Michael Harrison has announced the cast for Disney’s Bedknobs and Broomsticks, which will make its world premiere as an exciting new stage musical this Summer on a major UK & Ireland Tour.
Performances begin at Newcastle Theatre Royal on Saturday 14 August 2021, a Scottish Premiere at the King’s Theatre Glasgow in November, with the UK Tour recently extended through to May 2022. The tour includes a 5-week Christmas season at Leeds Grand Theatre.
Dianne Pilkington will star as Miss Eglantine Price, the mysterious lady that the three orphaned Rawlins children are evacuated from wartime London to live with. Dianne’s West End credits include Les Miserables,Wicked, Mamma Mia and Mel Brooks’ Young Frankenstein.
Charles Brunton will play Emelius Browne. Charles starred in the iconic role of Miss Trunchbull in Matilda both in the West End and on Broadway. Other credits include Love Never Dies, Chess and Scrooge.
The rest of the company includes Mark Anderson, Jessica Aubrey, Georgie Buckland, Kayla Carter, Jonathan Cobb, Jacqui Dubois, Matthew Elliot-Campbell, Sam Lupton, Rob Madge, Vinnie Monachello, Nathaniel Morrison, Conor O’Hara, Sadie-Jean Shirley, Robin Simoes Da Silva, Emma Thornett and Susannah Van Den Berg.
The Rawlins children will be played by Dexter Barry, Izabella Bucknell, Haydn Court, Poppy Houghton, Evie Lightman and Aidan Oti.
Enter a world of magic and fantasy with Disney’s classic movie Bedknobs and Broomsticks. With the original songs by the legendary Sherman Brothers (Mary Poppins, The Jungle Book, Chitty Chitty Bang Bang), including Portobello Road, The Age Of Not Believing, The Beautiful Briny and new music and lyrics by Neil Bartram and book by Brian Hill, Bedknobs and Broomsticks will be brought to life by award-winning theatre-makers Candice Edmunds and Jamie Harrison.
When the three orphaned Rawlins children are reluctantly evacuated from wartime London to live with the mysterious Eglantine Price, they have no idea what adventures lie ahead. Upon discovering Eglantine to be a trainee witch, they join forces to search for a secret spell that will defeat the enemy once and for all. Armed with an enchanted bedknob, a bewitched broomstick and a magical flying bed, they encounter surprising new friendships on their journey from Portobello Road to the depths of the beautiful briny sea.
It seems like a short while ago I saw you as a student at the Royal Conservatoire of Scotland starring as the Emcee in Cabaret. Tell us what happened between then and starring in the West End.
Ahhhh amazing, you got to see Cabaret! Definitely one of my favourite parts I ever got to play. So, round about that same time I also signed with a London agent and started to get auditions coming through, including auditions for Mamma Mia! in London and for the tour. I didn’t get past the first round and just kind of forgot about it. I graduated in July 2016, and almost immediately booked my first professional job in London, Floyd Collins at the Wiltons Music Hall. Once that finished, I was back in Scotland at the Tron Theatre for Christmas, in the The Snaw Queen, followed immediately after by Still Game:Live at The SSE Hydro. Luckily, I hadn’t really stopped, and so made the move back to London to start auditioning again. Cut to two months later, and a few rounds of auditions for Mamma Mia! again, and suddenly I was going to be Sky in the West End!
Georgina Castle & Christopher Jordan-Marshall as Sophie and Sky London Cast 2017/2018
Tell us how you felt when you got the call to say you’d be making your professional West End debut.
Well it was about a week after the finals for Mamma Mia!, and I was sort of waiting to hear about a couple of things. When my agent phoned, she said ‘So, do you want some good news?’ and I’m pretty sure I swore at her down the phone and yelled a bit. I was honestly jumping about my house, totally ecstatic. Cliché as it is, this was something I had been wanting and dreaming of ever since I was little and so for that dream to become a reality at the age of 22 is just really special for me. I’m grateful every day.
How are you enjoying playing Sky?
It’s bloody brilliant! I’m honestly having such a good time. Everyone that works at the Novello, the cast, creatives and crew are an absolute joy to work with, and there is a total family vibe amongst us all. We get such amazing audiences every night, and even though it’s been running in the West End for 18 years, there is still something really fresh and new about our cast which is so exciting. When we first took over in June, we performed a slot at West End Live, which is sort of a concert weekend in Trafalgar Square where musicals all around the UK and in central London perform. That was a pretty special moment, singing and dancing an Abba megamix to thousands of people.
Christopher Jordan-Marshall as Sky (front centre)
What do you think makes Mamma Mia! so enduringly popular?
There are so many elements I think. The songs come first obviously. You get the sexiness of things like Gimme Gimme! and Voulez Vous, and then also the heart from songs like Slipping Through My Fingers and The Winner Takes It All. Then you have the story which interweaves these songs seamlessly in a way that lots of jukebox musicals are unable to do. It’s a story about mothers and daughters, about strong female friendship, and about empowerment of women. Certainly back when it was first conceived, there wouldn’t have been many stories like it, and only really now is that starting to change. It’s just such an awesomely feel good show, which makes every audience member leave with a huge grin on their face. They get to escape to a beautiful Greek island for two and half hours, what’s not to love?! People need escape like that more than ever these days, so I’m glad I can contribute to that.
What is life like backstage at the Novello?
Well I’m lucky enough to get a dressing room to myself next to the stage on the ground floor. It’s not a huge room, so I tend to keep the door wedged open and slowly over time it has sort of changed into a mini green room for the other company members to chill in when they aren’t needed on stage. I have a bit of time in between the things I’m involved in on stage so I’m happy for the chat. Usually backstage totally runs like clockwork, everyone knows exactly where they are supposed to be but every so often it becomes a bit hectic. We have two large set pieces that are moved around on stage with handles to create different scenes and environments. One Saturday one of the handles broke off and the pieces couldn’t move. We had to completely make up the rest of the show without them working or moving, which was fun!
MAMMA MIA! London Cast 2017/2018
How do you keep your performance fresh when you’re on stage eight times a week?
Good question. This is first contract I’ve had which is a year long, so I’m still finding that out to be honest. Something I try to do before going on every night is remind myself that all the events that happen during the show are happening for the first time, so I don’t pre-empt anything, and that usually makes me present. That, and just constantly being open to reacting to whatever Sophie or whoever I’m with and what they’re giving me. That makes it fun every night because you don’t know what you are going to get. And if something is a bit rubbish one night, or something goes wrong, you get to try again tomorrow and be better!
Can we go back a bit and talk about what inspired you to become an actor and the path you took to becoming one?
I don’t know if anything particularly inspired me to become an actor, I think I was always pretty sure that was what I wanted to do since I was a little guy. I was put into local amateur shows and went to youth drama groups/theatre schools. Music and drama was something I always kind of excelled in at school, so it started to become obvious what path I was going down. It was a way to express myself whilst growing up, when I didn’t particularly know how to yet. If I didn’t have those groups and shows, I think being a teenager would have been a lot harder. I guess the teachers and friends that were in my life during that time inspired me to pursue it professionally. Oh and my uncle Alan. He was the one who introduced me to a lot of theatre and has always been my biggest fan. He’s a big inspiration for all this.
Do you have any advice for kids back home who aspire to become a performer?
If you love it, pursue it. There are so many ways to become part of theatre and the arts professionally, which many kids aren’t made aware of in schools. Actors, musicians, hair and makeup, production, agents, casting, it’s all out there. Do not let your parents try and choose your pathways for you, and make you do something you don’t want to; you’ll be unhappy. I was lucky enough to be fully supported by my family in all my endeavours but sometimes that doesn’t happen. I remember my guidance teacher told me that I shouldn’t do music AND drama at the same time in school, and made it out that it was practically impossible to pursue a career in it. Needless to say, I didn’t listen to her. Even if you aren’t the best at everything to begin with, keep learning and growing and trying, because you eventually start to get somewhere. Don’t settle, and go chase your dreams; it can happen!
Christopher Jordan-Marshall (front centre) Mamma Mia! 2017/2018 Cast
Finally, why should people come along to see you in Mamma Mia!?
Our cast is amazing, there’s topless boys, and the tunes are amazing obviously. I also keep my Scottish accent so SCOTLAND REPRESENT. Come get drunk (if you’re over 18) and dance!!
You can see Christopher at the Novello Theatre – more information here