Tag Archives: Andy Clark

REVIEW: Stand By – Eastwood Park Theatre, Giffnock

Dundee. Present day. The claustrophobic back of a police riot van. Four officers wait for a negotiator to do his job, wait while a samurai sword-wielding man is threatening to kill himself and his baby son.

From the pen of former Tayside police officer Adam McNamara, Stand By isn’t your stereotypical adrenaline-filled police thriller, instead it’s a thought-provoking and highly arresting (forgive the unintentional pun) drama about the grim realities of life in the police force in 2017.

McNamara’s very real experience of the subject matter imbues the production with credibility, coupled with the wholly naturalistic, and expletive riddled dialogue, means the whole piece is grimly realistic and entirely believable.

McNamara effectively (and amusingly) conveys the mundane realities and frustrations of existing in such close quarters with your colleagues, and the thick skin required to deal with it. But, underneath the banter, much bigger discussions arise about the consequences (for both the officers and the public) of constant financial cuts, the day-to-day dangers and the personal costs of the job.

McNamara carries off the role of team leader Chris, with his precarious personal life, with gravitas, and Andy Clark is sure-footed as Dundonian police veteran Davey, hiding his own personal problems behind a sharp tongue and a world-weary wit. Jamie Marie Leary is an effective young officer determined to drag her colleagues into the 21st Century, and Laurie Scott is suitably annoying as mouthie new transfer from The Met, Marty, a man with a closet full of skeletons of his own to hide.

The production is greatly enhanced by Natasha Jenkin’s clever set design which perfectly confines the action and engenders a sense of psychological claustrophobia, while never limiting the drama. The clever use of the single-earpieces the audience wear, that convey messages from the police control room in real-time throughout the play, adds to the experience and gives a small glimpse into the pressure officers on a call are under. (A nice touch is that the voices are provided by some of Scotland’s finest actors – Ron Donachie, Richard Rankin and Jack Lowden to name a few).

This is an absolutely gripping piece of theatre (that would make a perfect TV police drama), a breath of fresh air that deserves to be seen by a much wider audience.

By the end, you really do believe the oft-repeated mantra: “the job is fucked”, and can’t help wonder what on earth the consequences will be for us all.

REVIEW: A Steady Rain – Tron Theatre, Glasgow

Despite the predictability of the script, Robert Jack and Andy Clark’s powerhouse performances elevate Keith Huff’s A Steady Rain above and beyond the average police drama.

Inspired by a real-life event in the story of US serial killer Jeffrey Dahmer, Denny (Clark) and Joey (Jack), two Chicago cops and life-long friends, have to deal with the fall-out, both personally and professionally from a catastrophic misjudgement while on duty.

There’s a danger that the well-worn subject matter could easily descend into cliche, and its portrayal of a certain type of masculinity, now largely unpalatable, is often predictable, but you can’t help admire the sheer volume and denseness of dialogue and the believability with which Clark and Jack deliver it. Gripping and satisfying thanks largely to the skill of two highly talented actors.

REVIEW: Aladdin – macrobert, Stirling

Scotland’s undisputed King of Panto, Johnny McKnight serves up the first treat of the holiday season with his disco-tastic, glitterball spangled version of Aladdin at the macrobert in Stirling.

There are afros, flares and platforms a-plenty as well as enough synthetic fabric to start a disco inferno as we boogie on down to Discotopia. Along with her two kids Wishee Washee (Robert Jack) and Aladdin (Dawn Sievewright), dear old Marge O’Reen Twankey (Andy Clark) runs the last launderette in town, the Dream Cuisine and Dry Clean, an establishment which does a natty turn in pies and bridies as well as washing and ironing.

Marge’s eldest Aladdin is in love with the campest prince in town (Martin McCormick) and as it ever was in Pantoland, the path of true love never runs smooth. In “the worst case of panto romance ever seen”, Aladdin and the blonde hair-flicking, disco-posing object of her affections encounter opposition and obstacles in the form of the Prince’s class-conscious mother (Helen McAlpine) and evil “Aunty” Lilith (a spectacularly clad and suitably menacing Julie Brown), and of course there’s the small matter of a rusty old lamp hidden in a deep dark cave.

As with the best pantomimes there’s as much here for adults as children, there are canny contemporary cultural and political references for the grown ups and the requisite number of slapstick, bum and bogie jokes for the teenies. The music too, manages to include the widest demographic, from 70’s disco and pop classics such as: “Lost in Music”, “Night Fever” and “We Built This City” albeit this time on sausage rolls not rock ‘n’ roll! through current hits: Pharrell’s “Happy” and a knock-out version of Meghan Trainor’s “All About That Bass” from Mrs. Twankey ( an hysterical Andy Clark) to the ubiquitous “Let it Go” from Frozen, which as well as being a sing-a-long favourite with the young audience, provides the perfect vehicle to highlight Dawn Sievewright’s stunning vocals.

McKnight eschews the ordinary panto fare and the writing remains clever and on-point throughout, never needing to resort to cheap smuttiness or crudity to get the laughs. There’s also an excellent take on the famous Abbot and Costello “Who’s on First” sketch, whose wordplay goes down a treat with the young audience,proving that classic writing never fails to be funny.

Complementing the writing is a truly outstanding cast led by some of Scotland’s most highly regarded and accomplished theatre actors. Andy Clark as our beloved dame, deserves a medal, not only for his comedy skills but for agreeing to wear Marge O’Reen’s eye-watering ensembles, all of which seem to feature a bikini!, each entrance is accompanied by gasps and in one instance a covering of the eyes in disbelief at what we are seeing. Robert Jack (a familiar face from the much-loved Gary, Tank Commander) is a revelation, his timing and physical comedy skills are of the highest order, managing to raise laughs even when he’s not at the centre of the action. Dawn Sievewright is a fabulously feisty Aladdin and her vocals are world class. Hilarious support is provided by Helen McAlpine (The Queen/Jeanie) and Martin McCormick (Prince Jasper) – there really is not a weak link anywhere in this production.

Mention must be made of the quality of the set design by Karen Tennent and the seamless transitions between the multiple changes, which would put most larger theatres to shame.

There’s no magic carpet here: “we’ve no got the budget”, but this Aladdin is all the better for it. This truly is a Christmas cracker, it’s a witty, wonderful, disco-tastic spectacular for the whole family – the perfect start to the festive season.

Runs until 4th January 2015

Tickets available here: http://www.macrobert.org/event/aladdin/