Hands-down the most successful drag queen in the history of RuPaul’s Drag Race, self-proclaimed ‘clown in a gown’ and winner of season 6, Bianca Del Rio is back in town with her gaudy, bawdy brand of biting comedy.
Despite touring to several large-scale venues in previous years, indeed this isn’t the first time Del Rio has sold out this enormous venue, this tour will be the biggest solo headlined drag tour ever in the UK.
Supported by the equally X-rated Wendy Ho (above), this is not a show for the faint-hearted, but I doubt that there’s anyone in the audience who isn’t familiar with the drag firebrand’s old-school insult comedy and reputation for saying the things the rest of us only dare to think to ourselves. I’m racking my brains to think of any group left un-insulted, from lesbians to Brexit, disability to straight people, from Naked Attraction to Catholic priests, everyone is treated with the same derision.
Clad head to toe in an eye-popping electric pink sequinned jump suit, curly orange wig and turban, Del Rio rattles through an hour of brutally honest observations that have the audience howling, leaving us in no doubt why she was named the most influential Drag Queen by the New York Times.
Del Rio is a welcome change from a world in which everyone is desperate to be offended – refreshingly controversial.
2019 marks 50 years since The Beatles walked over that famous crossing on Abbey Road, 50 years since they played on the roof of the Apple Corps. building on Savile Row and 49 years since they released their last album. Seen by over two million people worldwide, Let It Be, continue their celebration of the music of The Beatles with a brand-new show for 2019.
The revamped show is split into two halves: the first a potted history of the Fab Four, starting from the famous Royal Variety Performance in 1963, through Shea Stadium to Sgt. Pepper and beyond. The second, is set a decade after The Beatles went their separate ways. It’s the 9th of October 1980, John Lennon’s 40th birthday, the band reunite for one night only for “the ultimate concert that never was”. Here we get a chance to hear some of the hits from each Beatles’ solo careers.
Let It Be is the Rolls Royce of Beatles celebration acts and the quality of the musicianship is outstanding. Emanuele Angeletti (Paul McCartney), John Brosnan, Ben Cullingworth (Ringo Starr) and Richard Jordan (John Lennon), go beyond simple impersonation. To the ear, this is as close as you are going to get to the real thing. Every specific tone and intonation of each man is captured in impressive detail.
While fans of the original show may wish to see something a bit different from the usual history and greatest hits of The Beatles, it is understandable that after seven years the performers and producers might want to shake things up a bit. This production is very much a show of two halves and while the quality of the vocals and musicianship never dips, the choice of songs in the second half mean that there’s a distinct shift in atmosphere. The joyous celebration of The Beatles early years is replaced by some more sombre moments from their later careers. That said, the whole evening ends on a high and with the audience on their feet, a series of Fab Four classics sending the crowd out into the rainy night with these musical masterpieces ringing in their ears. Well worth catching if you can.
The National Theatre’s acclaimed production of War Horse, based on the novel by Michael Morpurgo arrives at The SEC Armadillo from 15 January – 2 February 2019 as part of a national tour.
Joey, the life-size equine puppet from War Horse made a special early appearance in Glasgow next to The Duke of Wellington Statue last week as well as his home for January – The SEC Armadillo. The event also included a talk about the history of the show from War Horse’s Assistant Puppetry Director, Matthew Forbes.
The puppeteers operating Joey in Glasgow are: Gareth Aled (Head), Michael Taibi (Heart) and Antony Antunes (Hind).