Scottish Opera’s music director Stuart Stratford starts this year’s Sunday Series on a high note with an outstanding concert performance of Pietro Mascagni’s rarely seen, but utterly charming bucolic tale of unrequited love, L’amico Fritz.
Written after his verismo masterpiece Cavalleria Rusticana, Mascagni’s intention was to write a work as far removed from Cavalleria as he could and in L’amico, that is absolutely achieved, this is a simple, gentle, pastoral love story – there’s none of Cavalleria’s bloodshed and the body count is nil. It’s 19th Century, pre Franco-Prussia War Alsace where the Protestant and Jewish communities live in blissful harmony. Rabbi and local matchmaker David bets his friend, the marriage phobic, wealthy landowner Fritz Kobus that he will succumb, within the year, to the charms of married life. In the meantime Fritz falls in love with Suzette, the daughter of one of his tenants and a happy ending is guaranteed for all.
Stuart Stratford has previous form with L’amico, conducting a fully staged performance for Opera Holland Park in 2011, and his familiarity with, and love for the piece shines through. The Orchestra of Scottish Opera freed from the pit and onstage in their purpose-built acoustic shell, have rarely sounded better, the gorgeous melodies and beautiful lyricism of the piece are a ravishing treat for the ears. The singers are universally deserving of praise, with Peter Auty’s Fritz, Stephen Gadd’s David and Hanna Hipp in another ‘trouser role’ particularly fine.
If the glorious L’amico Fritz is a marker of the quality to be expected for the rest of the Sunday Series, then opera lovers in Scotland are in for a treat indeed.
The next offering from the Sunday Series will be Debussy’s L’enfant prodigue on 5th February 2017 at 3pm
For more information visit: https://www.scottishopera.org.uk