Tag Archives: Sting

REVIEW: The Last Ship – Theatre Royal, Glasgow

Sting’s musical love song to his Tyneside homeland, The Last Ship, is in his own words to: “repay a debt” to the area he left early in his career.

Starting life unsuccessfully in the US, it finally comes home to an audience with whom the story resonates: mid-80s, Thatcherism, the Conservative pursuit of the Trades Unions and the decline of the British ship-building industry. Director Lorne Campbell has re-worked the book from its initial run and the improvements are many.

Wallsend, Tyne and Wear, two weeks shy of the completion of a commission to build a ship, the local consortium goes into receivership, the vessel, literally destined for the scrap yard. Inspired by the Clyde shipbuilders ‘work in’ of 1971, the workers, lead by shop steward Jackie White (Joe McGann) occupy the yard in order to complete the ship. Into this situation arrives Gideon Fletcher (Richard Fleeshman), home from 17 years at sea, to find Meg (Frances McNamee), the girl he left behind (unbeknownst to him, pregnant at the time), still here in town.

As evidenced by the success of Billy Elliot, with which, inevitable comparisons will be drawn, a British-specific storyline that resonates with an audience will always be a winner and it is largely thus with The Last Ship. It is nostalgic and unashamedly tugs at the heartstrings but, it is sufficiently compelling despite the message it somewhat heavy-handedly tries to hammer home. It’s not without its faults though: the hefty running time, due in no small part to an excess of songs that do little to advance the story and poor diction from a number of cast members that renders the lyrics inaudible, turn it into a theatrical endurance test at times. The plot is a slow burn and takes the entirety of the first act to establish itself. It must also be said that the characterisations are uneven, some have reasonably well-developed back stories, while others remain disappointing caricature Geordie stereotypes.

Partly inspired by Sting’s album The Soul Cages, the music is mostly original to the work. It is ballad heavy, and given the nature of the subject matter this isn’t unexpected, but many are somewhat reminiscent of each other. The melodies are unmistakably Sting. There are a few stand-outs though, the title song in particular is majestic. Where the music soars is in the choral singing, the impassioned voices which raise to fill the auditorium are undeniably beautiful. It is here that the work becomes truly stirring. The performances are universally sound throughout. Joe McGann and Penelope Woodman, playing yard foreman Jackie and his wife Peggy, are particularly worthy of note.

The set from 59 Productions is an absolute winner, the lighting by Matt Daw and the projection design is sumptuous, it’s a joy for the eyes throughout.

In Glasgow, The Last Ship is playing to a crowd who very much understand the history of the shipyards and the scars that the Conservative government rendered are still in evidence. The mentions of the Parkland students, the Irish abortion vote and the NHS are welcomed with rousing cheers. This is a work that will resonate with many, however, some judicious editing would have made for an even more powerful message hitting home.

Runs until 23 June 2018 | Image: Contributed

THIS REVIEW WAS ORIGINALLY WRITTEN FOR AND PUBLISHED BY THE REVIEWS HUB

INTERVIEW: Gus Boyd of the Police/Sting Show talks about their latest tour

The ex-members of Hotel California, KT Tunstall and Fish’s bands, return to the touring circuit with this new exciting project, The Police Sting Show. Touring Scotland throughout October and November and finishing this year’s tour at Eastwood Park Theatre on Saturday 25 November, the show features re-worked, fresh versions of all the iconic Police and Sting solo album songs in a 100-minute show featuring an acoustic Sting section. 

Gus Boyd, who performs as Sting, talks about what we can expect and what’s coming up next year. 

Why do you think the Police’s music still has such an enduring appeal?

Basically, because they are great timeless songs that have lasted that initial audience generation and being listened and liked by our children’s generation.

How long has it taken for you to perfect your portrayal of Sting/The Police?

I started working stripping back the songs on acoustic guitar just under two years ago.

Added in a drummer and bass player 18 months ago and we created our own interpretations and style for the 24 songs that we currently play.

Tell us what we can expect from the show?

Not copies of the songs but our own style and fresh take, but still retaining the integrity and the song message.

Do you find audiences differ as you travel around the country?

They are all fans of The Police and Sting Music but do differ in age demographic especially in the regional areas.

It’s great to see the young generation enjoying the songs alongside people of their parents ages!

The Police/Sting Show will be at Eastwood Park Theatre on 25 November at 7.30pm as part of the UK tour.

More info at: https://www.eastwoodparktheatre.co.uk/article/9002/The-Police-Sting-Show