Category Archives: What’s on APRIL

NEWS: 200 musicians and singers bring full power of Mahler’s ‘Resurrection’ symphony to Usher Hall

The full drama of Mahler’s all-embracing second symphony comes to life in performance in a way that very few recordings can hope to capture. With enlarged orchestral forces and a 140-strong choir this work is truly epic, offering up the composer’s apocalyptic vision of life, death and the hereafter.

Bruckner Orchester Linz spans 200 years of tradition and excellence. The Orchestra is joined by the Leeds and Sheffield Philharmonic Choruses, both with illustrious histories of their own.

The task of leading this huge orchestra is that of the world-renowned German conductor Markus Poschner. A German Conductor’s Award winner, he is regularly invited to lead the world’s best orchestras, specialising in the symphonies of Mahler, Brahms and Beethoven.

With 200 musicians and singers on stage together performing Mahler’s momentous work in the wonderful Usher Hall acoustics, get ready for a mind-blowing Sunday Classics experience.

Bruckner Orchester Linz

Usher Hall, Lothian Road, Edinburgh

Door time: 2:00pm

Start time: 3:00pm

Mahler Symphony No.2 ‘Resurrection’

Markus Poschner Conductor
Leeds Philharmonic Chorus
Sheffield Philharmonic Chorus
Brigitte Geller Soprano

Tickets available at: www.usherhall.co.uk/sunday-classics 

WHAT’S ON APRIL: OLIVER MEARS DIRECTS NEW PRODUCTION OF TCHAIKOVSKY’S EUGENE ONEGIN

Oliver Mears, Director of Opera at The Royal Opera, directs a new production of Tchaikovsky’s Eugene Onegin to close Scottish Opera’s 2017/18 season.

This sweeping tale of unfulfilled love opens in Glasgow on April 27 before touring to Aberdeen, Inverness, Edinburgh and Belfast.

Not heard on Scottish Opera’s main stage since 1993, Tchaikovsky’s soaring score is the most radiant of Russian lyric operas. Adapted from Pushkin’s classic verse novel, Eugene Onegin is a deeply moving tale of unrequited love and high society life. When Tatyana, a young country girl, is introduced to the arrogant Eugene Onegin, she is besotted and confesses her love, only to be rejected and humiliated. Onegin flirts with Tatyana’s older sister Olga, who’s engaged to Vladimir Lensky, Onegin’s only friend, setting off a series of tragic events.

Scottish Opera’s Music Director, Stuart Stratford conducts a cast of international talent. Award-winning Welsh soprano Natalya Romaniw (Rusalka 2016) sings Tatyana, and former Jette Parker Young Artist Samuel Dale Johnson (The Marriage of Figaro 2016) is Eugene Onegin. Peter Auty (Flight 2018) is Vladimir Lensky and former Scottish Opera Emerging Artist Sioned Gwen Davies (Flight 2018) is Olga. Scottish Opera Emerging Artist Alexey Gusev (Iolanta 2017) sings the role of Captain.

Joining Oliver Mears’ team is award–winning set and costume designer Annemarie Woods, lighting designer Fabiana Piccioli and former Scottish Ballet Artistic Director, choreographer Ashley Page. Eve Mutso, former Principal Dancer with Scottish Ballet, is the Dancer.

Also appearing in the production is George, a 7-year-old cob, who makes his stage debut as Onegin’s horse.

Oliver Mears said: ‘Onegin has everything: breathtaking music, heart-rending poetry, and the drama of passionate characters who live and breathe as we do. With its richly poetic atmospheres and endlessly inspired melodic invention, the opera is one of the greatest Russia has to offer – and, like an apparition from the past, once heard this beautiful opera haunts our dreams. We are lucky to be making this production with an outstanding cast of mainly young singers who will bring all of their energy and commitment to Tchaikovsky’s great score.’

Stuart Stratford added: ‘Onegin is the most iconic of Russian operas and is the one held in highest affection by all Russians. It has a unique blend of the lyric and dramatic and features one of the greatest scenes ever written for soprano. Tatyana is a complex and vulnerable character and we are fortunate to have rising star, Natalya Romaniw, giving her interpretation to a role with which she is already closely associated. Onegin is a piece I know really well, having studied it as a student in St. Petersburg. Every time I return to it, the music still feels fresh and I am always in awe of the emotional depth that it provides.’

Those who wish to discover more about how the production was created can attend Eugene Onegin Unwrapped, one-hour tasters delving further into the show, as well as Pre-show Talks. Audience members with visual impairments can enjoy the full opera experience at audio-described performances, which have a live commentary describing the action on stage without compromising the music.

Theatre Royal Glasgow, 282 Hope Street, Glasgow G2 3QA

Fri 27 Apr, 7.15pm

Sun 29 Apr, 3pm

Thu 3 May, 7.15pm

Sat 5 May, 7.15pm

 

Eugene Onegin Unwrapped

Wed 2 May, 6pm

Eugene Onegin Pre-show Talk

Sat 5 May, 6pm

Eugene Onegin Touch Tour

Sat 5 May, 6pm

Eugene Onegin Audio-described performance

Sat 5 May, 7.15pm

NEWS: Brand-new production celebrating the life of Mary Shelley to tour Scotland this spring

In celebration of 200 years since the publication of her most famous novel Frankenstein, The Occasion Theatre has announced the Scottish tour of their new production exploring the life of Mary Shelley.

Directed by Peter Clerke and written by Stewart Ennis, The Monster and Mary Shelley is an atmospheric, moving, and at times darkly comic exploration of fear.

June 1816 – the year without a summer. At the age of 18, having recently watched her premature baby die, Mary Shelley has a ‘waking dream’ and begins to write a story that will haunt and define her for the rest of her life.

An atmospheric, moving, and at times darkly comic exploration of fear, incorporating elements of music hall, melodrama, horror and teenage rebellion with a pulsing contemporary cinematic score, The Monster and Mary Shelley explores the life of this celebrated author – the Gothic Girl who electrified the world.

The production opens at the Tron Theatre in Glasgow on Friday 20th April, with an additional performance on Saturday 21st April. Following performances at The Tron the show will tour to Platform, Glasgow (Wed 25th Apr), Macrobert Arts Centre, Stirling (Thu 26th Apr), The Byre Theatre, St. Andrews (Wed 2nd May), Beacon Arts Centre, Greenock (Thu 3rd May), Eastgate Theatre and Arts Centre, Peebles (Fri 4th May), The Brunton, Musselburgh (Sat 5th May), Mull Theatre, Tobermory (Mon 7th May), Skye Theatre – Sabhal Mòr Ostaig, Isle of Skye (Wed 9th May), Universal Hall, Findhorn (Fri 11th May) and Lyth Arts Centre, Wick (Sat 12th May).

The Occasion Theatre’s Co-Artistic Director Peter Clerke directs. Peter studied at the Ecole Philippe Gaulier in Paris and was a founder member and Co-Artistic Director of benchtours (1991 – 2009) directing or performing in all of their productions. He was also Co-Founder and Artistic Director of Lung Ha’s and spent five years at Edinburgh’s Theatre Workshop. From 2009 – 2015 he was the Artistic Director of Blue Apple Theatre, Winchester, one of Southwest England’s leading learning disability arts organisations.

Peter said:To create a work around the life of Mary Shelley has been a process of mining a rich, deep vein. While the many excitements and joys of her life were always paralleled with sadness and loss, Mary Shelley never lost sight of her beliefs in human dignity, equality and libertarianism. She was a woman many years before her time and maintains a striking resonance in the present day. We have tried, throughout, to make a work that both celebrates her life, whilst also reflecting her continued relevance to the 21st century.” He added: As a company, The Occasion is very excited to be touring this show to communities across Scotland, from the Borders to Caithness, from Renfrewshire to Fife. We strongly believe in making theatre which is accessible to all. This tour very much realises our ambitions and we greatly look forward to welcoming audiences, throughout the country, to spend a night with Mary… and her Monster.”

The Monster and Mary Shelley is written by Stewart Ennis. Stewart was a founding member of benchtours and has worked with many Scottish theatre companies. Originally trained as a performer at East 15 and the Ecole Philipe Gaulier, he is also Creative Writing tutor at HMP Shotts. Other plays include, The Dark Room, The Taking of Zena Charbonne, One Straight Line, and Robert Burns Celtic Complex. His first novel, Blessed Assurance will be published by Vagabond Voices in September 2018. Stewart said: ” ‘My workshop of filthy creation’ is how Victor Frankenstein describes the room where he assembles his creature. Appalled that his creation is not as beautiful as he had imagined, and failing to recognize its heart and soul, he immediately abandons his ‘catastrophe’. If the show that we have created for you in our ‘workshop’ is not always beautiful, that will be no catastrophe, but I do hope that it will have heart and soul.”

Catherine Gillard plays Mary Shelley. Catherine studied at Sydney Acting School and the Ecole Philippe Gaulier in Paris. She was a founder member and Co-Artistic Director of benchtours (1991 – 2009). Recent projects include Kill Me Now (Melanie Stewart Dance Theatre/Philadelphia Live Arts Festival), Apocalypse and The Taking of Zena Charbonne (The Occasion).

Richard Williams composes. Set and costume design is by Ali MacLaurin with Lighting Design by Paul Froy.

Tour Dates and Listing information

The Monster and Mary Shelley

Atmospheric, moving and darkly comic with a pulsing, cinematic score, this is a contemporary voyage into the life of Mary Shelley – the Gothic Girl who electrified the world. Presented by The Occasion Theatre.

Fri 20 – Sat 21 Apr

Tron Theatre, Glasgow

8pm

Tickets: £11/£8.50 conc.

Box Office: 0141 552 4267

www.tron.co.uk

 

Wed 25 Apr

Platform, Glasgow

7pm

Tickets: £8.50/£5 conc./£4 Local Links

Box Office: 0141 276 9696

www.platform-online.co.uk

 

Thu 26 Apr

Macrobert Arts Centre, Stirling

7.30pm

Tickets: £12.50/£10.50 conc./£5.50 students

Box Office: 01786 466 666

www.macrobertartscentre.org

 

Wed 2 May

Byre Theatre, St. Andrews

7.30pm

Tickets: £12/£10 conc.

Box Office: 01334 475000

www.byretheatre.com

 

Thu 3 May

Beacon Arts Centre, Greenock

7.30pm

Tickets: £12/£10 conc.

Box Office: 01475 723 723

www.beaconartscentre.co.uk

 

Fri 4 May

Eastgate Theatre & Arts Centre, Peebles

7.30pm

Tickets: £14/£12/£16 U15s

www.eastgatearts.com

 

Sat 5 May

The Brunton, Musselburgh

7.30pm

Tickets: £13.50/£11.50/£8.50 U18s

www.thebrunton.co.uk

 

Mon 7 May

Mull Theatre, Tobermory

8pm

Tickets: £10/£8

www.comar.co.uk

 

Wed 9 May

Skye Theatre, Isle of Skye

8pm

Tickets: £14/£12 Members/£7 Students and Young People/Seasons Free

www.seall.co.uk

 

Fri 11 May

Universal Hall, Findhorn

8pm

Tickets: £12/£10 Concs./£8 U16s

www.wegotickets.com/UniversalHall

 

Sat 12 May

Lyth Arts Centre, Lyth

8pm

Tickets: £14/£12/£6

www.lytharts.org.uk

NEWS: Atomic Kitten’s Natasha Hamilton confirmed for Fat Friends The Musical at Glasgow King’s

Natasha Hamilton, of Atomic Kitten fame, will be starring in the new musical Fat Friends when it tours to Glasgow this April (Mon 30 – Sat 5 May).

Natasha will be joining an all-star cast including Scotland’s very own Elaine C Smith, West End favourite and winner of the BBC’s I’d Do Anything, Jodie Prenger, star of Emmerdale and Wicked Natalie Anderson and Coronation Street legend Kevin Kennedy.