Tag Archives: Giacomo Puccini

NEWS: SIR DAVID MCVICAR RETURNS TO SCOTTISH OPERA TO DIRECT PUCCINI’S IL TRITTICO

On March 11, Il trittico (The Triptych) — a new production of Puccini’s Il tabarro (The Cloak), Suor Angelica (Sister Angelica) and Gianni Schicchi — opens at Theatre Royal Glasgow before touring to Festival Theatre Edinburgh. Directed by the world-renowned Scot Sir David McVicar, who last worked with the Company on its 2021 production of Verdi’s Falstaff, this is the first time he has directed the epic triple bill and the first time Scottish Opera has staged it. Only one complete performance of Il trittico has taken place in Scotland, at King’s Theatre, Glasgow, in 1957 by Sadler’s Wells Opera.

A new co-production with Welsh National Opera, this glorious trio of one-act operas tell the stories of people trapped by circumstances and unfulfilled desire. Il tabarro sees a wife stuck in a marriage she longs to escape, Suor Angelica is the tale of an outsider forced into a life for which she has no vocation, and Gianni Schicchi focuses on a dysfunctional family caught in the snare of a shameless conman.

The set designs by Charles Edwards span the 1920s, 50s and 70s and take inspiration from the city of Glasgow and the work of French-Hungarian photographer Brassaï, as well as Oscar Marzaroli, who was famous for capturing images of Glasgow from the 1950s to 1980s.

Scottish Opera Music Director Stuart Stratford conducts Roland Wood (Don Giovanni 2022), Sunyoung Seo, Viktor Antipenko, Francesca Chiejina, Julian Close (making their Scottish Opera debuts), Jamie MacDougall (Candide 2022), Louise Winter (Falstaff 2021), Máire Flavin (Opera Highlights 2018) and internationally-acclaimed Scottish mezzo-soprano Karen Cargill (Bluebeard’s Castle 2017). They are joined by former Scottish Opera Emerging Artists Elgan Llŷr Thomas (A Midsummer Night’s Dream 2022) and Sioned Gwen Davies (The Gondoliers 2022).

Il trittico has an early start time of 6pm, with a long second interval for dinner and drinks.  Audiences are able to order food from the theatre in advance, and are advised to do so as early as possible as availability is limited.

Director Sir David McVicar said: ‘Il trittico is such a huge project, with a big and exceptional cast performing in three separate operas, a gripping evening in the theatre that takes us from the dark drama of Il tabarro, through the unbearable heartbreak of Suor Angelica to the acerbic and hilarious Gianni Schicchi, one of the greatest comic operas ever composed. It’s beautiful, tragic, hilarious, epic, and I couldn’t be prouder to be directing Scottish Opera’s first ever production of the three operas, so rarely seen, as Puccini intended, performed in one evening.’

Scottish Opera Music Director, Stuart Stratford, said: ‘Il trittico is the Mount Everest of the Puccini operas. These three, great one-act operas have a most concise structure which makes them so devastating to watch, and yet each is a perfect world in its own right, complete with a different way of delivery of musical material from the performers. Puccini has a special sound world for each, from the French impressionism and passion of Il tabarro to the unbearably sweet, yet poignant, outbursts of Suor Angelica, to the quick-fire stand-up comedy of Gianni Schicchi, leaving the listener after four hours having gone on an exhausting, challenging yet memorable climb to the summit.’

Scottish Opera General Director, Alex Reedijk said: ‘It’s something of a serendipitous confluence that this year sees our 60th Anniversary, Sir David McVicar’s return to Scottish Opera and the staging of Puccini’s triptych by the Company for the very first time. What a way to celebrate our Diamond Anniversary!  We are so excited to bring these incredible operas to Glasgow and Edinburgh, where audiences can expect a truly memorable theatrical experience and the chance to hear all three glorious operas in one night.’

The Company recently launched new afternoon Access shows to allow audience members the flexibility and freedom to relax and move about as required during performances. This Season there will be Access performances (supported by Scottish Opera’s Education Angels) of Gianni Schicchi in Glasgow and Edinburgh.

With Dementia Friendly values at their core, these shorter performances (under two hours including an interval) are open to all, whether you’re recovering from an operation, have breathing difficulties, are living with dementia, have a young baby or on the autism spectrum.

The Access performances, which include a presenter to help guide audiences through the story, are conducted by Head of Music Derek Clark, and performed by a cast of singers. Doors open 45 minutes before the start time so there is no need to rush, brighter lighting levels than usual in the auditorium and there are television screens around the theatre for those who prefer to watch in the lobby or sit in a quiet area.

Half-hour pre-show talks, delving into the detail of Il trittico are also available this season. Those who are visually impaired can take advantage of audio-described performances, where a live commentary is provided, describing the action on stage without compromising the music. As part of the experience, a recorded introduction to the operas is provided in advance, and there is a free Touch Tour of the set and a live audio introduction before the start of the performance.

Performance diary

 

Il trittico

 

Theatre Royal Glasgow

11, 15, 18 March 2023, 6pm

Pre-show talk and Touch Tour, 18 March, 4.45pm

Audio-described performance, 18 March 6pm

Access Gianni Schicchi, 16 March, 3pm

 

Festival Theatre Edinburgh

22 & 25 March 2023, 6pm

Pre-show talk and Touch Tour, 25 March, 4.45pm

Audio-described performance, 25 March, 6pm

Access Gianni Schicchi, 23 March, 3

IMAGES: JAMES GLOSSOP

REVIEW: Scottish Opera La bohème – Theatre Royal, Glasgow

flea market scene la boheme scottish opera

A sharply crafted, visually stunning and beautifully sung La bohème is a triumphant finale to the 2016/17 Scottish Opera season.

The creative team of André Barbe and Renauld Doucet, last seen in 2014 with the glorious Don Pasquale, have taken Puccini’s masterpiece of Italian opera and reset it to the 1920s. The era of ‘The Lost Generation’, when the world’s creative souls converged on Paris to live the bohemian life among the flea markets, jazz clubs and free spirits.

woman and man mimi and rodolfo hye youn lee luis gomes la boheme

What the pair have achieved is to take the world’s most frequently performed opera, tone down the schmaltz and restore its humour and joie de vivre. Despite the frozen bohemians burning their books, the warmth of their spirits shine through in this production.

papier mache big head mannequins street scene christmas la boheme scottish opera

This is a production whose success is a result of a perfect coming together of all its parts: composer, conductor, cast, design, direction and orchestra. Vital and vibrant it is a winner in every area.

a woman in flapper dress atop a table in la boheme

There are a brace of fine vocal performances: Hye-Youn Lee is a vocally elegant Mimi with an incredibly ear-pleasing and distinctive tone. She perfectly expresses Mimi’s demise without descending into melodrama. Luis Gomes (Rodolfo) is a beautifully toned tenor, however, he is frequently overpowered by the orchestra and Jeanine de Bique is an eye and ear-catching, Josephine Baker-ish Musetta, complete with pet cheetah.

André Barbe’s set is a star in itself. Bristling with life, it is a lavish cacophony of colour and meticulous detail. You will be hard pressed to see a more visually stunning production all year.

This perennial favourite’s standing as the world’s most popular opera shows no sign of abating and this stunner of a production from Scottish Opera will live long in the memory. A stand-out 5 stars.

All images: Sally Jubb

Tours to Aberdeen, Inverness and Edinburgh – more information at: http://www.scottishopera.org.uk/