Tag Archives: Kally Lloyd-Jones

NEWS: SCOTTISH OPERA REVIVES SIR THOMAS ALLEN’S PRODUCTION OF MOZART’S THE MAGIC FLUTE

Sir Thomas Allen’s five-star production of Wolfgang Amadeus Mozart’s The Magic Flute returns to Scottish Opera in May, set in a spectacular world inspired by the Victorian futurism of HG Wells and Jules Verne.

Mozart’s most inventive opera, featuring a handsome prince, a damsel in distress, sorcerers, priests and a bumbling bird-catcher, opens at Theatre Royal Glasgow on Saturday 4 May, and tours to Inverness, Aberdeen, Edinburgh, London and Belfast. With set and costume design by Simon Higlett, this production takes inspiration from the city of Glasgow at the height of its industrial powers, drawing on the aesthetics and ideas of the Enlightenment, particularly the work of the Hunter family and the huge scientific collections of The Hunterian Museum.

Conductor Tobias Ringborg (The Marriage of Figaro 2016) is joined by Peter Gijsbertsen (La traviata 2017) as Tamino and Gemma Summerfield, First Prize winner at the 2015 Kathleen Ferrier Awards, as Pamina. Richard Burkhard is Papageno, the role he created in the original production in 2012; Julia Sitkovetsky is Queen of the Night; James Creswell is Sarastro and Adrian Thompson is Monostatos. Scottish Opera Emerging Artist, Sofia Troncoso (Opera Highlights 2018), sings the role of Papagena.

Sir Thomas Allen said: ‘Our production of The Magic Flute, first created in 2012, makes its return to the stage and to theatres around Scotland. I’m looking forward with great anticipation to the rehearsal period and to the performances that follow. There are many changes from our original cast, but one welcome return will be that of Richard Burkhard in the role of Papageno. He brought to the part a really brilliant personal way of playing, just as one would hope for Papageno, and our collaboration was, apart from all else, a lot of fun.

‘As for what you will see, well, if you are familiar with Glasgow and the richness of its constituent parts, then you will recognise all of the references in this show. It is a tribute by designer Simon Higlett and myself to a great Scottish city.’

There will be two Dementia Friendly performances of The Magic Flute, in Glasgow and Edinburgh. These specially abridged performances are carefully designed to make the theatrical experience more accessible to people living with dementia. Sound and lighting levels are adjusted for the comfort of the audience, and the cast is joined on stage by a narrator. Audiences will also be able to go in and out of the auditorium during the performance and see the show in the foyer areas on TV screens. Scottish Opera staged the UK’s first Dementia Friendly opera performance in November 2016, with The Marriage of Figaro at Festival Theatre Edinburgh.

Those who wish to discover more about how the production was created can attend The Magic Flute Unwrapped, one-hour tasters delving further into the show, as well as Pre-show Talks. Audience members with visual impairments can enjoy the full opera experience at audio-described performances, which have a live commentary describing the action on stage without compromising the music.

Cast List

Tamino                                                            Peter Gijsbertsen & William Morgan (14, 18 May, 13,15 June)

Pamina                                                            Gemma Summerfield

Papageno                                                        Richard Burkhard & James Cleverton (20, 22, 27, 29 June)

The Queen of the Night                                  Julia Sitkovetsky

Sarastro                                                             James Creswell & Dingle Yandell (1, 5, 20, 22, 27, 29 June)

Monostatos                                                     Adrian Thompson

Papagena                                                        Sofia Troncoso*

First Lady                                                      Jeni Bern

Second Lady                                                  Bethan Langford*

Third Lady                                                     Sioned Gwen Davies

*Scottish Opera Emerging Artist

Creative Team

Conductors                                                     Tobias Ringborg & Derek Clark (13,15 June)  

Director                                                            Sir Thomas Allen

Set and Costume Designer                                Simon Higlett

Lighting Designer                                            Mark Jonathan

Movement Director                                           Kally Lloyd-Jones

Translation                                         Kit Hesketh-Harvey

Performance Diary

Theatre Royal Glasgow, 282 Hope Street, Glasgow G2 3QA

Sat 4 May, 7.15pm

Wed 8 May, 7.15pm

Fri 10 May, 7.15pm

Sun 12 May, 3pm

Tue 14 May, 7.15pm

Thu 16 May, 3pm (Dementia Friendly Performance)

Sat 18 May, 7.15pm

 

The Magic Flute Unwrapped

Thu 9 May, 6pm

The Magic Flute Pre-show talk

Sat 18 May, 6pm

The Magic Flute Touch Tour

Sun 12 May, 1.45pm

The Magic Flute Audio-described performance

Sun 12 May, 3pm

 

Eden Court, Inverness

Tue 21 May, 7.15pm

Thu 23 May, 7.15pm

Sat 25 May, 7.15pm

 

The Magic Flute Unwrapped

Fri 24 May, 6pm

The Magic Flute Pre-show talk

Sat 25 May, 6pm

The Magic Flute Touch Tour

Sat 25 May, 6pm

The Magic Flute Audio-described performance

Sat 25 May, 7.15pm

 

His Majesty’s Theatre, Aberdeen

Thu 30 May, 7.15pm

Sat 1 Jun, 7.15pm

 

The Magic Flute Unwrapped

Fri 31 May, 6pm

The Magic Flute Pre-show talk

Sat 1 Jun, 6pm

The Magic Flute Touch Tour

Sat 1 Jun, 6pm

The Magic Flute Audio-described performance

Sat 1 Jun, 7.15pm

 

Festival Theatre, 13–29 Nicolson Street, Edinburgh EH8 9FT

Wed 5 Jun, 7.15pm

Fri 7 Jun, 3pm (Dementia Friendly Performance)

Sun 9 Jun, 3pm

Tue 11 Jun, 7.15pm

Thu 13 Jun, 7.15pm

Sat 15 Jun, 7.15pm

 

The Magic Flute Unwrapped

Thu 6 Jun, 6pm

The Magic Flute Pre-show talk

Sat 15 Jun, 6pm

The Magic Flute Touch Tour

Sun 9 Jun, 1.45pm

The Magic Flute Audio-described performance

Sun 9 Jun, 3pm

 

Hackney Empire, 291 Mare Street, London, E8 1EJ

Thu 20 Jun, 7.30pm

Sat 22 Jun, 7.30pm

 

The Magic Flute Pre-show talk

Sat 22 Jun, 6pm

 

Belfast Grand Opera House, 2-4 Great Victoria Street, Belfast, BT2 7HR

Thu 27 Jun, 7.15pm

Sat 29 Jun, 7.15pm

 

The Magic Flute Unwrapped

Fri 28 Jun, 6pm

The Magic Flute Pre-show talk

Sat 29 Jun, 6pm

REVIEW: Lauder – Theatre Royal, Glasgow

It’s been a dream come true for much-loved Scottish tenor Jamie MacDougall to bring Jimmy Logan’s ‘play with tunes’ back to the stage. Lauder is being staged in the very theatre that launched Sir Harry Lauder to stardom. The place, the Theatre Royal, Glasgow, where in 1905, Lauder in the leading role in the Howard & Wyndham pantomime Aladdin, wrote the now, world-famous I Love a Lassie. The place that is this week celebrating its 150th anniversary.

Lauder’s story truly is one of rags to riches: from leaving school at 12 to go to the coal faces of Lanarkshire, his first steps on the music hall stage, through fame in London (appearing in six theatres a night) then international stardom, to becoming the highest paid entertainer in the world, his skill at self-promotion and his ambition set him apart from the start. This is a man who carefully cultivated his tight-fisted Scotsman image and who, on arriving in the US (in the days before the mass media) rode behind a pipe band in an open-topped car down Broadway to generate a sell-out audience for his shows. He also spotted the potential in his young, inexperienced US agent, one William Morris whose company continues to be the king among acting agencies today. He left an indelible impression on all those he met. His eventual Knighthood though, wasn’t for his fame and skill as a performer, it was for his humanitarian work, raising money (over £1 Million) for the returning troops of World War 1, despite suffering incredible personal loss.

Over a century on from the height of his fame, his legacy lives strong. You may think that you don’t know the words to his songs – but you do. There must be something in the Scottish DNA that pre-programmes them into our psyche, either that or the sheer cleverness of the songwriting, that, by the second verse and chorus, you’ve learned the lyrics and are singing along with the best of them. Indeed, the audience, before the lights dim and the story begins, are gently singing along to these beloved tunes (something they continue to do whenever given the chance throughout the performance).

Besides a gripping tale, jokes that are as fresh and funny 100 years on, and those astonishingly catchy songs, it’s an incredible central performance from MacDougall that elevates this to an unmissable evening of theatre. MacDougall looks as if he’s having the time of his life and his energy and utter immersion in the role transmit to the audience. His rendition of Stop Your Tickling Jock is the most infectiously funny thing I’ve seen on a stage in a long time – I defy anyone not to laugh. This is a joyful experience, both to watch and to feel a part of. MacDougall is a fine tenor and his beautiful diction and impressive acting skills showcase Lauder’s work at its very best.

An in-missable, five-star tribute to one of Scotland’s greats by a production and performing team of the highest quality.

Images: James Glossop