course, there’s the segment where they go into the big three hits, you can feel the audience’s anticipation and when it finally comes, it’s great to see the reaction, but the end where you get to see the character’s reflect back on their story from the present day, it’s a great feeling as an actor to get to play that complete journey”. Sam Ferriday: “I agree about the end, some of the best writing is the end, when each character finishes off their narrative, it sums up the essence of the person and you get to see who that character really is”. Henry Davis: “It resonates with the audience, it’s the point where it really clicks together”. Lewis Griffith, “Despite everything, they all come back together for the finale and it shows it’s not about any one person, it’s all about the music they made together”.
With producer David Ian intimating that Jersey Boys’ world domination seems set to continue with proposed forays into China and Hong Kong, I ask the actors about the future beyond the show and if they have any roles they have their eye on. Lewis Griffiths: “I’ve spent four years chasing this role and I’ve finally got it so I don’t actually want it to end, but I’d like to stretch my wings and do some straight acting roles”. Sam Ferriday: “In terms of musical theatre, Book of Mormon, Elder Price, it’s just a different way of acting, that comic style, otherwise something gritty”. Henry Davis: “I want to do everything, try anything”. From the audience and critical reactions to these four young men and this incredible show, I’m sure this won’t be the last we hear from them.
Jersey Boys will be at Glasgow’s Theatre Royal from Tuesday 8 December 2015 – Sunday 3 January 2016.
Oh what a night it is as Marshall Brickman and Rick Elice’s West End and Broadway smash Jersey Boysarrives in Scotland’s capital. The rags to riches tale of Frankie Valli and the Four Seasons has always been a sure-fire winner with audiences and this first UK tour doesn’t disappoint.
Those coming to the tale expecting the run of the mill jukebox musical will be pleasantly surprised, while most may have heard the astonishing back catalogue of hits, many may be less familiar with the real-life antics of the quartet and the gritty reality provides a welcome foil to the showbiz glamour. This is so much more than a thinly drawn narrative stringing the band’s greatest hits together: the whole show has heart and guts and something to get your teeth into.
Though ever so slightly streamlined from the West End version, Klara Zieglerova’s simplistic but effective set is still very much in evidence, as is Sergio Trujillo’s iconic choreography, but what elevates this production is its cast. As Valli, Belgian actor/musician Tim Driesen is an absolute knock-out, he has the rare distinction of being able to sing at full power in every part of his range and oh boy what a range he has, going from baritone to eye-watering falsetto with ease, his New Jersey accent is also pitch-perfect. He is more than ably supported by Sam Ferriday (Bob Gaudio), Lewis Griffiths (Nick Massi) and Stephen Webb (Tommy DeVito), each in possession of impressive vocal chops and the combination of all four provides many a hairs on the back of the neck moment. They rival and at times, vocally surpass the original West End cast. Matt Gillett’s Bob Crewe also provides some welcome light relief throughout the piece.
This is a crowd pleaser in every way: great songs, great story, great singers and actors and the perfect antidote to the chilly autumn blues. It’s one of the world’s best-loved musicals and it isn’t hard to see why. Do yourself a favour and get along to see it if it comes to a city near you.