In the last few years Sophie Bould has been steadily gaining a reputation as one of the most gifted stage actresses in the country. From her West End debut in the original Andrew Lloyd Webber production of The Sound of Music, to her recent role as Lily in The Secret Garden, Sophie has been winning lead roles and rave reviews. This week Sophie comes to Scotland in High Society at Edinburgh’s Festival Theatre alongside Michael Praed and Daniel Boys. Glasgow Theatre Blog had a chance to chat to Sophie about this much loved show.
You’ve just embarked on an extensive UK tour; how does it feel to be out on the road for such a prolonged period of time?
I’m pretty excited actually as I’ll be visiting a lot of cities I’ve never been to before. I’ve been on a national tour before with the Michael Frayn play Noises Off which visited Glasgow, but this time because it’s six months I’ll be seeing a lot more of the country. I do miss home though.
Do you take any home comforts with you on tour to make things a bit easier?
I always take a few bits and pieces, I have lots of photographs with me: some wedding ones to pin to my pin board and ones of my little nephews, oh and the odd scented candle, just a few little creature comforts to remind me of home.
High Society is such a well-loved story, why do you think it still has such appeal after all this time?
I think it can resonate with anyone, anyone of any age or any walk of life. At the heart of it it’s about love and finding the person you truly love, I think will resonate with anyone who comes to see it. In this production in particular we have some wonderful people in the roles. Michael Praed (Dexter Haven) and Daniel Boys (Mike Connor) are wonderful, the boys are beautiful and I love them, so I’m just grateful to be playing opposite such lovely and talented men.
You’re following in the footsteps of Grace Kelly in the movie musical and Katharine Hepburn in the original Philadelphia Story; what have you done to make the character of Tracy Lord your own?
As you say they are quite large shoes to fill in that sense and I am quite wary of that. I haven’t watched the Grace Kelly movie since I was a child and when I found out I had the part I deliberately chose not to watch it in case I inadvertently picked up any of her mannerisms. I wanted to create Tracy Lord for myself in the rehearsal room with the director and the rest of the cast I’m playing opposite. We’ve talked a lot about the Philadelphia Story and I personally have done a lot of research on that and where the character of Tracy Lord actually came from. Philip Barry who wrote the original play, based the character on Philadelphia socialite Helen Hope Montgomery Scott and I researched her. It’s really interesting to base a character on a real life human being and make my own choices how to play her.
The choreography for the tour has been created by the award-winning Andrew Wright, he’s known for his innovative and often intricate work, are you a natural dancer or have you had to work hard at it?
Well I trained as a dancer years ago so it was in me somewhere and even though I haven’t done it in a while it was lovely to put the tap shoes back on. Andrew is such a genius, he is such a talented man and a lovely one too, it really was an honour to work with him especially after just winning his award for Singin’ in the Rain. Yes, the choreography is tricky and its intricate but its not impossible, and as my mum always says practice makes perfect – I just watched repeated and thankfully by the end of rehearsals I’d got it. The ensemble are wonderful, they really carry all the amazing dance routines.
Do you have any favourite songs or scenes from the show?
There are so many I don’t think I could choose. There’s a wonderful scene at the beginning of act two which starts with Let’s Misbehave and goes into Well Did You Evah and its such a big, feel good, group number. I love the really meaty scenes in this though, the script is wonderful, Arthur Kopit who wrote it worked really closely with us, altering the script as we went along, it is an absolute honour to have him on board. All the scenes with Tracy and Dexter and the scenes with Tracy’s father who is played by Craig Pinder I love.
Finally, do you have any plans for when the tour finishes apart from putting your feet up?
Definitely putting my feet up! But at the moment no plans. I guess auditioning will start again relatively soon. I will probably be going back into auditions in the next couple of months.
High Society opens Tuesday 5th March and runs until Saturday 9th March at the Festival Theatre Edinburgh and visits Glasgow from Tuesday 30th April until Saturday 4th May.
For more information about the show and booking details: http://www.highsocietymusical.com/
Follow Sophie on Twitter @sophiebould
All production photographs copyright Pamela Raith 2013 – http://pamelaraith.com/