The second of the Royal Conservatoire of Scotland’s musical offerings, allows Shakespeare’s women to vent some steam at their treatment at the hands of The Bard.
As their other work this year, Under The Ground, this musical is presented as a series of vignettes, but the lack of a ‘book’ means one can’t help feeling that this could have been so much more.
That’s not to say it doesn’t have some emotional impact. There are a few notable performances and a few not so. There’s also an over-reliance on over-acting to convey emotion and much potential impact is lost in the histrionics.
A little more work and this could be a cracker.