REVIEW: Hedda Gabler – Festival Theatre, Edinburgh
This stark and sleek version of Ibsen's classic play, adapted by Patrick Marber and directed by Ivo van Hove, demonstrates...
Edinburgh
INTERVIEW: Gina Isaac star of Rapture Theatre’s Streetcar Named Desire
Gina Isaac is currently starring in Rapture Theatre Company's new production of A Streetcar Named Desire as Stella. I caught...
REVIEW: Auditions – Sweet Grassmarket, Edinburgh
Inspired by creator Michael Sharmon’s personal experience and seemingly hugely influenced by A Chorus Line, Auditions is a somewhat clichéd...
REVIEW: Aaron Calvert: Awaken – La Belle Angele, Edinburgh
The lure of the stage rather than the stethoscope has led trained doctor Aaron Calvert to Edinburgh for his second...
REVIEW: Alexander Fox: Ringo – Pleasance Courtyard, Edinburgh
It’s the moments of pure storytelling that resonate most in Alexander Fox’s debut solo hour of original comedy: Ringo. In 2006,...
REVIEW: The Soft Subject (A Love Story) – Assembly Hall, Edinburgh
Chris Woodley takes us back to the classroom to tell his poignant, playful and practically perfect tale of love, loss and survival...
REVIEW: Bare Skin on Briny Waters – Pleasance Bunker One, Edinburgh
This reflective story from Maureen Lennon and Tabitha Mortiboy, is both personal and universal to the generation of Millennials, promised...
REVIEW: The Giant Killers – Rose Street Theatre, Edinburgh
Long Lane Theatre Company’s The Giant Killers is a David and Goliath tale from the birth of ‘the beautiful game’....
REVIEW: Mamma Mia! – Edinburgh Playhouse
This post was originally written for The Reviews Hub Sometimes, all you need at this time of year is to...
REVIEW: Maxim Vengerov & Roustem Saïtkoulov – Usher Hall, Edinburgh
Russian-born superstar violinist Maxim Vengerov showcases his astonishing technical skill and artistry in this one-night only recital as part of...
