Category Archives: What’s on AUGUST

NEWS: Jane McCarry & Colin McCredie to star in new outdoor production of The Wind in the Willows

Take a jaunt down to the banks of the River Tummel and join Mr. Toad, Mole, Ratty and Badger on their magical adventures in Pitlochry Festival Theatre must-see, family, summer stage production of Kenneth Grahame’s enduring story of friendship, courage, consequence, and bravery – The Wind in the Willows.

Adapted for the stage by Mark Powell and performed in the spectacular setting of the banks of the River Tummel, The Wind in the Willows, runs from 2 July – 12 September.

When Mole wakes up after a particularly long winter, the whole world has changed around her. The riverbank seems to be bursting with new faces, fads, and fears. Luckily for Mole, with new friends like Rat, Badger and Mr Toad motoring along for the ride through the Wild Wood, life will never be sleepy again!

Playwright Mark Powell said:

“It’s been a treat spending lockdown with Mole and her friends and working out how to celebrate their classic adventure in a contemporary way. Knowing that audiences are also coming out of hibernation to join the animals on an actual riverbank will give our Willows an extra special sense of celebration!” 

Directors Elizabeth Newman and Ben Occhipinti added.

 “We think it is safe to say The Wind in the Willows by the brilliant Scottish novelist Kenneth Grahame, is one of the most loved family stories ever to be told, and retold. The characters have captivated audiences in theatres, on our screens and through the radio for many, many decades. As soon as we started pondering making work outdoors, it felt like we almost had to do The Wind in the Willows. After all, our beautiful Theatre sits on a Riverbank. As soon as we decided to tell this story, we leapt to commission the wonderful Mark Powell to write the adaptation. Some of the finest work we have seen made for families has been led by Mark. His humour, his love of life, his love of people – little and big – shines in everything he writes. 

We also felt producing The Wind in the Willows would give us a brilliant opportunity to continue to connect with new and established audiences we reached during the festive period when we made The Magic of Christmas.  As we have said, people love the story and right now it feels vital that PFT creates work for people of all ages to come together and experience a fantastic tale that makes them laugh and offers them a truly joyful afternoon or evening on the Riverbank! 

Audiences can expect all their favourite characters, new music and songs, dancing and Mr Toad exclaiming gleefully ‘Poop! Poop!’ from his motorcar for everyone in Highland Perthshire to hear.”

The production’s exciting cast will feature Jane McCarry (Isa Drennan in Still Game, BBC Scotland, and Granny Murray in Me Too! CBBC) as Badger; Colin McCredie (Taggart, ITV and River City , BBC Scotland) as Toad; Alicia McKenzie (Quality Street, Northern Broadsides and Blonde Bombshells of 1943, Pitlochry Festival Theatre) as Mole; Ali Watt (A Christmas Carol, Pitlochry Festival Theatre) as Ratty; Richard Colvin (Sunshine on Leith, UK tour and A Christmas Carol, Octagon Theatre Bolton) as Weasel; Connor Going (Footloose, UK tour and The Choir of Men, US and Australia tour) as Otter and Kate Milner-Evans (Phantom of the Opera, Her Majesty’s Theatre and Crazy for You, Jamie Wilson Productions) as Rabbit. All other roles will be played by the cast.

Co-directed by Pitlochry Festival Theatre’s Artistic Director, Elizabeth Newman (Adventures with the Painted People and Faith Healer, Pitlochry Festival Theatre) and Associate Director, Ben Occhipinti (Blonde Bombshells of 1943 and Summer Holiday, Pitlochry Festival Theatre), The Wind in the Willows promises to be a real family treat this summer.

Pitlochry Festival Theatre’s determination to keep capacity safely reduced, and committed adherence to social-distances, reduces the potential for, and impact of, crowded spaces and any overwhelming busy-ness. The late, light nights of the Scottish summertime mean shows will never be in darkness and any chatter or loud sounds will be mitigated naturally by the outdoor acoustics. Anyone that feels the need to take some time out of a Riverside show can do so, and then return when they feel ready. The outdoor spacious setting in the Bandstand area allows the ability to move around more freely – and in the Amphitheatre at the interval, there is a beautiful setting to get some space if needed. Staff will always be on-hand wearing a name badge for any questions or help needed.

Pitlochry Festival Theatre is keeping things flexible so audiences can be too. They will honour no-hassle refunds and exchanges for any reason (including the weather!) if it is requested at least 24 hours before the performance time. So, audiences can book for summer with the confidence that if plans change, their tickets and money can too!

Tickets for The Wind in the Willows are priced from £9-£19. To book and for further information visit  www.pitlochryfestivaltheatre.com or call 01796 484626.

 

NEWS: Grid Iron Theatre Co. confirms the long-awaited staging of Doppler for the Edinburgh Festival Fringe

Edinburgh-based theatre company Grid Iron is pleased to confirm that its site-responsive outdoor adaptation of Erlend Loe’s best-selling book Doppler will take place as part of the Edinburgh Festival Fringe 2021.

The play was originally scheduled to be presented at last year’s Fringe with the plans then pivoted to a digital sharing in light of the Covid-19 related restrictions. With only a few days of outdoor filming achieved due to Storm Francis, the Company had decided to instead produce a documentary film charting the story of the show and its production, Doppler – The Story so Far, which was released for free in March 2020 and watched by almost 10,000 people worldwide.

Grid Iron is also thrilled to reveal it is one of a group of 15 shows and five venues awarded first ever Fringe Artist and Venue Recovery Fund.

Judith Doherty, Chief Executive and Co-Artistic Director of Grid Iron Theatre Company said: “After this roller-coaster of a ride that was Doppler – from the seed being planted in Ben Harrison’s mind when he read the book almost 3 years ago and plans for a Festival 2020 run, through to a digital sharing and finally the documentary – we could not be more excited to announce our 2021 plans for a live, outdoor sharing of the play.

“We are so grateful to the Fringe for this grant because it will allow us to provide BSL interpreted performances as part of the run and other access materials to make sure that our audience, although small in number, can be wide in reach.”

Doppler is an adaptation of a satirical novel by a Norwegian writer Erlend Loe, translated to English by Don Bartlett and Don Shaw. It focuses on Doppler, a man who, following the death of his father, decides to abandon his family and move to the forest on the outskirts of Oslo. He is determined to live a life as far removed from his previous as possible but struggles to maintain his isolation as his existence garners a lot of unwanted attention.

Produced and presented strictly following Scottish Government’s safety guidelines, Doppler will be staged outdoors and feature a small cast of four. Further information, including venue, dates and cast, will be announced in due course.

Grid Iron are an Edinburgh-based theatre company who, following their incorporation in 1995 and their first show Clearance at the Traverse, Edinburgh, swiftly gained a reputation for creating high-quality, high profile shows. The Company went on to specialise in presenting shows in unusual locations. They are a new writing company who work in challenging sites that lend themselves especially well to Grid Iron’s taut production style. Occasionally they create work for the stage or use theatre buildings in a site-specific, promenade manner.

In 1997 Grid Iron produced their first full-scale site-specific production, The Bloody Chamber, their adaptation of Angela Carter’s Bluebeard fairytale, which they presented in famously haunted underground vaults beneath Edinburgh’s historic Royal Mile. It was the company’s first appearance at the Edinburgh Festival Fringe and, by the opening night, the show had sold out for its entire three-week run. Awards: Herald Angel for Outstanding Contribution and Achievement in Theatre and Total Theatre Nominations for Best Newcomers and Best Design.

www.gridiron.org.uk