REVIEW: When We Were Young – Village Theatre, East Kilbride
Liam Lambie's hard-hitting but hysterically funny When We Were Young, lays bare the lives of young Glaswegians living through the...
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REVIEW: Jesus Christ Superstar – King’s Theatre, Glasgow
Finally, the rest of the UK gets the chance to see the Olivier Award-Winning re-imagination by Regent's Park Open Air...
REVIEW: Burnt Out – Platform, Easterhouse
Australia-born, Glasgow based dance artist Penny Chivas tours Burnt Out, her intimate but impactful personal experience of the devastating 2003 Canberra...
REVIEW: Battery Park – Tron Theatre, Glasgow
Playwright Andy McGregor is a dab hand at bringing uniquely Scottish stories to the stage. Here he mines his own...
REVIEW: Matthew Bourne’s Romeo and Juliet – King’s Theatre, Glasgow
Breathing a new life and originality into Shakespeare's much-told tale, Matthew Bourne revives, refines and revises his gripping 2019 re-invention...
REVIEW: And Then There Were None – Theatre Royal, Glasgow
Based on the best-selling crime novel of all time, director Lucy Bailey, brings the queen of crime Agatha Christie's And...
REVIEW: Sex Education Explorers [S.E.X.] – Platform, Easterhouse
The world is awash with discussion on gender identity and fluidity and rightly so. Mamoru Iriguchi's Sex Education Xplorers is...
REVIEW: Dracula: Mina’s Reckoning – Theatre Royal, Glasgow
There have been innumerable re-tellings of Bram Stoker's Dracula. Morna Pearson's distinctly Scottish adaptation Mina's Reckoning is a compelling theatrical...
REVIEW: Scottish Opera: Daphne – Theatre Royal, Glasgow
Daphne, Richard Strauss' rarely staged, one-act, bucolic opera, has been described as having "concise and sublime beauty". Seldom seen, it...
REVIEW: The Ocean at the End of The Lane – King’s Theatre, Glasgow
Page to stage transfers are often fraught with danger, but Joel Harwood's adaptation of Neil Gaiman's 2013 short novel, remains...
