REVIEW: West End Producer: Free Willy, Assembly Studio Two, Edinburgh
The infamous and anonymous mystery man of London theatre, West End Producer has finally taken the plunge and headed north...
EDINBURGH FRINGE
REVIEW: Keith Moon: The Real Me – Gilded Balloon Teviot Wine Bar, Edinburgh
Mick Berry endeavours to delve deep into the psyche of the world's greatest rock drummer - The Who's Keith Moon,...
REVIEW: Phoenix – Pleasance 10 Dome, Edinburgh
If you're looking for a creative team of infinite quality and a performer of prodigious talent (sometimes rare at The...
REVIEW: Auditions – Sweet Grassmarket, Edinburgh
Inspired by creator Michael Sharmon’s personal experience and seemingly hugely influenced by A Chorus Line, Auditions is a somewhat clichéd...
REVIEW: The Soft Subject (A Love Story) – Assembly Hall, Edinburgh
Chris Woodley takes us back to the classroom to tell his poignant, playful and practically perfect tale of love, loss and survival...
REVIEW: Quarter Life Crisis – Underbelly Delhi Belly, Edinburgh
The last few years have seen an upsurge in shows from Millennials pondering the meaning of life, and this year’s...
REVIEW: When We Ran – Pleasance Beneath, Edinburgh
Much-lauded Patch of Blue’s latest work When We Ran, is big on ideas and ambition, but is crying out for...
REVIEW: The Giant Killers – Rose Street Theatre, Edinburgh
Long Lane Theatre Company’s The Giant Killers is a David and Goliath tale from the birth of ‘the beautiful game’....
REVIEW: Partial Nudity – Zoo Monkey House, Edinburgh
Emily Layton follows up last year’s Fringe debut Two Thirds with another sure-footed slice of contemporary life, Partial Nudity. Under...
REVIEW: Dusty Horne’s Sound and Fury, Pleasance Queen Dome, Edinburgh
Alfred Hitchcock, Stanley Kubrick, Roger Corman you undoubtedly know, but Dusty Horne? It’s 1963 and Dusty Horne is the behind-the-scenes...
