Tag Archives: What’s on March

WHAT’S ON MARCH: Terceira Pessoa will present the UK premiere of Common Sense at The Tron

Ground-breaking Portuguese company Terceira Pessoa will present the UK premiere of Common Sense as part of The Tron’s Spring season of work from THU 26 – SAT 28 MAR, 8PM. This dynamic, multidisciplinary production (performed in English) has already been performed in Germany and Belgium.

Common Sense – a vague recollection of a show is a poetic and visual work, where the audience embarks upon a journey with a writer as a new work is created in front of their eyes. Playing with ideas of the memorable and theatrical, it asks questions of theatre being commonplace and transmissible, and through its humour and boldness, playfully interrogates the theatrical experience itself.

This is far from a sombre, reflective piece. Expect actions, hesitations and mistakes which are then corrected. We go back to previous pages in the middle of a sentence; we scroll up and down; the mouse of the computer becomes alive… And all of this brings the question: is this real or fiction?

Co-creator Ana Gil says:  “We like to think about the play as an accident, something that happens that is unexpected. We like to think about the show as something that happens in the middle of something in our life… something that catches you, that holds you in a thought, and all you bring back home with you is just the metastases of the show you just watched”.

Contrary to the fixed nature of poetry, the text of the show effectively evaporates over time…. What is left is the memory of what we have seen- a vague recollection of a show.

WHAT’S ON MARCH: IN THE WORKS PRESENTS WITHIN SIGHT AT THE TRON

Tron Theatre have announced that spoken word theatre company In The Works will present Within Sight as part of our Spring season of work. Commissioned and supported by Unlimited through their Emerging Artist Award, Unlimited celebrates the work of disabled artists.

This solo spoken word show explores the relationships between body, senses and sport through following the story of our protagonist who narrowly misses out on making the GB Paralympics team. Growing up with albinism she has had to deal with all the abuse, well-intentioned or otherwise, our ableist culture throws at her, but for as long as she can remember, her sport has given her independence and strength. We see her running, as she begins untangling the ways in which she has internalised the extreme expectations society puts on disabled people.

Based on her own experiences of living with albinism and the condition’s subsequent visual impairment, creator and performer Ellen Renton says:

“The protagonist spends the show trying to establish where she belongs now that she doesn’t fit in the bracket that society had expected her to. I was also keen to write a rounded disabled character, who is flawed in her rage and bitterness but is also warm, hard-working, and likeable. I feel that having a complex protagonist again acts as a defiance of the binary representation of disabled people.”

Renton has worked with filmmaker Kiana Kalantar-Hormozi, as well as Jack Hinks, and David Devereux of Tin Can Audio to create visuals, music, and audio to accompany her poetry, using multimedia to illustrate what the world might look like to someone living with visual impairment.

Soft spoken but hard hitting, Within Sight addresses ableism within our society and asks you to consider how individual actions have the power to stop it from happening.

LISTINGS INFORMATION

Venue:   Tron Theatre, 63 Trongate, Glasgow G1 5HB
Dates:  Thu 19 – Sat 21 Mar, 8pm
Tickets:         £11 (£8.50)
Box Office: 0141 552 4267 or http://www.tron.co.uk

For full tour listings please visit: https://www.intheworkstheatre.com/withinsight

INTERVIEW: Elesha Paul Moses starring as Tina Turner in What’s Love Got To Do With It? at Glasgow’s King’s Theatre

Elesha Paul Moses has paid her dues in the entertainment world; she’s been striving for success in the music business for 20 years, through sheer hard graft and some TV talent shows. Now she’s taken her singing career to a new level starring in the mammoth tribute show tour What’s Love Got To Do With It?, celebrating the music and life of rock, soul legend Tina Turner.

Elesha, 39, who lives in Hampshire and grew up in Surrey, appeared on The X Factor in 2010, alongside One Direction, winner Matt Cardle and in the same category as the big-haired, bongo playing wild card contestant Wagner. She then reached the battle rounds – twice – on The Voice, with will.i.am in a duo in 2013 and Tom Jones as a solo act a year later. She had previously been mentored by Mathew Knowles – Beyoncé’s dad – on a Channel 4 talent show.

She is also touring the UK, and has performed in Europe and Brazil, as the late, great Whitney Houston in Whitney: Queen Of The Night – including five sell-out shows at the Savoy Theatre in London’s West End.

Brought to you by the award-winning producers behind Whitney: Queen Of The Night, What’s Love Got To Do With It? is the ultimate tribute concert paying homage to one of the most iconic musical artists of the 20th Century.

We spoke to Elesha about her love of performing, and how she loves to party with Tina fans all over the UK.

What’s Love Got To Do With It? launched in 2019, you’ve been on the road for a year now – how has it been, paying homage to a rock and soul legend like Tina Turner?

It has been incredible. Heading into the start of the show, I’d been pretty full on with Whitney: Queen Of The Night so didn’t have too much time to think about it… Then it was full on into touring mode for What’s Love Got To Do With It? and we’ve been up and down the country ever since.

There has been so much love for the show from audiences and on social media – it’s been amazing. I’ve been working hard on the vocals, and the band, backing singers and costumes are fantastic. We love being on the road, meeting all the fantastic fans and that’s made preparing for the 2020 tour even more exciting, as we know what the reactions will be.

Fans have loved the show. What does it feel like to see such brilliant responses from the audience, and to receive the amazing reviews online?

It’s surreal, especially for someone like me as I’m really self critical; I’m always thinking ‘What could I do better?’, even when people are saying the show is fantastic. The comments we get are actually a little overwhelming, and we’re so very grateful for each and every one.

Seeing people in the audience having a brilliant night out, dancing and singing along is what it’s all about.

You perform as both Whitney Houston and Tina Turner – they’re very different artists. What’s it like recreating these iconic female performers live on stage?

It’s been a big learning curve, in the sense of keeping pushing on with everything I do for the two shows.

Doing Whitney as well as Tina, you need a huge amount of stamina – vocally, physically and mentally, but in such different ways for each performance. Tina is much more the physical challenge, Whitney is the vocal challenge. But working hard to be at my best in both areas pays off on both shows.

And it’s funny really. They are such different sounding performers! Each role strengthens my voice in such different ways, but that only helps make me better in each show.

Tina’s not got a growl as such. People think it’s shouting but it’s not, it’s a very particular tone that she has, and she’s so free with her performance.

Then when I’m on stage as Whitney it’s almost the opposite. You’re so exposed and there’s nowhere to hide as it’s a much slower, more mellow pace of show.

Compare that to Tina and What’s Love Got To Do With It?… Once you’re on stage, there’s no letting up from the moment you start. I love that very strong contrast between the two.

You have such a busy schedule with both shows running alongside each other. With two young children, how do you manage that with family life?

Mark, my husband is amazing; I have the best man in the world. I definitely couldn’t do it without him.

My eldest daughter Kookie is turning eight soon, and she’s only ever known me to be a singer. So, in some ways, she’s used to it but occasionally she’ll say something. My little one Teddy doesn’t know any different to the schedule we now have, I’m lucky she’s so young.

For me, I’m able to shut it off to an extent, as I know this is all about building for their future – whatever job you have, you have to balance family life. I also think we’re so lucky to have things like Facetime now so you can catch up easily and see them if you are away for a few days at a time.

What’s your favourite song to perform as Tina Turner?

There are so many I love. Proud Mary is obviously so much fun, but I also love Typical Male and I Can’t Stand The Rain. But for my absolute favourite… I’ll go Proud Mary. It always used to be Simply The Best which people really loved and went mad for – but these days it’s definitely Proud Mary.

Tina Turner is still such a huge name in music, why do you think she’s still so popular?

She is just such a great all-rounder, and she appeals to men as well as women. She’s a great rock and roll artist. Her songs have never gone away. Even youngsters now, they know tracks like Proud Mary. You do those songs and they’re all over it.

Tina’s had difficult times too over the years, but she came through it. I think people like that side of her story too, as well as the brilliant music.

How did you get into singing and performing as a tribute artist?

When I first realised I could properly sing I was about 13 – I was always mimicking others and that’s how I taught myself. But that real big belting voice wouldn’t necessarily come out. Then, listening to people like Whitney Houston and Mariah Carey, those kind of artists, was when it really came to me. Funnily, I didn’t really listen to Tina Turner when I was younger, my parents played her music in the car, but it wasn’t what I took to at the time.

I was singing in a club and a friend said ‘We should do something different’, I said ‘Shall we try Whitney or something?’. I went home, put down a couple of lines of Whitney and thought ‘Oh, I can sound like her’. It went from there, and a similar thing happened when I started with Tina.

You’ve been working in the music industry for a long time – you started writing with a record company aged just 17 and have been on TV reality talent shows. Can you tell us about the switch to the world of tributes?

I never used to do tributes, I was striving to do my own stuff and put out my own music. Things happened in my life, and I was in between things not really knowing what to do. I didn’t know how to get into the tribute business, but at the same time I felt that by doing that I would miss doing my own thing too.

But I’d done my album and did lots of trying to make it before doing the TV shows. I’d tried the traditional, old fashioned methods to get signed. It was just never meant to be. So, I decided it was time to take it away from being me and into being someone else.

How was your time on The X Factor and The Voice – and what did you learn from the experience?

When I did X Factor – in 2010, 10 years ago, wow – I was in the year of One Direction and Cher Lloyd, and Wagner, he was in Louis Walsh’s Overs category with me, but I went home after judges’ houses.

I was asked to audition for The Voice, and I first went when I was pregnant with Kookie – but I realised the live shows would be on when I was due with her so had to back out. But I auditioned again in 2013 as part of a duo [getting to the battle rounds in Team will.i.am], and again in 2014 [again, getting to the battle rounds with Team Tom].

Doing both of these did give me a boost at the time, even though I got so close but ultimately wasn’t successful. I don’t know what people think of me as an artist having done those shows, but I’m so grateful and glad to have moved on to what I’m doing now.

I’m 99.9per cent – no, make that 100per cent sure I wouldn’t be tempted to do it again.

Forget being mentored by Louis Walsh – tell us about working with Mathew Knowles, Beyoncé’s dad!

So, yes, I did a TV show a long time ago, where I was mentored by Mathew Knowles – Beyoncé’s dad – that was pretty mad. It was Chancers on Channel 4’s T4, and I won the chance from UK auditions to spend a month in Houston, America, where the group of us chosen had various challenges. Mine was to sing at the same studio where Whitney Houston had recorded.

That experience gave me a really tough skin, to know that whatever you do don’t worry about what’s happened in the past; it’s all brought me to where I am now.

Tickets are on sale now from www.cuffeandtaylor.com

 

WHAT’S LOVE GOT TO DO WITH IT? TOUR DATES 2020

March

Wed 4th PORTSMOUTH, GUILDHALL

Thu 5th POOLE, LIGHTHOUSE

Fri 6th TUNBRIDGE WELLS, ASSEMBLY HALL

Sat 7th KINGS LYNN, CORN EXCHANGE

Thu 12th LYTHAM, LOWTHER PAVILION

Fri 13th WARRINGTON, PYRAMID & PARR HALL

Sat 14th HALIFAX, VICTORIA THEATRE

Thu 19th BIRMINGHAM, ARENA BIRMINGHAM

Fri 20th LEEDS, FIRST DIRECT ARENA

Sat 21st NEWCASTLE, O2 CITY HALL

Thu 26th ABERDEEN, MUSIC HALL

Fri 27th DUNDEE, CAIRD HALL

Sat 28th EDINBURGH, USHER HALL

Sun 29th GLASGOW, KING’S THEATRE

April

Sat 4th HULL, CITY HALL

Sat 11th LOUGHBOROUGH, TOWN HALL

Sat 18th SHEFFIELD, CITY HALL

Thu 23rd PETERBOROUGH, NEW THEATRE

Sat 25th IPSWICH, REGENT THEATRE

May

Mon 4th MILTON KEYNES, MILTON KEYNES THEATRE

Thu 7th SOUTHEND, CLIFFS PAVILION

Thu 14th HAYES, BECK THEATRE

Sun 31st CROYDON, ASHCROFT PLAYHOUSE

June

Sat 6th CARLISLE, SANDS CENTRE

Wed 17th SUNDERLAND, SUNDERLAND EMPIRE

Thu 18th BRADFORD, ST GEORGE’S HALL

Fri 19th STOCKPORT, PLAZA

Sat 20th MALVERN, MALVERN THEATRE

Fri 26th LONDON, INDIGO AT THE O2

July

Wed 1st EXETER, NORTHCOTT THEATRE

Thu 2nd BARNSTAPLE, QUEENS THEATRE

Fri 3rd CHATHAM, CENTRAL THEATRE

Thu 9th OXFORD, NEW THEATRE

Fri 10th BRIGHTON, THEATRE ROYAL

Sat 11th BASINGSTOKE, ANVIL ARTS

Sun 12th HORNCHURCH, QUEEN’S THEATRE

Thu 16th NEW BRIGHTON, FLORAL PAVILION

Fri 17th ISLE OF MAN, VILLA MARINA

Wed 22th BROMLEY, CHURCHILL THEATRE

Fri 24th DARLINGTON, DARLINGTON HIPPODROME

August  

Sun 9th BRISTOL, HIPPODROME

Fri 28th WEYMOUTH, PAVILION

September  

Thu 17th MANCHESTER, BRIDGEWATER HALL

Sat 19th CARDIFF, ST DAVID’S HALL

Wed 23rd ST HELENS, THEATRE ROYAL

Wed 30th DARTFORD, ORCHARD THEATRE

October  

Fri 2nd DUNSTABLE, GROVE THEATRE

Sat 10th NOTTINGHAM, ROYAL CONCERT HALL

Wed 14th LLANDUDNO, VENUE CYMRU

Fri 16th ST ALBANS, ALBAN ARENA

Fri 30th BATH, FORUM

Sat 31st CHELMSFORD, CIVIC THEATRE

November  

Wed 4th LEICESTER, DE MONTFORT HALL

Sat 7th GRIMSBY, AUDITORIUM

Thu 26th BLACKPOOL, OPERA HOUSE

Fri 27th WYCOMBE, SWAN THEATRE

December

Fri 4th CAMBRIDGE, CORN EXCHANGE

Thu 10th DUDLEY, TOWN HALL

 

NEWS: Eastwood Park Theatre Launch First Scottish Film Festival

Eastwood Park Theatre is hosting a Scottish film festival from 7-14 March to mark 25 years since the release of the iconic film ‘Braveheart’.

The Giffnock theatre is bringing the best ten Scottish classics back to the big screen during the week-long mini festival, including Braveheart itself, a Trainspotting movie marathon and Disney’s only Scottish princess in the film Brave.

A Big Country film and gig night will take place on 11 March with Scottish comedy film Restless Natives, featuring a soundtrack by Big Country, followed by exciting tribute band Restless Natives, who will take on some of the film’s soundtrack as well as a host of other Big Country classics live at Eastwood Park Theatre.

Alana Friell from Eastwood Park Theatre said: “Our Scottish film festival features a week-long programme packed with Scotland’s best and most widely recognised films, featuring some of our best home-grown talent.

“We’re bringing Braveheart back to the big screen for its 25th anniversary, our Trainspotting movie marathon is bound to draw in the crowds and we have also have The Wicker Man, The Prime of Miss Jean Brodie and much more coming to the big screen.

“With morning, evening and matinee performances, there’s something available for everyone.”

Eastwood Park Theatre’s Scottish film festival runs from 7-14 March 2020. Tickets are priced from £4 per film. Full film schedule is included below and full details can be found at www.eastwoodparktheatre.co.uk/boxoffice

7 March: Trainspotting and Trainspotting 2 (Standard £5, both films for £7.50)

9 March: Whiskey Galore £4

9 March: Local Hero £4

10 March: Sunshine on Leith £4

11 March: Restless Natives plus Big Country Tribute (Film £5, Restless Natives Band £10, Film screening and Band combo ticket £12.50).

12 March: Braveheart £4

13 March: The Wicker Man £4

14 March: Disney’s Brave

14 March:The Prime of Miss Jean Brodie £4

WHAT’S ON MARCH: Strictly Star Graziano Di Prima Havana Nights Tour Coming To Glasgow

Strictly Come Dancing professional Graziano Di Prima is preparing to dazzle and delight audiences with stunning new dance show Havana Nights which tours the UK in 2020 – including a date in Glasgow.

The 25-year-old will be joined by fellow Strictly professional and fiancée Giada Lini on this first solo UK tour which opens in Chelmsford on 3 March 2020.

Havana Nights promises an exciting mix of Latin dances with individual performances from Graziano and Giada, as well as entertaining group numbers with their supporting dancers.

After opening in Chelmsford, Havana Nights will tour the UK visiting Stevenage, Milton Keynes, Crawley, Tunbridge Wells, Hayes, Bury St Edmunds, St Albans, Kettering, Leamington Spa, Cambridge, Exmouth, Redruth, Cheltenham, Swindon, Yeovil, High Wycombe, Glasgow, Edinburgh, Whitley Bay, Fleetwood, Warrington, Guildford, Reading, Shrewsbury, Southport, and Lichfield.

The show will be fantastic and fast paced and is guaranteed to be fresh and innovative with amazing routines to dazzle and wow its audience.

And along with the spectacular sizzling performances on stage, there will also be opportunities for a special pre-show meet and greet with Graziano and Giada.

Graziano Di Prima was born in Sicily and started dancing at the age of six when his mother enrolled him in classes. He is an Italian Latin Champion, as well as representing Belgium at the World Championships, and made the top 24 at the under 21s Latin World Championships.

He went on to spend three years performing with the world-famous Burn the Floor dance company, where he met his future wife 28-year-old Venetian Giada, romantically proposing to her live on stage between performances.

Graziano joined the Strictly team in 2018, partnering DJ Vick Hope through a series of sparkling and high-energy routines. He recently made Strictly history when he performed the first same sex couple dance with fellow professional Johannes Radebe.

Giada is ranked in the top 25 in the world in the Latin-American style. She won the Italian Showdance Championship nine times and represented Italy at the World Showdance Championships, where she was a finalist and won the Show Dance World Cup in 2014. She was also a finalist in Freestyle Latin representing Italy at the World Champions in China in 2013 and 2014.

She worked as a professional Latin American dancer on a high-profile Italian TV show called Amici di Maria De Filippi for three years, and toured Australia, the UK and Japan with Burn the Floor. Giada joined Strictly as a pro dancer in 2018.

Graziano commented: “I’m so excited to be able to bring Havana Nights to the many dance fans we know there are across the UK. Giada and I have worked closely together on the choreography and content for the show and we’re really proud of it. Now I can’t wait to visit so many venues around the country, meeting fans and performing all my favourite routines for them live on stage.”

Website:         www.havananightstour.co.uk

Twitter:           @_HavanaNights

GLASGOW

Royal Concert Hall

25 March 2020

0141 353 8000

https://www.glasgowconcerthalls.com

ON SALE NOW

 

NEWS: SEARCH IS ON FOR SCOTTISH SINGING TALENT TO JOIN WEST END MARVEL ON STAGE

Youth choirs and musical theatre groups are being given the opportunity to perform with Broadway and West End leading lady Marisha Wallace when her debut UK tour hits Glasgow.

The sensational star of such smash-hit shows as Dreamgirls, Waitress, Aladdin, The Book of Mormon – and very soon Hairspray – will play a series of unmissable live shows throughout March.

And now youth choirs and musical theatre groups will get the chance to take to the stage with Marisha when she plays Glasgow’s Glee Club on March 18th.

They will sing two songs with the West End star including a rendition of This Is Me from the blockbuster movie The Greatest Showman.

Marisha said: “This is my first ever headline theatre tour and I’m incredibly excited to get the chance to sing the songs I adore to audiences across the UK.

“Whether they are songs from the stage, screen or my own material, there are a number in the set I know will sound amazing when sung with a choir.

“As I really want to make these shows unique and extra special, what better way to do that than to be joined on stage each night by a different local choir or musical theatre group?

“I started singing with my church choir at the age of five and so vocal groups have always played such an important part of my life.

“So, what are you waiting for guys? If you want to join me on stage, helping me sing the songs I love, then get in touch today. This tour is going to be a truly magical experience and it would be great if you could join me.”

Tickets are on sale now via www.cuffeandtaylor.com or www.glee.co.uk/glasgow

 If your choir or musical theatre group would like to join Marisha on stage at one of these dates email casting@cuffeandtaylor.com for more details.

Marisha was born and raised in a small town in North Carolina. But the small town never held down her big city dreams. From glittering New York, her unbelievable talent has taken her around the world.

Inspired by the likes of the late, great Aretha Franklin, Etta James and Ella Fitzgerald, Marisha’s voice will pull you from your seat and to your feet. She effortlessly infuses jazz, gospel and R&B with a healthy dose of soul that will leave you feeling inspired and uplifted.

On Broadway, she starred in shows including Disney’s Aladdin, The Book of Mormon and Something Rotten and then here, in the UK, as Effie White in the stellar West End hit Dreamgirls.

Described by The New York Post as “a marvel”, Marisha’s spine-tingling rendition of ‘And I Am Telling You’ from Dreamgirls has quite simply to be seen and heard to be believed.

Last summer she starred alongside Will Smith in Disney’s big screen summer blockbuster Aladdin.

Together with her theatre success, this versatile talent has taken on the mainstream music world by performing at the Royal Albert Hall, The London Palladium and Cadogan Hall with such revered international artists as Seal, James Blunt and Gregory Porter.

Following her UK tour Marisha, who recently returned to her role of Becky in Waitress at London’s Adelphi Theatre, will play force-of-nature Motormouth Maybelle in the eagerly awaited West End return of Hairspray alongside Michael Ball.

NEWS: CASTING ANNOUNCED FOR UK TOUR OF JB PRIESTLEY’S AN INSPECTOR CALLS

The full cast of the UK and Ireland Tour of Stephen Daldry’s seminal production of JB Priestley’s classic thriller AN INSPECTOR CALLS which runs at Theatre Royal Tuesday 24 – Saturday 29 March, has been announced. 

Liam Brennan will play Inspector Goole, Christine Kavanagh Mrs Birling, Jeff Harmer Mr Birling, Alasdair Buchan Gerald Croft, Chloe Orrock Sheila Birling, Ryan Saunders Eric Birling and Diana Payne-Myers Edna. The cast is completed by Michael Ross, Portia Booroff, Elissa Churchill and Jonathan Davenport.

Liam Brennan’s theatre credits include Richard III and Twelfth Night at Shakespeare’s Globe, and Diary of a Madman at The Gate, for which he was awarded Best Actor at the Edinburgh Festival in 2016.

Christine Kavanagh’s National Theatre credits include Man and Superman and Albert Speer and the National Theatre UK Tour of Hedda Gabler. Her West End credits include The Importance of Being Earnest at the Harold Pinter Theatre. With the Royal Shakespeare Company Christine has performed Macbeth and Much Ado About Nothing. Her other credits include A Doll’s House, Travesties, She Stoops to Conquer and The Rivals.

Jeff Harmer’s credits include playing Berrard in the national tour of Bird Song. His other theatre credits include Fox on The Fairway, Out Of Order, Donkey’s Years, Romeo & Juliet and As You Like It.

Alasdair Buchan’s West End credits include Urinetown: The Musical at the Apollo Theatre and St. James’ Theatre and Richard III and The Pride both at Trafalgar Studios. His further credits include Seanse at The Other Palace, playing Sherlock Holmes in the UK Tour of Sherlock Holmes at the Crimson Cobbles and the UK Tours of Night Must Fall, A Little History of the World, The Importance of Being Earnest, Someone Who’ll Watch Over Me and The Lost World.

Chloe Orrock’s credits include playing Sybil Vane in The Picture of Dorian Gray and PC Abrahams/Nurse Davis in Too Much Punch for Judy both Upstairs at the Gatehouse. Chloe has performed her new spoken word short play Of Sirens and Other Monsters at the Pleasance Theatre in Islington and the Brockley Jack Theatre.

Ryan Saunders’ West End credits include playing Freddie Beanstock in Hobson’s Choice at the Vaudeville Theatre and Sweet Bird of Youth at the Old Vic. His further theatre credits include the UK Tours of The Mousetrap, The History Boys, The Madness of George III, Mrs Warren’s Profession and Shards and playing Clifford Bradshaw in the English Theatre of Frankfurt production of Cabaret.

Diana Payne-Myers’ credits include Strange Fish, Boxes and Le dernier chaperon rouge.

Since 1992, Daldry’s production of AN INSPECTOR CALLS has won a total of 19 major awards including four Tony Awards and three Olivier Awards. It has played to more than 4 million theatregoers worldwide and is the most internationally-lauded production in the National Theatre’s history.

Written at the end of the Second World War and set before the First, AN INSPECTOR CALLS is a compelling and haunting thriller. The story begins when the mysterious Inspector Goole calls unexpectedly on the prosperous Birling family home, shattering their peaceful family dinner party with his investigations into the death of a young woman.

JB Priestley’s brilliantly constructed masterpiece powerfully dramatises the dangers of casual capitalism’s cruelty, complacency and hypocrisy.

An Inspector Calls

Theatre Royal,Glasgow

Tue 24 – Sat 28 Mar 2020

Tue-Sat 7.30pm

Wed, Thu, Sat: 2.30pm

www.atgtickets.com/glasgow

NEWS: WHYTE & MACKAY GLASGOW INTERNATIONAL COMEDY FESTIVAL ANNOUNCES 2020 PROGRAMME

• WMGICF turns eighteen in style with over 500 shows at 60 venues and over 140,000 tickets on sale

• Comedy legends Steve Martin and Martin Short usher in the festival with a curtain-raising performance at the SSE Hydro

• Jimmy Carr, Stewart Lee, Arabella Weir, Frankie Boyle, Jerry Sadowitz, Trevor Noah plus many more set to appear.

 

The Whyte & Mackay Glasgow International Comedy Festival (GICF) reveals its full programme, as this hugely popular event in the city’s cultural calendar returns 12 – 29 March 2020. 60 venues across Glasgow are taking part – the most ever in the festival’s history.

 

The eighteen-day comedy extravaganza features international stars Trevor Noah, Steve Martin and Martin Short at the SSE Hydro and performances from household names including Jimmy Carr, John Shuttleworth, Dane Baptiste, Arabella Weir, Stewart Lee and Fascinating Aida.

 

It’s a bumper year for home grown talent with Janey Godley, Susie McCabe, Jim Smith and Jerry Sadowitz all gracing the stage of the King’s Theatre. Other top Scottish acts appearing across the festival include Rob Florence and Iain Connell in ‘Uncles’ at the Tramway, Craig Hill, Phil Differ, Fern Brady and Alan Bissett at Oran Mor, Frankie Boyle at the Stand, Elaine C Smith at Oran Mor, Phil Kay at Blackfriars, Darren Connell at The Stand, and Des Clarke at the Garage.

 

Comedy fans on the look out for critically acclaimed stand up can catch rising stars at a series of specially programmed venue takeovers. At the Old Hairdressers, Berk’s Nest present a line up including Desiree Burch, Jordan Brookes, Mawaan Rizwan, Sophie Duker; and Gilded Balloon are bringing Jayde Adams, Micky Overman and more. ARG are popping up in Blue Arrow and the Hug & Pint with a line up that features Evelyn Mok, Mat Ewins, Adam Hess and Annie McGrath. Local cult favourites CHUNKS descend on the State Bar promising Richard Brown, Planet Caramel, David Callaghan, and a gender-swapped live read of the screenplay to the 1995 Paul Verhoeven film Showgirls.

 

As well as stand up shows in some of the city’s biggest venues and intimate gigs in pubs, the Whyte & Mackay Glasgow International Comedy Festival features plays, sketches, improv, film and comedy for kids. This year’s theatre line up includes a brand new play from Chris McQueer at the Tron, Jason Manford in whodunnit Curtains at the King’s, and A Play, A Pie and A Pint at Oran Mor. Families can head to the Tall Ship, the Scottish Mask & Puppet Centre, and The Stand to catch laughs for little ones.

 

Other shows offering something a little bit unusual include a dog-friendly comedy club at Drygate, Hoppy Days beer tasting with comedy, Ray Bradshaw signing his show in BSL live as he performs, a drag parody of First Wives Club, and a special free show of dementia-friendly comedy at the Fred Paton Day Care Centre.

 

Events take place every day throughout the festival and tickets for all shows are on sale now, with some performances already selling out.

 

Sarah Watson, Whyte & Mackay Glasgow International Comedy Festival Director, said: “We’re so excited to launch GICF 2020 with our biggest and most international programme to date. To have a comedy icon like Steve Martin performing at the event with Martin Short is just amazing, but to also feature Trevor Noah in the same year – well it’s just a dream come true.  They’ll set the tone for the festival’s eighteenth year as we welcome performers from all over the world, while also shining a spotlight on all the incredible Scottish talent that can be found in Glasgow in March.”

 

Ruairi Perry, Head of Blended Whisky Brands at Whyte & Mackay, said: “For the 3rd year running it is an absolute pleasure to partner with the Glasgow International Comedy Festival! We’ve had a very busy year as a brand, having celebrated our 175th year by launching our new look smoother bottle and also a ‘lighter spirit drink’ at 21.5% ABV – ideal for those looking for a brilliant tasting spirit but with lower alcohol.

 

There’s nothing light about the programme for this year’s festival – it’s packed again with top class acts from Scotland and around the world. It is amazing to see record number of venues involved across the city in 2020 with a fantastic blend of new talent and household favourites on offer. As a whisky born and bred in Glasgow, we are very proud that festival goers will be enjoying a dram or 2 of Whyte & Mackay whilst enjoying a great laugh & night out. Slàinte!”

 

Councillor David McDonald, Depute Leader of Glasgow City Council and Chair of Glasgow Life, said: “Whyte & Mackay Glasgow International Comedy Festival is always a keenly anticipated highlight of the city’s cultural calendar and this year the programme is guaranteed to be hugely popular. Glasgow has produced some of the finest comedians who have ever taken to the stage and has welcomed some legendary performers and this year the Whyte & Mackay Glasgow International Comedy Festival ensures that legacy continues.”

 

Keep up to date with all the latest news by registering at glasgowcomedyfestival.com and follow on Facebook and Twitter @glasgowcomedy.

 

 

WHAT’S ON MARCH: Trevor Noah’s tour is heading to Glasgow

Award-winning comedian Trevor Noah is bringing his Loud & Clear tour to the UK in 2020. The show will visit Glasgow on Friday, 20 March at the SSE Hydro.

The most successful comedian in Africa, and host of the Emmy® award-winning The Daily Show, Trevor Noah has sold out shows over five continents and has written, produced and starred in eight comedy specials.

Don’t miss Trevor live in the UK.

In 2018, The Daily Show won a GLAAD award for Outstanding Talk Episode, and received nominations for a Writers Guild Award (Comedy/Variety Series) as well as two NAACP Image Awards, for Outstanding Talk Series and Outstanding Host in a Talk or News/Information Show. Noah also won Best Host at the 2017 MTV Movie & TV Awards, as well as a 2017 Creative Arts Emmy Award for Outstanding Short Form Variety Series for his hosting role on The Daily Show – Between The Scenes.

The Daily Show with Trevor Noah received three 2018 Primetime Emmy nominations, including Outstanding Variety Talk Series, Outstanding Interactive Program and Outstanding Short Form Variety Series. Trevor recently received the 2019 NAACP Image Award for Outstanding Writing in a Comedy Series, as well as nominations for Outstanding Talk Series, Outstanding Variety Show, and Outstanding Host in a Talk or News/Information Show.

Born in South Africa to a black South African mother and a white European father, Noah has hosted numerous television shows including South Africa’s music, television and film awards. In April 2018, Noah launched The Trevor Noah Foundation, a youth development initiative that enhances youth preparedness for higher education or entry into the workforce. Noah’s vision is a South Africa that advances because each generation builds and must grow beyond its predecessor. Through a partnership with Microsoft, the foundation is able to provide under-resourced schools with the opportunity to use technology as a tool to enhance the learning experience, as well as increase digital literacy beyond the classroom.

TICKETS

Glasgow – www.thessehydro.com

www.trevornoah.com

TWITTER: @Trevornoah

NEWS: STRICTLY WINNER TOM CHAMBERS AND NOT GOING OUT STAR SALLY BRETTON LEAD CAST IN DIAL M FOR MURDER

A brand new production of the classic thriller, Dial M for Murder, will run at Theatre Royal, Glasgow next year as part of  UK tour.

Based on Frederick Knott’s stage and screen play and made world-famous by Hitchcock’s iconic 1954 film, the production, directed by Anthony Banks, will open on Tuesday 3 and close on Saturday 7 March.

TV and stage favourite, Tom Chambers, (Top Hat, Strictly Come Dancing) stars as the charismatic and manipulative Tony Wendice, a jaded ex-tennis pro who has given it all up for his wife Margot, played by Sally Bretton (Not Going Out, Death In Paradise, The Office). When he discovers she has been unfaithful his mind turns to revenge and the pursuit of the ‘perfect crime’. Christopher Harper (Coronation Street, Strangers on a Train) performs in the dual roles of Captain Lesgate and Inspector Hubbard and Michael Salami (Hollyoaks) as Max Halliday, Margot’s American lover.

Tom Chambers plays Tony Wendice. Tom’s theatre credits include: Crazy For You (UK tour); Private Lives (UK tour); White Christmas (Dominion); Top Hat (Aldwych); White Christmas (Sunderland Empire); The Rover (Young Vic Studio); Journey’s End (Courtyard Theatre); Bloody Poetry (Brockley Jack Theatre); Pendragon (City Theatre Broadway NYMT and Sadler’s Wells); October’s Children (NYMT and Hammersmith Lyric); Cyrano De Bergerac and Macbeth (Derby Rep Theatre); Damn Yankees (Yvonne Arnaud Theatre); The Innocents (Derby Playhouse) and Stepping Out (Electric GSA). Film includes: Fakers and Great in Britain: the Movie. Television includes: Midsomer Murders, Emmerdale, Casualty, Father Brown, The Great Train Robbery, Waterloo Road and Holby City. Radio includes: Mellow Magic every Saturday 10am-1pm.

Sally Bretton appears as Margot Wendice. Sally’s theatre credits include: An Ideal Husband (Classic Spring Company); King Lear, The Front Line and In Extremis (Shakespeare’s Globe); A Conversation (Manchester Royal Exchange); All My Sons (Library Theatre, Manchester); Present Laughter (Theatre Royal Bath and UK tour) and Hay Fever (Oxford Stage Company). Sally was nominated for Best Actress – Manchester Evening News Theatre Awards 2002 for her role in Who’s Afraid of Virginia Woolf? at The Library Theatre, Manchester. Film includes: Outlaw, So Long Charlie Bright and Peaches. Television includes: Not Going Out, Death in Paradise, The Office, Green Wing, Absolute Power, Thanks for the Memories, Casualty, Lewis, How Not to Live Your Life, Hotel Babylon, Vincent, Open Wide, Blessed, Blackbeard, If…we eradicate violent crime, Wild West, Blue Murder, Happy Together, Dr Terrible’s House of Horrible, Beast, Armstrong and Miller and The People’s Harry Enfield.

Christopher Harper performs as Captian Lesgate and Inspector Hubbard. Christopher’s theatre credits include: Strangers on a Train (UK tour); Much Ado About Nothing (Shakespeare’s’ Globe); Slipping (Stephen Joseph Theatre, Scarborough); The Wind in the Willows, Man of the Moment and Private Fears in Public Places (Royal & Derngate); I Know How I Feel About Eve (Hampstead Downstairs); The Night Before Christmas (Different Breed); The Village Bike (Sheffield Crucible Studio); A Kid Like Jake (Old Vic New Voices); Our Country’s Good and Journey’s End (Original Theatre Company); Persuasion, After Miss Julie and People at Sea (Salisbury Playhouse); Saturn Returns (Finborough Theatre); Light Shining in Buckinghamshire and Lie of the Land (Arcola). Television includes: Holby City, Endeavour, Coronation Street, The Suspicions of Mr Whicher, Doctors, Upstairs Downstairs, The Bill, Heartbeat, The Roman Mysteries, Housewife 49, Life on Mars and Rosemary and Thyme. Chris also produced and voiced the award-winning charity animation The Mouse.

Michael Salami is Max Halliday. Michael Salami is a multi-award-winning actor. Born in America and raised in London, Salami discovered his passion for acting in 2007. Salami made his first on stage appearance at Oval Theatre in 2010 and has since then performed at The Old Vic, Soho Theatre, Lyric Hammersmith, Southwark Playhouse and Theatre503. Salami studied at Stella Adler Studio of Acting in New York graduating in 2016 and since then has appeared in Hollyoaks; Catastrophe; The Temple and Magic Hour. His leading role in Just A Couple has landed him a number of nominations and awards such as a Screen Nation Award for Best Actor. Just A Couple is now in full development with Channel 4.

Dial M for Murder

Theatre Royal, Glasgow

Tue 3 – Sat 7 Mar 2020

Tue-Sat: 7.30pm

Wed, Thu & Sat: 2.30pm

www.atgtickets.com/glasgow

0844 871 7647* calls cost 7p per minute plus your phone company’s access charge

 

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