Tag Archives: Kim Beveridge

REVIEW: The Gorbals Vampire – Citizens Theatre, Glasgow

Above the Gothic gatehouse of one of Glasgow’s cities of the dead, the Southern Necropolis, the sky flames red from the fiery furnaces of the nearby Dixon Blazes Iron Works. Hundreds of local children, from toddlers to teens, armed with stakes and knives, storm the graveyard in search of a vampire, not the highly romanticised version of modern times, but a seven foot, iron-toothed killer of two young boys. It’s 1954, it’s Glasgow’s Gorbals and it really happened…well…

Inspired by local myths and bogey man stories, and fuelled by US horror comics, an urban legend is born – The Gorbals Vampire.

There are “two wee empty chairs” at the back of a Gorbals’ primary school class, Chinese whispers in the playground escalate into full-blown hysteria as the “creative thinking” kids debate the fate of their two school pals. Night after night until the sun goes down, the pint-sized vigilantes return to hunt their man, and only the rain and the intervention of local headmasters puts an end to the marauder’s madness.

What would have been consigned to the local archives gained worldwide media coverage and a backlash against the American horror comics that were gaining popularity in the country. This mass indignation also spawned the 1955 Children and Young Persons (Harmful Publications) Act, laws still in force today.

National treasure in the making, Johnny McKnight has not only created a work filled with humour, it is also a work cleverly and subtly interwoven with a social commentary on tenement life in Glasgow in the fifties – the overcrowding, neglect and social injustice, how this section of the city was unloved and unlistened to. This was the hardest part of town, and in the eyes of the police, if they were cowering indoors frightened of a 7-foot vampire then they weren’t on the streets bothering them.

The community cast of over 50 players makes the stage throb with life against the brilliant set design of Neil Haynes and the wonderfully atmospheric lighting of Stuart Jenkins, all enhanced by Kim Beveridge’s subtle but highly effective video projections – you can almost feel the metal tang in the air from Dixon Blazes.

This is a glorious celebration of Glasgow and what it means to be Glaswegian – when the chips are down, the community pulls together as one, the city’s divisions are forgotten and the people unite in a common cause.

A real gem of a production.

REVIEW: The Incredible Adventures of See Thru Sam

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This article was originally written for and published by The Public Reviews

Writer: Johnny McKnight

Director: Johnny McKnight

The Public Reviews Rating: ★★★★½

Fifteen year old Sam McTannan has a superpower, the ability to make himself invisible: invisible to the cool kids at school, invisible to his teachers and invisible to the girl of his dreams. It’s a superpower he’s really rather happy with, ensuring as it does a pretty quiet life. But one tragic day all that changes when Sam’s beloved parents Chip the Grip and Sheila the Feeler, are killed in a car crash. Sam’s superpowers desert him, placing him firmly centre stage, where he has to deflect the attention of well-meaning teachers, his nemesis Uncle Herbie and the horrific school bully Chunk, boyfriend of his teenage crush Violet.

The Incredible Adventures of See Thru Sam, this heart-breaking, thought-provoking and ultimately life-affirming play comes to us from the assured pen of Johnny McKnight and manages the difficult feat of being genuinely laugh out loud funny and deeply moving in equal measure. It has emotional pull from the very first scene, grabbing you and tugging at your heart strings, pulling you this way and that, throughout the whole 80 minute roller-coaster ride.

To his great credit McKnight never shies away from confronting difficult themes and his fine ear for comic dialogue and finger on the heartbeat of the shunned in society strikes a chord, not only with the high school students in the audience, but all of those who have survived their teenage years.

The actors are universally deserving of praise, Julie Brown and James Mackenzie take on multiple and diverse roles with ease, and manage the lightning quick changes with a slickness that defies belief. Particularly successful are Brown’s perfectly judged portrayal of Mrs. Timmins, the eccentric but well-meaning Home Economics teacher and Mackenzie’s hysterical turn as Sam’s best buddy Walrus. As Sam, James Young carries the weight of the dialogue on his shoulders and manages to switch between direct audience address and dramatic interaction with admirable skill. He is utterly and heartbreakingly convincing as the ill at ease teen negotiating his way through the minefield of growing up, grief and love.

The set design by Lisa Sangster deserves special mention. Through the stunning use of Jamie Macdonald’s ingenious animations and Kim Beveridge’s video design we are not only fully immersed in Sam’s world but also party to his innermost thoughts.

Innovative, emotive and unmissable, I defy you to leave the theatre without a lump in your throat. See it if you can.

Reviewed on 24 September then touring Scotland.