Category Archives: What’s on JANUARY

NEWS: Oor Wullie tour announced with dates at Theatre Royal, Glasgow

Dundee Rep Ensemble and Selladoor Productions in association with Noisemaker, today announced a new musical adventure bringing to life Scotland’s favourite comic strip scamp DC Thomson Media’s Oor Wullie.  The world premiere stage show opens at the Dundee Rep Theatre from 23 Nov – 05 Jan before touring across Scotland with dates at Theatre Royal, Glasgow from 21  – 25 January 2020. Tickets on sale soon.

Oor Wullie has featured in DC Thomson Media comic strips in the Sunday Post for over 80 years, earning him the title of ‘Scotland’s Favourite Son’ in a public vote in 2004.  The iconic laddie from Auchenshoogle is much loved for his big heart, constant war against boredom and his mischievous energetic pranks which often land him in a scrape or two! Now you can see the spiky-haired scallywag live on stage as he embarks on an adventure with pals Fat Boab, Soapy Soutar, Wee Eck, and the rest of the Sunday Post gang – the only question is; where’s his bucket?!

In their 80th anniversary year Dundee Rep is one of Scotland’s most awarded theatres and the only theatre in Scotland to have a permanent company of actors, established 20 years ago as the Dundee Rep Ensemble. Oor Wullie will be directed by Dundee Rep’s Artistic Director Andrew Panton, and adapted for stage by Noisemaker whose previous collaborations include the hugely successful The Snow Queen in 2018 and a brand new musical premiering in the US this Spring Hi, My Name is Ben.

Oor Wullie also marks an ongoing partnership with the internationally acclaimed Selladoor Worldwide who recently commissioned and produced another DC Thomson Media favourite The Broons directed by Andrew Panton in their 2016 critically acclaimed tour.

Noisemaker’s Scott Gilmour and Claire McKenzie tell us: “We’re very excited to be bringing Scotland’s Oor Wullie to the stage in this unique collaboration between DC Thomson, Selladoor and Dundee Rep. Like so many of us, we grew up reading Wullie’s stories and they’ve remained a treasured part of our childhood. But the enduring appeal of “Oor Wullie” is that he doesn’t remain in the past; the comic has changed and adapted across its 80-year history, heralding Wullie not only as a figure of tradition, but also of Scotland today. We’re thrilled to be bringing his latest adventure to Dundee this Christmas, and to continue our ongoing relationship with the Rep.”

Andrew Panton, Artistic Director at Dundee Rep says: “Oor Wullie is a character that immediately connects with Dundee. I’m thrilled that as part of our anniversary season we’ll be once more collaborating with Noisemaker to bring this story to life on stage at the Rep – surely the only stage he could start this new adventure?”

David Hutchinson, CEO of Selladoor Productions says: “We couldn’t be happier to follow our production of The Broons working in partnership with such a fabulous creative team and theatre to share a story of the superbly observed and fantastically funny Wullie.  He and his gang hold a very special place in many hearts with a history spanning generations and we can’t wait for what promises to be a memorable night at the theatre for the whole family”.

Priority Tickets go on sale to ‘Friends’ of Dundee Rep on Monday 18th March and general sale on Tuesday 19th March across the tour.  See listings for booking details and join the cheeky chap who will prove that even at 80-years old he’s still Oor Wullie! Your Wullie! A’body’s Wullie!


NEWS: Royal Conservatoire of Scotland announces new season of captivating performance

From internationally renowned soloists to passionate, political operas, a journey through Shakespeare’s classics and one of the most acclaimed musicals of our time, the New Year bursts into life with an exciting season of performance at the Royal Conservatoire of Scotland.

Scotland’s national conservatoire raises the curtain on more than 100 events between January and March with bold, creative programming which showcases the artistry of its students, staff and a glittering array of visiting artists.

Among the artistic highlights awaiting Royal Conservatoire audiences is a laugh-out-loud opera double bill featuring Puccini’s Gianni Schicchi and Poulenc’s Les Mamelles de Tirésias, two standout productions which exude robust humour at almost every turn while shining a light on greed, debauchery and timely issues like the empowerment of women.

Sheku Kanneh-Mason is one of the brightest stars in the classical music scene, having played to an audience of millions at the wedding of Prince Harry and Meghan Markle. The former BBC Young Musician of the Year opens the BBC Radio 3 and RCS Cello Festival. Meanwhile, innovation is at the heart of Into the New which sees Contemporary Performance Practice students challenge perceptions, personal and creative boundaries during this striking festival of devised work.

Consistently ranked in the world’s top ten institutions for performing arts education (QS Rankings 2016-2018), the Royal Conservatoire is also a busy arts venue, hosting more than 600 public performances each year.

Highlights of the new season include:

  • Opera double bills: Puccini’s Gianni Schicchi and Poulenc’s Les Mamelles de Tirésias are two of the most side-splitting operas in the repertoire.

Gianni Schicchi is the last opera Puccini completed, a dark comedy focusing on a family’s attempts to get hold of a dead relative’s money after it transpires his wealth has been left to a monastery. The family turns to Gianni Schicchi for help but things do not go as planned in Puccini’s opera, which includes one of the most famous arias of all time in O mio babbino caro.

Poulenc’s Les Mamelles de Tirésias tells of the wife who changes sex in order to obtain power among men. Bored of her life as a housewife, Thérèse transforms into a man and embarks on the life and career she craves. Her husband, meanwhile, finds a way to bear children without women and manufactures 40,049 babies in one day. Though comic in nature, the opera explores serious themes like the empowerment of women and the need to repopulate a country after it has been ravaged by war.

Dido and Aeneas and Trouble in Tahiti follow in March, telling stories of regal love and a well-off, suburban couple who become inexplicably alienated from each other well before the age of social media.

  • Malcolm Martineau: A Life in Song: The longstanding partnership between Scotland’s national conservatoire and BBC Radio 3 enables RCS to bring world-renowned artists like Malcolm Martineau to the city. The celebrated pianist is joined by leading performers including tenor Nicky Spence, soprano Sally Matthews and internationally renowned baritone Thomas Oliemans in this series, supported by the Hilary Rosin Coffee Concerts.
  • Cello Festival: The Royal Conservatoire welcomes chart-topping cellist Sheku Kanneh-Mason to open the BBC Radio 3 and RCS Cello Festival. Sheku, who provided the soundtrack to the wedding of Prince Harry and Meghan Markle in front of millions of people all over the world, is playing a key role in reaching new audiences for classical music. In demand with leading orchestras and concert halls worldwide, he is joined by Brazilian Antônio Meneses, award-winning Russian performer Anastasia Kobekina, one of Britain’s finest young string ensembles, the Maxwell Quartet, and principal cellist of the Scottish Chamber Orchestra, Philip Higham.
  • Into the New: March sees the return of one of the most important contemporary performance festivals in Scotland. Into the New explores radical practice and identity through intimacy, memory and immersion. The 2019 festival showcases nine individual performances, all produced by students at Scotland’s national conservatoire.
  • Piano Festival: Celebrating ten years in 2019, the RCS Piano Festival engages world class artists, commissioning new works for multiple piano ensembles while creating exciting interdisciplinary collaborations showcasing the extraordinary talents of the RCS keyboard department.
  • Drama: A Midsummer Night’s Dream: Shakespeare’s story of illusion, mischief and transformation, celebrating the creative and often destructive power of love. BA Acting students take centre stage in this production, directed by Ali de Souza.
  • Musical Theatre: Sunday in the Park with George: Stephen Sondheim and James Lapine’s soaring masterpiece merges past and present into poignant truths about love, passion and the creation of art. The production is set in the days running up to the completion of a painting. Painter George is struggling to find his artistic voice and maintain a relationship. A century later, his descendant (also George) is burnt out and in search of an artistic path – finding the answer not in the present, but the past.
  • Talks: Arts in Justice lecturer Jess Thorpe explores the potential of devised theatre as a radical act of community and a vehicle for dialogue and connection in the context of incarceration.

Professor Jeffrey Sharkey, Principal of the Royal Conservatoire of Scotland, said: “With a new year comes an exciting new season of performance at Scotland’s national conservatoire.

“I look forward to welcoming you to support our emerging professionals as they take to the stage, honing their artistic practice as they prepare to become the next generation of leaders in the performing and production arts.”

The Royal Conservatoire of Scotland is committed to making its performances accessible to as many people as possible with shows that are relaxed, captioned, British Sign Language interpreted and audio described. For D/deaf and hard of hearing patrons, the Deaf Theatre Club offers tickets for any accessible performance for £5. Concession prices are available and the Tickets26 initiative gives those under 26 access to any performance for just £5 (conditions apply).

Tickets are on sale now. Visit for details.

WHAT’S ON JANUARY: Strath Laughs

The only regular Student Comedy Night in Glasgow! Introducing some of the most exciting Comedians, hosted by former ‘Scottish Comedian of the Year’ Jamie Dalgleish. Open to all University and College students.

Headliner: Christopher Macarthur-Boyd.

Billed as ‘the next big thing’ in Scottish comedy, Christopher is a three-time Scottish Comedian of the Year finalist, a So You Think You’re Funny? finalist, and a two-time nominee for Best New Act at the Scottish Comedy Awards.

Already. he’s made quite a name for himself as a writer, actor and director for online content for BBC Scotland’s Short Stuff and Room To Write.


Thu 17 January 2019 20:30-22:30


8:30pm – 10:30pm


Barony Bar


Buy tickets

£3.00 (Ticket)


The world premiere of Anthropocene, a gripping new work commissioned by Scottish Opera from composer Stuart MacRae and librettist Louise Welsh, takes place on January 24 at Theatre Royal Glasgow. It then tours to King’s Theatre, Edinburgh and London’s Hackney Empire.

Telling the story of an expeditionary team of scientists who become trapped in the frozen Arctic wastelands, Anthropocene is directed by Matthew Richardson (Rigoletto 2018) and designed by Samal Blak, the award-winning team behind MacRae and Welsh’s five-star opera The Devil Inside (2016).

© Julie Broadfoot –

Conducted by Scottish Opera Music Director Stuart Stratford, the superb ensemble cast includes former Scottish Opera Emerging Artist Jennifer France (Ariadne auf Naxos 2018), Scottish soprano Jeni Bern and Stephen Gadd (Rigoletto 2018.) They are joined by Benedict Nelson (The Burning Fiery Furnace 2018), Mark Le Brocq, Paul Whelan, Anthony Gregory and Laura Zigmantaite (Ariadne auf Naxos 2018), a former Scottish Opera Emerging Artist.

Anthropocene is the fourth collaboration between MacRae and Welsh, a fruitful partnership initially born of the 15-minute opera Remembrance Day in 2009. The composer-librettist team went on to create Ghost Patrol in 2012, which won a South Bank Sky Arts Award and was nominated for an Olivier Award, and 2016’s The Devil Inside, based on a short story by Robert Louis Stevenson.

Inverness-born MacRae’s work has been performed at the Royal Opera House and Edinburgh International Festival, and by ensembles including Scottish Chamber Orchestra and Hebrides Ensemble. He is currently Composer in Association at Lammermuir Festival.

A Professor of Creative Writing at University of Glasgow, Welsh is the author of a number of popular novels including award-winning The Cutting Room and Plague Times Trilogy.

Composer Stuart MacRae said: ‘The triumph of human self-interest over nature and over other humans: this is the essence of the Anthropocene age. It is also the cause of man-made climate change, countless environmental catastrophes and the exploitation of marginalised peoples by wealthy nations and individuals. When faced with extreme isolation, a loss of control over their destiny, and personal catastrophe, the appearance of a mysterious outsider poses an impossible dilemma for the crew of the Anthropocene, and becomes the focus of temptation, sympathy, ambition, empathy and fascination.

‘It’s been a joy to work on Anthropocene with librettist Louise Welsh, who brings such depth, colour and variety to this original story, and I’m delighted that it will be brought to the stage by our hugely imaginative long-term collaborators, Matthew Richardson and Samal Blak, and conducted by Stuart Stratford.’

Librettist Louise Welsh said: ‘Anthropocene is one of the most exciting projects I have been involved with. This is my fourth opera with Stuart MacRae for Scottish Opera and it is an honour to write words which I know he will set to a unique palette of music.

‘The themes of Anthropocene are both perennial and up-to-the-minute. Human beings have always striven to conquer distant and hostile territories. The twenty-first century has opened the field to rich amateurs who might previously have stayed at home and charted on maps the progress of expeditions they had funded. Anthropocene is a story of over-wielding ambition, murder, human sacrifice and thwarted love. It is also an exploration of the tensions between magic and science.’

Stuart Stratford, Scottish Opera Music Director said: ‘Stuart MacRae and Louise Welsh have yet again delivered an amazing piece of music theatre for Scottish Opera. An incredibly imaginative story of discovery, betrayal and violent sacrifice with daring and dazzling virtuoso orchestral textures, Anthropocene will keep the audience gripped throughout.’

Those who wish to discover more about how the production was created can attend Pre-show Talks, and audience members with a visual impairment can enjoy the full opera experience at audio-described performances, which have a live commentary describing the action on stage without compromising the music.

Anthropocene is supported by John S. Cohen Foundation, RVW Trust and Scottish Opera’s New Commissions Circle.


Cast List

Ice                                                                             Jennifer France

Professor Prentice                                              Jeni Bern 

Charles                                                                    Stephen Gadd

Miles                                                                        Benedict Nelson

Harry King                                                               Mark Le Brocq

Captain Ross                                                          Paul Whelan

Vasco                                                                         Anthony Gregory

Daisy                                                                          Laura Zigmantaite


Creative Team


Conductor                                                              Stuart Stratford

Director                                                                   Matthew Richardson

Set and Costume Designer                              Samal Blak 

Lighting Designer                                                 Matthew Richardson 

Movement Director                                             Kally Lloyd-Jones

Associate Lighting Director                                Zoe Spurr


Performance Diary


Theatre Royal Glasgow, 282 Hope Street, Glasgow G2 3QA

Thu 24 Jan, 7.15pm

Sat 26 Jan, 7.15pm


Pre-show Talk                                             Sat 26 Jan, 6pm

Touch Tour                                                    Sat 26 Jan, 6pm

Audio-described performance            Sat 26 Jan, 7.15pm


King’s Theatre Edinburgh, 2 Leven Street, Edinburgh, EH3 9LQ

Thu 31 Jan, 7.15pm

Sat 2 Feb, 7.15pm


Pre-show Talk                                             Sat 2 Feb, 6pm

Touch Tour                                                    Sat 2 Feb, 6pm

Audio-described performance            Sat 2 Feb, 7.15pm


Hackney Empire, 291 Mare Street, London, E81 1EJ

Thu 7 Feb, 7.30pm

Sat 9 Feb, 7.30pm

London performances are presented in association with The Royal Opera

IMAGE: Julie Broadfoot

WHAT’S ON JANUARY: Rebus – Long Shadows comes to Glasgow

Tue 29 Jan – Sat 2 Feb
Theatre Royal
Tickets from £13
By Ian Rankin, adapted by Rona Munro.

Featuring Charles Lawson as John Rebus, Cathy Tyson as Siobhan Clarke and John Stahl as Big Ger Cafferty, directed by Robin Lefevre.

The new story exclusively on stage. Detective Inspector John Rebus is retired but the shadows of his former life still follow him through the streets of Edinburgh. Whisky helped but now he’s denying himself that pleasure. But when the daughter of a murder victim appears outside his flat, he’s back on the case and off the wagon.