REVIEW: Scottish Ballet Autumn Season Sibilo/Emergence – Theatre Royal, Glasgow
The most gratifying thing about Scottish Ballet's Autumn Season launch isn't the two undoubtedly striking pieces of work on show - Sophie...
Dance
REVIEW: Iain Waite & Natalie Lowe: A Touch of Class – Glasgow Royal Concert Hall
Following the familiar format of a bit of dance, a bit of song, a bit of chat, and some audience...
REVIEW: Brendan Cole – A Night to To Remember, Glasgow Royal Concert Hall
Removed from the constraints of competing in Strictly Come Dancing, Brendan Cole gets the chance to highlight his considerable choreographic...
REVIEW: The Last Tango – Theatre Royal, Glasgow
The Last Tango, the theatrical swan song from much-loved dancing duo Vincent Simone and Flavia Cacace is more tear-jerking goodbye than...
REVIEW: Scottish Ballet’s A Streetcar Named Desire – Festival Theatre, Edinburgh
Returning to the stage three years after its award-winning debut, Nancy Meckler’s direction, Annabelle Lopez Ochoa’s choreography and Tennessee Williams’...
REVIEW: Dracula, Mark Bruce Company – Tramway, Glasgow
Played out against an impressively atmospheric and quite frankly terrifying set by Phil Eddolls, which becomes graveyard, tavern, salon and castle...
REVIEW: Brendan Cole Licence to Thrill – Royal Concert Hall, Glasgow
Choreographer: Brendan Cole Musical Director: Barry Robinson Reviewer: Lauren Humphreys Originally published by www.thepublicreviews.com 45 nights into a 48 date...
REVIEW: Scottish Ballet – Matthew Bourne’s Highland Fling
Sex and drugs and rock 'n' roll is not the usual tag line for a Scottish Ballet production but Matthew...
REVIEW: Carlos Acosta – On Before, Festival Theatre, Edinburgh
Arguably the world's favourite dancer and in On Before Carlos Acosta presents his most personal work to date. This new show builds...
